Why is Han Fu called Seven Body Writing The Han Dynasty s understanding of the Fu body

Seven-Body]: A kind of literary endowment, which is mostly a work of persuading people to be vigilant. There are "Seven Hairs", "Seven Radicals", "Seven Yi", "Seven Arguments", "Seven Enlightenment" and so on.

The Seven Bodies is one of the genres of Fu, which is representative, and is characterized by repeated questions and answers between the virtual subject and object, laying out the Seven Things in the order of "the beginning of evil and the end of the good". It caused later generations of authors to follow suit, and formed a stereotyped style of subject-object question and answer in the Fuzhong, called "Seven Bodies". The new style was first changed in content to praise the monarch, exhorting a hundred and satirizing; In terms of form, the sentence structure of Chu Ci sentences that mostly uses virtual words and uses more modal words at the end of sentences is further dispersed and becomes a kind of rhyming prose that specializes in narration.

The "Seven Hairs" of the Western Han Dynasty is rich in rhetoric, mostly using metaphors and overlapping words, and mainly narrative writings, which is a complete new style of fu, marking the formal establishment of the Han Fu system. Later, the "Zhaoming Anthology" once listed "Seven Radicals", "Seven Yi", "Seven Arguments" and "Seven Enlightenment" as a single genre and called "seven". Since then, it has become a specialized style with seven paragraphs, known as the "Seven Bodies", which has been imitated by writers of various dynasties.

Western Han Dynasty multiplication. The work "Seven Hairs" laid the foundation of the writing system of Han Dafu and is considered to be the pioneering work of Han Dafu. Since the early Eastern Han Dynasty, there have been many literati who imitated the "Seven Hairs" to form a series of "seven", but only more than 30 articles have been preserved until now, and most of them are fragments.

The system of the seven-body text has its own uniqueness, which is named after "seven *", and the seven things are the main content of the article, hence the name.

Obviously, the seven-body text is not equal to the Han Fu.

It's just a kind of Han Fu.

The length of the sentences is different, the form is flexible, and the word "Xi" is often used.

From the point of view of sentence structure, all or most of the Fu style texts use Sao style sentences, such as the "Seven Hairs" and so on; Some make extensive use of prose sentences, such as Su Shi's "Former Chibi Fu" in the later Song Dynasty. From the point of view of subject matter and descriptive techniques, the main theme of the Fu Ti Wen is conventional, and the conception of the Fang Qiao Qi Law has the rules of Min Rolling Tomb to follow, and this typological tendency comes from the imitation of the previous generation, because the "Chu Ci" provides the most elegant and elegant example.

Chu Ci pioneered the four-word style of the Book of Songs, which is dominated by four words and rhymed with heavy chapters; Secondly, "Chu Ci" enriches the subject matter of poetry and expands the field of poetry expression, such as Zhaoyin poems, Youxian poems, etc., which are directly bred from "Chu Ci", and political poetry and so on.

The Seven Bodies is a kind of system in Wenfu.

Fu is roughly divided into five types, which are also five important periods: the Western Han people regard the works of Chu poets Qu Yuan and Song Yu as Fu body, without certain restrictions, which is called the Chu style of Fu; Han Fu is longer, mostly using the question and answer style, rhyme is scattered, its sentence pattern is mainly four words, six words, but there are also five schools of base words, seven words or longer sentences, Han Fu likes to pile up words, easy to use difficult words, extremely easy to lay out the ability to compare, but it is regarded as the authentic body of the Fu by later generations, also known as the ancient Fu; The Six Dynasties Fu is a variant of the Eastern Han Dynasty lyrical short fu, which is characterized by short length, neat sentence structure, mostly composed of four words and six words, and pays attention to plainness, rhyming throughout, also known as haifu; In the Tang and Song dynasties, there were strict restrictions on the number of words, rhymes, and pingxuan; Wenfu is a kind of prose culture produced after the Tang Dynasty, not deliberately pursuing duality, rhythm, vocabulary, allusions, sentence patterns are scattered and changeable, rhyme is freer, and even a large number of prose sentence patterns, Wenfu is actually a kind of liberation of the body. The main characters of the Fu family on behalf of Mingxian include Mei Cheng, Sima Xiangru, Yang Xiong, Ban Gu, Zhang Heng and others.

Fu was the pinnacle of Han Dynasty literature and was the most popular genre at that time.

Han Fu is a kind of rhyming prose that emerged in the Han Dynasty, and it was a style that Confucian literati in the Han Dynasty were keen on. From the point of view of the form of fu, it lies in "paving the collection of texts"; In terms of the content of the letter, it focuses on "writing a chronicle of physical objects". The content of Hanfu can be divided into 5 categories:

One is to render the palace city; the second is to depict the emperor's safari; the third is to narrate the travel experience; the fourth is to express the feelings of not meeting; Fifth, talk about birds, animals, plants and trees. The former two are representatives of the Han Fu. Fu was the most popular style of the Han Dynasty.

During the 400 years of the Han Dynasty, most literati devoted themselves to writing in this genre, so it flourished, and later generations often regarded it as a representative of Han Dynasty literature.

In terms of structure, Han Fu generally has three parts, namely the preface, the text, and the end known as "chaos" or "news". In the later period of Han Fu, most of the writing style is rich and eloquent, and the poor voice and appearance are used to spread out in a big way, singing praises for the power of the Han or the cultural and martial arts of the rulers, and only occasionally with a few strokes at the end, slightly revealing the meaning of irony.

Fu was the most popular genre in the Han Dynasty, and it was a genre that was different from poetry and literature, and it was somewhere in between. During the 400 years of the Western Han Dynasty and the Eastern Han Dynasty, most literati devoted themselves to writing in this genre, so it flourished, and later generations often regarded it as a representative of Han Dynasty literature. Fu was already a literary style as early as the pre-Qin Confucian Xunzi, and there was already a "Fu Chapter" in the book "Xunzi", which wrote five things: cloud, silkworm, ritual, knowledge and needle.

At that time, the main characteristic of Fu was "recitation without singing", which was suitable for oral recitation. It has little lyrical component, emphasizing narration and description, close to prose; When the writing is written, it often rhymes and scatters, with the nature of half poetry and half text; In terms of the structure of the chapters, it is mostly in the form of questions and answers. Fu is the evolution of "Poems" and "Chu Ci", "Book of Songs" is the distant source of Fu, and "Chu Ci" is the near source of Fu.

By the time it arrived in the Western Han Dynasty, it was enough to become a representative of the literature of the Han Dynasty and even influence the history of Chinese literature for thousands of years. The formation and development of the Han Fu can be divided into three stages: the Fu family in the early Han Dynasty, inheriting the remnants of Chu Ci, at this time the popular is the so-called "Sao Ti Fu", representing writers and works such as Jia Yi's "Hanging Qu Yuan Fu", Huainan Xiaoshan's "Zhao Hermit", Mei Cheng's "Seven Hairs", etc.; Later, it gradually evolved into the so-called scattered Dafu with independent characteristics, which is the main body of the Han Fu and the most prosperous stage of the Han Fu, with representative writers and works such as Sima Xiangru's "Zixu" and "Shanglin", Yangxiong's "Ganquan", "Hedong", "Feather Hunting", "Changyang", Ban Gu's "Liangdu Fu", etc.; After the middle of the Eastern Han Dynasty, the scattered large fu gradually declined, and the lyrical and aspiring small fu began to rise, and the representative writers and works include Zhang Heng's "Erjing Fu" and "Guitian Fu", Zhao Yi's "Assassin World Jealousy Fu", Cai Yong's "Shu Xing Fu", You Heng's "Parrot Fu" and so on.

Despite its flashy and pretentious shortcomings, Han Fu still has a certain status in the history of Chinese literature. It is of great significance in enriching the vocabulary, phrases and techniques of literary works, and in promoting the formation of literary concepts. Fu is roughly divided into five types, which are also the five important periods:

The Western Han people regard the works of Chu poets Qu Yuan and Song Yu as a fu, without certain restrictions, which is called the sao fu of Chu Ci style; Han Fu is longer, mostly using the question and answer style, rhyme is scattered, its sentence pattern is mainly four words, six words, but there are also five words, seven words or longer sentences, Han Fu likes to pile up words, easy to use difficult words, extremely easy to lay out the ability to compare, but it is regarded as the authentic body of the Fu by later generations, also known as the ancient Fu; The Six Dynasties Fu is a variant of the Eastern Han Dynasty lyrical short fu, which is characterized by short length, neat sentence structure, mostly composed of four words and six words, and pays attention to plainness, rhyming throughout, also known as haifu; In the Tang and Song dynasties, there were strict restrictions on the number of words, rhymes, and pingxuan; Wenfu is a kind of prose culture produced after the Tang Dynasty, not deliberately pursuing duality, rhythm, vocabulary, allusions, sentence patterns are scattered and changeable, rhyme is freer, and even a large number of prose sentence patterns, Wenfu is actually a kind of liberation of the body. The main representatives of the Fu family are Qu Ping, Song Yu, Sima Xiangru, Yang Xiong, Mei Cheng and others. Han Fu is undoubtedly a far-reaching genre in classical literature.

The Evolution of Han Fu.

Fu was born in the Chu State in the late Warring States period and prevailed in the Han Dynasty.

3. The formation and development of the Han Fu can be divided into several stages: The first period of the development of the Han Fu was from the early years of Gaozu to the early years of Emperor Wu, which was the formation stage of the Han Fu. Representative writers are Jia Yi, Huainan Xiaoshan, and Mei Cheng, among others.

At this time, the Great Fu also began to take shape. For example, the comic "Seven Hairs" created by Mei Cheng marks the formal formation of the Great Endowment System.

The second stage of the development of the Han Fu was the period of more than 200 years from the beginning of Emperor Wu of the Western Han Dynasty to the middle of the Eastern Han Dynasty, which was the prosperous period of the Han Fu. The popular one is the loose body of the big fu. The length of the great endowment is long, the structure is grand, generally more than 1,000 words, the spread of the text, the comparison of things, the description of the extreme appearance of things, so it is also called the body and things of the great endowment; The structure of the subject-object question and answer is mostly used, and the rhyme and prose are mixed, and the prose has more components, so the state cherry blossom is also called the scattered body of the great fu.