-
Chang'e (Tang) Li Shangyin The mica screen has a deep candle shadow, and the long river is gradually falling. Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night. All note 1
Chang'e: A fairy in the moon in ancient mythology. "Huainanzi Lan Yin Xun":
Yi invited the medicine of immortality to the Queen Mother of the West, and Heng'e stole it to run to the moon. "Heng and Gong. 2.
Mica screen: A screen embedded with mica stone. This Chang'e is alone in the Moon Palace room, and at night, only the candle shadow and the screen are accompanied.
3.Long River Sentence: The Milky Way is gradually tilting to the west, Hyosung will disappear, and another lonely night will pass.
4.Bihai: "Tale of Ten Continents":
Fusang is on the east shore of the East China Sea, the shore is straight, and the land line is 10,000 miles away, and there is a blue sea in the east, and the sea is wide and narrow, and the East China Sea, etc., the water is not salty and bitter, and is making blue. "Through the screen decorated with mica, the shadow of the candle faded. The Milky Way is also quietly disappearing, and the morning star is sinking in the dawn light.
Chang'e of the Moon Palace may regret stealing Hou Yi's elixir. Now only the blue sky and blue sea accompany her lonely heart every night. Translation The mica screen is dyed with a thick layer of candle shadows, and the Milky Way is gradually slanting and the morning star has sunk.
Chang'e must have regretted that she had stolen the elixir at the beginning, and now she is alone in the blue sea and blue sky and is chilling every night.
-
The mica screen candle shadow is deep, and the long river gradually falls.
Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night.
-
The white rabbit pounds medicine in autumn and spring, who is Chang'e's neighbor in solitude?
Today's people don't see the ancient times and the moon, but this month once looked like the ancients.
If the ancients and the present people are flowing water, they will see the bright moon together.
I hope that when the song is against the wine, the moonlight shines on the golden bottle.
Tang Dynasty: Excerpt from Li Bai's "Asking the Moon with Wine".
The mica screen candle shadow is deep, and the long river gradually falls.
Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night.
Tang Dynasty: Li Shangyin's "Chang'e".
Under the grass, the leaves of the insects are frosted, and the vermilion column is pressed against the lake.
The rabbit cold toad is cold osmanthus white, and this night should be broken.
Tang Dynasty: Li Shangyin's "Moon Night".
In the past, he stole the elixir of immortality, and there was Chang'e in the sky.
Yingying is beautiful in the sky, and the solitary and clean dwelling on the golden waves.
Tang Dynasty: Li Qunyu's "Feeling Xing".
Chang'e stole the medicine out of the world, hid it in the Toad Palace and did not let it go.
Hou Yi searched everywhere for nowhere to be found, but who knew that the sky would tolerate adultery.
Tang Dynasty: Yuan Jiao's "Moon".
The Moon Palace is cold and Guituan, and the flowers bloom every year.
In the world, they say that they are in the sky, but they do not know that the heavens remember the world.
Ming Dynasty: Bian Gong "Chang'e".
The elopement plan for stealing medicine is exhausted, and the anvil should hate the empty house.
At that time, the sun was still missing, and nothing could be done in the middle of the moon.
Ming Dynasty: Lan Tingrui's "Title of Lady Running to the Moon".
Is it uninhabitable in the world, flying across the jade toad.
There is no parting in the sky, and the weaver girl is not smiling.
Ming Dynasty: Hu Kui's "Chang'e Running to the Moon".
-
Original text of the work. Chang'e.
The mica screen candle shadow is deep, and the long river gradually falls.
Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night.
Vernacular translation. Sitting quietly alone in the mica screen, the light and shadow of the residual candle are deep. The long Milky Way has gradually receded, and the morning star has gradually faded and faded low.
Chang'e may regret that she stole the elixir of immortality back then, but now she is facing the blue sky and blue sea, tormenting her lonely heart night after night.
Background of creation. This is a poem about Chang'e, but different families have different views on the poet's creative opportunities. Some people think that the song sings about the elopement of the intended person, some people think that it is directly singing about the loneliness of the protagonist, some people think that it is to use Chang'e to have another sustenance, and some people think that it is singing about the woman learning the Tao and seeking immortals.
Li Shangyin once compared the female crown to "Yue'e and the widow" in "Sending Palace People to the Dao", and in the poem "Sending Song Huayang Sisters on a Moonlit Night", he used "stealing medicine" as a metaphor for women learning the Tao and seeking immortals. Therefore, this poem may be a poem on behalf of the female crown who is trapped in the palace to express the feelings of loneliness. Zhu Heling of the Qing Dynasty also believes in the "Notes on the Reformulation of Li Yishan's Poetry Collection".
This is also a female Taoist priest. "Taoism was prevalent in the Tang Dynasty, and women's entry into the Tao became a trend, and after entering the Tao, they experienced the constraints of religious rules on normal love life and produced spiritual depression, this poem may be a true portrayal of their situation and mood.
Holistic appreciation. The title of this poem is "Chang'e", which is actually about the feelings of the lonely protagonist about the environment and his spiritual monologue, which is written in a thoughtful and reasonable manner. The language is subtle, and the mood is sentimental.
The first two sentences describe the protagonist's environment and the scene of never sleepless. Inside, the candlelight is getting dimmer and dim, and a deep shadow is shrouded in mica screens, which shows the emptiness and coldness of the living room more and more, revealing the protagonist's gloomy mood in the long night of sitting alone. Outside, the Milky Way gradually moved westward and drooped to the ground, and the Cowherd and the Weaver Girl looked across the river, which might have brought some reverie to the sleepless people who were alone and lonely, and this group of Milky Way was about to disappear.
The sparse morning star dotted with the empty sky seems to be silently accompanying a lonely moon, and also accompanying the sleepless one who never sleeps, and even this last companion is about to disappear at this time. The word "Shen" is vividly depicting the dynamics of the morning star hanging low and wanting to fall, and the protagonist's heart seems to be gradually sinking. "Candle shadow deep", "long river falling" and "Hyosung sinking" indicate that the time has come to the dawn, and the word "gradually" hints at the passage of time.
The protagonist in Suo Lonely, in the face of the cold screen and the lonely moon in the blue sky, spent another sleepless night. Although there is no direct depiction of the protagonist's psychology here, with the help of the rendering of the environmental atmosphere, the protagonist's loneliness and coldness and unbearable loneliness can almost be touched.
-
The first thing I think of is Li Shangyin's sentence about Chang'e: Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and heart.
-
1. Only on a cool autumn night, Chang'e came to climb temporarily. ——From Don Li Deyu's "Twenty Songs of Spring Twilight Sipingquan Miscellaneous Songs: Laurel".
2. Raise wine to persuade Chang'e, and make the light full. ——From Song Hongshi's "Shengchazi".
-
Verses about Chang'e:1, "Chang'e".The mica screen candle shadow is deep, and the long river gradually falls. Chang'e should repent of stealing the elixir, and the blue sea and blue sky are night and night.
2, "Tianzhu Temple August 15th Night Guizi".The jade Shanshan went down to the moon wheel, and found Revsin in front of the palace. So far, it will not be in the sky, it should be Chang'e and people.
3, "Chang'e".The Moon Palace is cold and Guituan, and the flowers bloom every year. In the world, they say that they are in the sky, but they do not know that the heavens remember the world.
4, "Huanxi Sand".The lonely tassel is coldly embroidered, leaning on the mountain pillow to provoke the fragrant dust, and the flowers in the small garden are crying in the spring. Liu Ruan Xin is not a guest of the immortal cave, Chang'e is a person in the moon after all, and there is no way to visit the east neighbor in this life.
5, "Moon".Chang'e stole the medicine out of the world, hid it in the Toad Palace and did not let it go. Hou Yi searched everywhere for nowhere to be found, but who knew that the sky would tolerate adultery.
Beauty loves heroes and is more traditional
This poem is sung by Hai Lei, expressing an unforgettable love with retro poetry, and using modern techniques to pave the retro plot, which is definitely a beautiful word in the Chinese-style lyrics. Everyone has a different opinion on the meaning of the song, depending on how you understand it.
It's Chang'e. The old man is talking about the old man under the moon, not living on the moon.
Du Fu wrote more than 1,000 poems in his lifetime, among which the famous ones are "Three Officials", "Three Farewells", "Soldiers' Chariots", "Song of the Thatched House Broken by the Autumn Wind", "Beauty Walking", "Spring Hope" and so on. Hope.