Those who have learned piano are in!! Urgently, ask for help! A few small questions about the piano

Haha, look at the ones upstairs, I laugh to death, for LZ, it doesn't work, because for beginners, I can't understand it at all. Look at me, haha:

1. First of all, what is called C major and D major, I will tell you in a way that you can understand, use the scale to explain, start from C (that is, DOL), play to the previous C, and then rebound back in turn, which is the C major scale, and D major, that is, start from D (Re), play to the previous D, and then play back in turn, which is D major. In other words, what tone you play from is what key (in this case, the scale), and as for the question of tonality and mode, I know that you are not asking about that.

How to see what key it is, you have to look at the rising and falling marks behind the treble clef of the stave and in front of the beat, if there is neither a sharp nor a flat, it is C major (of course, it may also be A minor, I will not discuss the minor key here, the following are the default major keys.) There is only one sharp in G major, only one flat in F major, two in D sharp, two in B flat major, three in A major, three in E flat major, four in E major, four in A flat, five in B major, five in D flat major, six in F sharp major, six flat in G flat, haha, six sharp and six flat in G flat, already coincide, hehe.

Regarding the role of the key, I will give you a simple list, if you sing, if you can't sing, you will ask for "a lower key", if it is too low, you will say "the tone is too low", haha, this is just one of the functions of the key, hehe, other functions, needless to say here!

2. As for the arc, that is, the connection, whether you want to raise your hand, in principle, you have to raise your hand, but you have to see whether the content in the connection is clearly expressed, and the expression is clear, whether it is from the content or the performance posture, you must have a beautiful "inhale" (raise your hand) action. Often, in piano music, a connection must be raised.

I'm tired of it, I don't know if you're satisfied?

First of all; Semitone: is any two adjacent keys on the piano that are chromatic, and the white key is between 3 and 4. 7,1. Any black and white adjacency is chromatic. Such as 1 to

Whole tone: A key is separated by a whole tone, such as 1 to 2, and a 1 is separated by a middle, so it is a whole tone. A white key between the two black keys is also a whole tone, as in 1 to 2There is a 2 interval in betweenWhole step.

Scale: If it's a major key, it feels like it's do, re, mi, fa, sol, la, si, doIt is 1, 2, 3, 4, 5, 6, 7, 1

In the case of C major, the note name is: C, D, E, F, A, B, CThen between 3, 4, 7, 1 is semitone, and everything else is full between them.

The relationship is, all, all, half, all, all, all, all, half.

Note: Usually what we call dope (short score: 1), it is generally in the key of C major (simple score:

1 then the sound name c). The position of this note is on the white key adjacent to the left of the two black keys of the piano. (The black keys of the piano are two, three are arranged like this), and any note on the piano can be used as a do

According to all, all, half, all, all, all, half. relationship. You should be able to find all the keys on the piano. For example, e major: (i.e. e when do) e, f, g, a, b c, d, e

The so-called arc, what you are talking about should be the sentence line, and after playing a sentence, you have to lift the hand, that is, you sing the melody and sing it smoothly, then you must ventilate at the end of the clause line, and the ventilation handle should be natural and not stiff.

The connecting note line is also an arc, but it is a connection between two identical tones, which means that the latter note does not need to be played again, but can add the time values of the two tones.

I remember telling you before, it's best not to teach yourself the piano, music theory is still secondary, the performance method will be very difficult without the guidance of the teacher, once you develop bad playing habits, it will be more troublesome to change it!

Find a teacher, you don't need to find an expert, you can generally learn piano students professionally. Follow the rules and you'll have these problems solved.

But since it's here, I'll give you these two questions, hehe :)

1.The concept of tuning is now for you, in fact, it is more abstract, at this stage you can understand it like this, different tuning ranges are different, for example, the same song, if a male singer uses the key of G, the general female singer has to use the key of C. The question of how to read the key signature will be explained to you until you have a certain playing foundation and music reading ability!

2.The "arc" you are talking about is a sluto line, which is drawn on top of a phrase to indicate the coherence of the middle notes of the phrase, and if the left and right hands end at the same time, then raise your hand at the same time. However, there is a large set of essentials for "raising the hand", the scientific name is "rolling", which is not simply raising the hand, but also involves the force and direction of movement of the forearm, wrist and even the fingertips.

To sum up, it's better to find a teacher to learn systematically!

Another: What textbooks do you use now?

How to say it to you, D major is 2, 3, 4, 5, 6, 7, 1, 2

C major is 1, 2, 3, 4, 5, 6, 7, 1

It's not about an arc to raise your hand.

On the first question.

I don't think it's clear if I don't talk about it live.

If you're a beginner, you shouldn't have to worry too much about it.

Second question.

It depends.

It is not necessary to raise your hand after all arcs.

It's better to say that there is an arc after another arc, and these are the ones that will be talked about after a little bit of a hand.

Sometimes the beat is faster, and there is no time to raise the hand one by one.

The piano is something that you have to feel and play with your heart.

Finally, if you want to learn the piano well, you should go to a teacher.

To learn piano by yourself, you also need to learn basic music theory knowledge by yourself

These things are very abstract and can't be explained! No matter what instrument you learn, you should learn the basics of music theory first!

(Remember that you love your piano and play it.) Well, your love for the piano is shallow now, because you don't know it well enough, I think the piano, as you continue to go deeper into the piano, you will understand whether you really like your piano so much, like to play it. Therefore, it is up to you to decide whether you stick to it or not, and it depends on whether you want to continue to understand the "piano".

1.(Wish is a beautiful drop, the process is a painful drop, the result is a sweet drop) or recommend that you practice more in the previous exercises, until the melon is ripe and will be memorized, and then for the later exercises will not be too difficult, if you really follow the steps to practice, you are indeed because you should learn faster and faster, since it is difficult to keep up with the pace of Beye, it means that there is still a problem with the learning method. As for the ** problem, it's up to you to find it yourself

2.Let's go find some octave etudes (they are all over the place, so it's hard to list them all).

3.Impetuous? This is to start from the details of life If you want to be impetuous, it is mainly up to you - see what mood you are in playing your piano, and whether you are bored?

Do you have something on your mind? (If you have something on your mind, you need to choose to play the piano when you are calm) or is it really inexplicably impetuous?!

In fact, there is a reason for all impetuousness, but you don't need to find any reason, all you have to do is to "calm - calm - "calm - quiet" There are too many ways to adjust yourself, everyone's point of view is different, but there is no absolute right or wrong, such as Ruo. My words may take the book fan myself (gently ha). Or soak yourself in water.

Embarrz....But the main thing is - read the book! (Of course, believe you're different from my neurotic.)

But I hope that one day you will be able to calm your mood with your own piano sound like I did. So, until then you do it – it's up to you to find ways to calm your mood effectively, and these methods vary from person to person.

I talk a lot of nonsense, but it's not useless! In these years, who will understand my hard work I still hope you think about it yourself. ）

That's it.