Ouyang Xiu inherited the theory of the Guwen Movement of the Tang Dynasty and led the Northern Son

Ouyang Xiu inherited the theory of the "Ancient Literature Movement" of Han Yu and Liu Zongyuan in the Tang Dynasty and led the Northern Song Dynasty Ancient Literature Movement.

Han Yu, Poetry and Literature Innovation Movement, Fan Zhongyan.

Han Yu, Liu Zongyuan, Poetry and Literature Reform Movement, Fan Zhongyan.

The idea of the ancient literature movement advocated by Liu Zongyuan and Han Yu was to oppose the rigid form and empty content of the ancient text, and to advocate the simple and free ancient text of the Qin and Han dynasties. The Guwen Movement advocated by Liu Zongyuan and Han Yu was actually a literary reform movement, and the pioneers of this Guwen Movement were Xiao Yingshi, Li Hua, Yuan Jie, Liang Su, Liu Mian and others.

The background of the Guwen movement.

The initiation of the Guwen Movement began after the Anshi Rebellion, when the Tang Dynasty had turned from prosperity to decline, and eunuchs seized power, Han Yu and Liu Zongyuan launched a literary revolution on literary style, style and literary language under the slogan of "retro", which was similar to the Renaissance in Europe.

The content of the Guwen Movement was mainly to revive Confucianism, and its form was to oppose the ancient literature and promote the ancient language.

Han Yu and others held up the banner of "retro" and advocated the study of ancient texts and ancient ways, so as to promote their political ideas and Confucianism. This proposition received strong support from Liu Zongyuan and others and a wide range of reactions in society, and gradually formed a mass wave of struggle, overwhelming Pun Wen and forming a far-reaching "movement".

Han Yu and Liu Zongyuan were representatives of the Tang Dynasty Guwen movement. They advocated ancient literature in order to promote the ancient way and revive Confucianism. Han Yu said, "Learn the ancient way and want to understand both; Those who understand the words are also those who are determined to follow the ancient road" ("After Ouyang Sheng's Speech").

Summary. The historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination for the transformation of literary style are the background: the shortcomings and deviations in the development of the three-body problem affect the healthy development of poetry.

The literary world is prevalent due to the Xikun style and Taixue style, which produces a bad style of writing that is broken, too carved, and pays attention to the beauty of form. Shiwen, represented by the three-body problem in the early Song Dynasty, was detached from political needs. Significance:

suppressed the bad style of poetry, and the style of the literary world has changed; promoted a large number of talented people; It pointed out the direction for the literature of the Song Dynasty. The characteristic of Wang Anshi's poetic pursuit is that some of his works directly reflect real social issues, while the other part of his works use the past to illustrate the present, or use themes to show the author's political concept or life concept.

2. Master Wang Anshi's poetic poetry and pursue characteristics.

2. Master Wang Anshi's poetic poetry and pursue characteristics.

1. Understand the historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination to change the style of writing.

Good 2, master Wang Anshi's poetic poetry and pursue characteristics.

1. Understand the historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination to change the style of writing.

You can ask one, how to explain the phenomenon of a large number of obscene words in Ouyang Xiu's lyrics.

1. Understand the historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination to change the style of writing.

2. Master Wang Anshi's poetic poetry and pursue characteristics.

1. Understand the historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination to change the style of writing.

2. Master Wang Anshi's poetic poetry and pursue characteristics.

1. Understand the historical and cultural background of Ouyang Xiu's advocacy of the 'Ancient Literature Movement' and the importance of presiding over the imperial examination to change the style of writing.

2. Master Wang Anshi's poetic poetry and pursue characteristics.

This led to the rise of the ancient literature movement in the Tang Dynasty.

The direct reason is that the prevalent "pun wen" in the early Tang Dynasty paid too much attention to rhetoric, which made the article appear empty and superficial due to the lack of substance. "Punwen" is a style that originated in the Han Dynasty and prevailed in the Northern and Southern Dynasties, and this style pays great attention to the neatness of the battle and the tuning of the rhythm. In addition, because of the writing characteristics of "four characters and six characters interspersed with fixed sentences", this style of writing is also called "four or six characters".

Based on these characteristics, when the literati were composing for pun writing, they often had problems such as the accumulation of rhetoric and the lack of meaning and too many words due to the excessive pursuit of sentence structure and rhythm. <>

It is said that after entering the reign of the Tang Dynasty, the pun script once became an official style. In addition, the imperial examination of the Tang Dynasty, which took poetry as the main examination content, and the poetry was also the law of Yu Punwen. It can be seen that the style of writing was still very popular during the Tang Dynasty.

However, due to the long-term development, the prose of this period presented problems such as rigid form, ornate rhetoric, and empty content. The existence of these problems led to the slow development of literature in the Tang Dynasty. <>

As we all know, the Tang Dynasty was in Tang Xuanzong.

In the latter part of his reign, a historical event broke out that completely changed the fortunes of the Tang Dynasty, namely the "Anshi Rebellion."

After this turmoil, the fortunes of the Tang Dynasty took a sharp turn for the worse, and there were also problems such as the division of feudal towns and the interference of eunuchs in politics. In this context, YuTang DezongPeriodHan YuThe "Ancient Literature Movement" was proposed.

The main thrust of this movement is to replace the flashy prose with simple and free ancient texts. The ancient prose advocated in the "Ancient Literature Movement" refers to the prose that was popular in the pre-Qin, Qin and Han dynasties. Compared with the pun, this type of writing is more liberal because it does not have a fixed format, and thus it is more conducive to expressing real thoughts and reflecting real life.

In fact, as early as the early Tang Dynasty, some people had put forward the idea of "retro", including Chen Ziang.

Xiao Yingshi, Li Hua.

et al. However, based on the fact that the Tang Dynasty was in its heyday during this period, the ornate prose has always been more respected. After the Anshi Rebellion, people began to pay more attention to the expression of true emotions.

Therefore, after Han Yu and others launched the "Ancient Literature Movement", the proposition of "opposing the ancient text and advocating the ancient language" was quickly widely responded. In this way, Punwen was successfully overwhelmed.

However, the genre did not completely disappear due to the rise of the "Ancient Literature Movement". After entering the late Tang Dynasty, the influence of the ancient literary movement began to weaken day by day, and the undesirable style of writing reappeared. So in the Northern Song Dynasty.

After the establishment, Ouyang Xiu.

In order to rectify this bad style of writing, a group of literati also carried out an ancient literary movement.

I think the more direct reason is that there are some influences from paleoculturers, which led to the rise of the paleoculture movement, and I think that's a good thing.

Because some of the popular articles in the early Tang Dynasty lacked some content and were very empty, such words contradicted the development of people's thoughts, so they caused some movements.

In the early Tang Dynasty, the prevalence of pun writing, the article lacked basic content space, so it led to a lot of movements, and did not pay much attention to style.

Ouyang Xiu. The role in the Northern Song Dynasty poetry and literature reform movement is clarified"text"with"tract"relationship.

Ouyang Xiu expounded in the Northern Song Dynasty Poetry and Literature Reform Movement"text"with"tract"He attaches great importance to the social function of literature and emphasizes the decisive role of Tao in literature. He thinks"tract"It's the content, like gold and jade.

While"text"It is the form, like the brilliance emitted by gold and jade, and it exists because of gold and jade.

And further put Confucianism.

of"tract", with real life"Pepsi"Connect, make"tract"The connotation is broader and more practical. He's in it"tract"At the same time, it is also valued"text"The meaning and value of the proposed"Poetry is poor and then worked"arguments.

Advocating a simple and easy style of writing, he absorbs Han Yu.

The text is in alphabetical order"and abandoned Han Yu"Only the words are served"The bias avoids the formalism of Shangqi's risk-taking.

Inclined. These progressive views and propositions laid a solid foundation for the reform of Northern Song Dynasty poetry and literature.

Ouyang Xiu is a famous writer and politician in history. He was a giant in the literary world of the Northern Song Dynasty and a leader in the literary world. He and Liu Zongyuan, Han Yu, Su Shi, Su Zhe, Su Xun, Wang Anshi, and Zeng Gong are known as the eight masters of the Tang and Song dynasties.

He has made considerable achievements in literature, whether it is prose, narrative, poetry and songs, or discussion, he has a certain amount of reform.

1. The content of the prose is substantialIn terms of prose, Ouyang Xiu's prose is diverse, varied, and substantial. Most of the works are made by Ouyang Xiu based on his perception of reality. His prose subjects are diverse, and in addition to ancient texts, he is also good at rhetoric and four-six.

He transformed the prose of the previous generation, and changed to a single pen to make fu, and also created a literary fu, adding some lyrical meaning. This attempt was very successful and was a milestone in the establishment of the subsequent Song dynasty's cultural endowment. Ouyang Xiu's most famous essay is "The Legend of the Drunken Man's Pavilion", which has a fresh style, contains great truths, and beautiful sentences, which are highly appreciated by later generations.

Second, there is something in the narrative Ouyang Xiu's narrative is very varied, even if it is a style like inscriptions and sacrificial texts, the content is very substantial. For example, Ouyang Xiu's "The Story of Fengle Pavilion" uses a lot of space to tell the history and customs of Chuzhou.

3. Fresh Lyrics Ouyang Xiu's lyrics style is relatively fresh and unique, which contains very innovative ingredients. He writes lyrics with a fresh change of traditional creative concepts and creates his own style. First of all, he expanded the lyrical function of words, and was good at using words to express his feelings about life.

Secondly, he changed the aesthetic taste of the lyrics and opened up new functions of lyrics and songs, echoing Liu Yong's lyrics.

Ouyang Xiu's representative works include "The Story of the Drunkard Pavilion", "The Story of the Fengle Pavilion", "The Theory of Friends", "Butterfly Loves Flowers: The Courtyard is Deep and Deep", "The Oil Seller", etc., and these works have a very important influence on later generations. Dear readers and friends, what works do you like about Ouyang Xiu?

Ouyang Xiu is one of the eight masters of the Tang and Song dynasties, and his articles and works include: "On the Friends of the Party", "The History of the Five Dynasties: The Preface to the Biography of Lingguan", "The Story of the Drunkard Pavilion", "The Story of the Fengle Pavilion", "The Autumn Shengfu", "The Sacrifice of Shi Manqingwen", "The Oil Seller" Famous words are: "Shengchazi - Last Year's New Year's Eve" "Butterfly Love Flowers: The Courtyard is Deep and Deep".

Ouyang Xiu was the leader of the Northern Song Dynasty literary circle and the founder of Song Dynasty prose. Ouyang Xiu's achievements in literary creation are the highest in prose. Su Shi commented on his article and said:

On the avenue is like Han Yu, on the book is like Lu Zhen, the chronicle is like Sima Qian, and the poem is like Li Bai". However, although Ouyang Xiu admired the profound and majestic knowledge of Korean and the unbridled ocean, he did not follow suit. Ouyang Xiu wrote more than 500 essays in his life, with a variety of styles, including politics, history, memoirs, lyrical essays and notes.

Ouyang Xiu was one of the leaders of the poetry movement in the Northern Song Dynasty, and his prose achievements were particularly eye-catching, and he vigorously advocated a concise style of writing, which played a very good exemplary role. His poetry was brilliant and had a great influence on later generations.