See the Dragon Unloading Montage, what does the montage in the camera and montage refer to? Thank yo

This is a nonsensical science fiction drama that combines elements of China, Japan and South Korea, do you think he counts as a Three Kingdoms drama?! His creativity caught up with Dark Rong's "Peerless Snake", and advanced Japan's Warring States history to the Three Kingdoms battlefield more than a thousand years ago!

Seeing this director so skillfully use postmodern deconstructivism to change Japan's Warring States into Three Kingdoms, I understand that they have always regarded the history of China and Japan as their own history, and maybe in a few years they will talk about the history of the United States as their national history!

We have seen at least one hero's legend born, Zhao Zilong fought against Changchangbanpo, and rode alone to rescue Adou. In the meantime, the scene of flying over the cliff after the attempted assassination of Cao Cao not only made the audience in front of the screen exclaim, but many viewers must have recalled the same scene in their childhood. In the film, Kong Ming's humorous modern tone explained, "We are all old, and we all live by the good memories of the past."

And after the establishment of this hero, the film has a few strokes, and there is a brief history of Shu that tells the audience that there were "five tiger generals" in Shu, and then montage let four of them go to Maicheng, and those who go west by crane go west, and end up with "no general in Shu", leaving only one "Adou who can't be supported". As for what kind of great history Zhao Yun experienced during the period, he didn't explain it again, maybe the director is confident that the audience is familiar with the Three Kingdoms.

The most surprising thing in it is that Sammo Hung pretended to whisper to Andy Lau to go and get back the Adou who couldn't be helped... Damn, although the age of three is set to be eighty, but how old is Adou at that time in the film? Inside, Sammo Hung returned to the prophet of the unknown, knowing that this little guy can't help it?

With such a big investment, who is to blame, who is to blame?

I originally had some ideas about this movie After all, Zhao Yun is my favorite character in the Three Kingdoms But I was desperate after watching it Not to mention whether the movie is in line with history or the background of the Three Kingdoms The PK of the female military general and Zhao Yun made me irritable Some plots made me speechless War is war It's not as simple as some people think.

In the production of the film, the director shoots many shots according to the script or the theme of the film, and then organically and artistically organizes and clips these different shots together according to the original creative concept, so that they can produce coherence, contrast, association, suspense and other connections and different rhythms, so as to selectively compose a film that reflects a certain social life and thoughts and feelings, and is understood and loved by the audience.

There is no good way to do it, there is no own manufacturer, it is a leather bag company, what is the manufacturer in Guangzhou, it is its own factory, at least the factory work clothes should be unified.

Montage has two major functions: narrative and ideological, according to which we can divide montage into three most basic types: narrative montage, performance montage, and rational montage. The former is a narrative device, and the latter two are mainly used for expression.

On this basis, a second level of division can also be made.

For details, please refer to it.

1. Differences in narrative style:

Cross-over montage is the cross-narration of people or events in different places at the same time. Parallel montage is that time and space are different, although it is also a cross-narrative, but the two subjects of the narrative are not in the same space.

Cross Montage:

Parallel Montage:

Second, the difference in function:

First of all, because it is used to deal with the plot, the process can be abridged to facilitate the summary and concentration, save space, expand the amount of information in the film, and strengthen the rhythm of the film; Secondly, because this technique is a horizontal expression of several clues, complementing each other and forming a contrast, it is easy to produce a strong artistic effect.

Cross-montage is an editing technique that can easily arouse suspense, create a tense and intense atmosphere, and strengthen the sharpness of contradictions, which is a powerful way to mobilize the audience's emotions.

3. Differences in diversity:

Parallel montages include, expanded vs. centralized montages and narrative vs. inverted narrative montages.

From close-ups to distant scenes, the audience can see the whole from the details, creating a specific atmosphere, which is the expanded montage; From the vista to the detailed close-up, this is a centralized montage. This type of representation is used to narrate the events experienced in the past and the imagination of the future. For example, the overprints, memories, fantasies, dreams, imaginations, etc. in the film show scenes of the past and the future.

Cross montage is a technique of cross-editing two actions that occur at the same time and in different spaces.

Parallel montage is two story lines that are not directly related, for example, the film explains that the two brothers left their hometown to work, and the stories after the two were separated were expressed separately, which is parallel montage. The crossover montage is a scene of two brothers unknowingly competing for the same position, and the film constantly crosses the readiness of both sides.

The parallel performance of more than two plot lines, narrated separately, is a parallel montage, the most typical example is "Crazy Stone". Multiple lines are juxtaposed and finally intersected. So this one you're talking about is a parallel montage.

Contrast montage is a strong contrast in content (such as poverty and wealth, suffering and happiness, life and death, nobility and inferiority, victory and defeat, etc.) or form through the lens, resulting in mutual emphasis and conflict, so as to achieve the theme of praise and belittlement. So you're using both montages.