Seek original essays, write scenes, lyrical, and support things 80

The difference between borrowing scenery lyricism and supporting things:Clause. 1. The words of the author are lyrical through the singing of things, often with the help of some characteristics of specific plants, animals, objects, etc., to express the author's feelings euphemistically and tortuously.

These things are not scenes, and Yongwu is not writing scenes. Lyricism through the scene is to use the scene to lyricalize, or the scene contains affection, always revealed; Or in the love scene, it is contained but not revealed. The scenery here refers to a natural landscape, not an object.

Clause. 2. The ambition in the words of the trustee has a wide range of meanings, which can refer to feelings, aspirations, interests, hobbies, wishes, requirements, etc. The feelings in the lyrical borrowing of scenery refer specifically to feelings such as love, hatred, praise, whiplash, happiness, and sadness.

Clause. 3. The author's feelings and aspirations are conveyed through the physical objects related to them, that is, to achieve the purpose of writing, and can be narrated and discussed. The lyricism of the scene requires the harmony of thinking and the environment, the meeting of the mood and the scene, the allegorical feeling in the scene, the coexistence of the scene, and the content forms a three-dimensional aesthetic conception of the integration of the scene and the combination of form and spirit.

"Supporting things and words" refers to the description of objective things, sustenance and conveying a certain feeling, ambition and interest of the author. For example, in Yu Qian's "Lime Yin", the poet borrowed things to sing his nostalgia, and expressed his steadfast sentiments and upright and noble thoughts that are not afraid of hardships and hardships through the process and results of mining stones to burn lime. For example, "In Praise of the Poplar", "The Style of the Pine Tree", and "The Story of the Sick Plum Pavilion" are all examples of excellent use of the technique of supporting things and words.

"Lyrical borrowing scenes" refers to expressing feelings with the help of depicting scenes, and feelings are contained in the scene. For example, in the first paragraph of Lu Xun's "Hometown", the author does not directly express "me"'s sad mood, but expresses "me" state of mind at that time through vivid descriptions of scenes: depressed, depressed, and sad.

There are countless examples of lyrical scenes, such as "Scenery Talk", "Moonlight on the Lotus Pond" and so on.

There are similarities between the two. Teachers and students, both manuscripts are indirect lyricism, which is different from direct expression. They use narration, description, and argumentation to express their lyricism, making abstract feelings objectify, concrete, and visualize, and easy for people to understand and accept.

Secondly, they can all use artistic techniques such as symbolism and metamorphosis, as well as rhetorical methods such as metaphor, comparison, exaggeration, and personification, to enhance their artistic appeal.

They differ in that:

First, "Supporting Things" is to express the author's feelings euphemistically and tortuously with the help of some characteristics of specific plants, animals, objects, etc. These things are not scenes, and Yongwu is not writing scenes. Lyricism through the scene is to use the scene to lyricalize, or the scene contains affection, always revealed; Or in the love scene, it is contained but not revealed.

The scenery here refers to a natural landscape, not an object.

Second, the "Zhijian jujube" in "Supporting Things" has a wide meaning, which can refer to feelings, aspirations, tastes, love, wishes, requirements, etc. The feelings in the lyrical borrowing of scenery refer specifically to feelings such as love, hatred, praise, whiplash, happiness, and sadness.

Third, the content of the "words and aspirations" does not produce artistic conception, and a certain feeling and ambition of the author is conveyed through the physical objects related to it, that is, to achieve the purpose of writing, and can be narrated and discussed. The lyricism of the scene requires the harmony of thinking and the environment, the meeting of the mood and the scene, the allegorical feeling in the scene, the coexistence of the scene, and the content forms a three-dimensional aesthetic conception of the integration of the scene and the combination of form and spirit.

Promise words. Verse:

No one believes in the high stool Fu Yanjie, who is the expression of the heart. In the prison cicada Luo Bin Wang has a few plums in the corner of the wall, and Ling Han opens it alone. I know that it is not snow, because there is a dark fragrance. Plum blossom Wang Anshi.

Words: Pine and cypress: What is cold is a jujube, the important thing is survival or cold resistance.

Lyrical borrowing scenes. Verse:

Raise your head to look at the bright moon and bow your head to think of your hometown. ——Look up and see the bright moon in the sky, lower your head and miss your hometown.

When is the bright moon, ask the wine to the sky. ——When will there be a beautiful view of the bright moon, the hand hall will hold a wine glass and ask the sky.

Words: Sitting on the pool, surrounded by bamboo trees on all sides, lonely and uninhabited, sad and cold, quietly gloomy. Yuguanfu Baling is victorious, in a lake in Dongting. Distant mountains, swallowing the Yangtze River, vast soup soup, boundless, sunrise and sunset, the weather is thousands.