What qualities does a good conductor have?

An excellent conductor must first have a strong sense of musicality, a sense of foresight and integration of the speed of the melody. Secondly, it can show an excellent sense of rhythm and balance in terms of **, and has a highly coordinated prediction ability. Finally, the coordination and synchronization of command actions can be retracted and released freely between the galloping and trickling of thousands of horses, so that it is just right.

I feel that a good conductor must have a cool head, as well as a particularly good tactical strategy, because if it happens on the battlefield, one person must be calm, and then he must have a certain mind that can reflect what the enemy wants, know the strategy of others and how to deal with it.

I think that the basic ability of an excellent leader or commander is to have a clear understanding of the ability of each of his subordinates, to have a more accurate grasp of the relationship between them, to be able to accurately understand their talents when working in a team, and then to accurately play their talents, adjust their relationships, and not let them want to affect the work efficiency of the team because of some personal relationships, which is a very important embodiment of leadership.

A good conductor must have an infinite love for **, because you are conducting an orchestra. And all the people in this group love **, of course, you must also love **, and your understanding of ** is higher than theirs. Because you are their conductor, they also need to see your gestures and need to listen to you.

I feel that all artists must have a strong sensitivity, and it is fatal to be insensitive to art, and they must be able to discern whether the pronunciation of each attack is just right. And leadership skills are needless to say, the art of teamwork is indispensable.

First of all, you have your brilliant mind, and you should have the talent to command, so that your team can also convince you. You should have the ability to unite your team, which is the most basic quality that a commander has, and not everyone can be a commander.

It depends on what kind of conductor, each of the 36 lines has its own strengths, the most basic thing is to have a quiet brain, a clear view of the overall situation, and the ability to do things decisively, in order to lead a group to a higher stage, if it is a military leader, in addition to these three points, it is also necessary to have the ability to predict the situation of the whole battle.

First: You have to have leadership skills and courage.

Second, you must have a certain knowledge reserve, or have made outstanding contributions in many aspects.

Third: Team spirit is very important, deal with internal team problems.

Fourth: more importantly, the personal quality is very good, and the file is not stained.

Therefore, if you want to become a good conductor, this road is not easy to follow, and it is very demanding in this regard.

Good sense of hearing, good ** literacy, concise and easy-to-understand command gestures, can convey thoughts with eyes like an actor, equivalent to the physical fitness of a national second-class athlete, good language and organization skills, super administrative management skills (not the kind of management), good cultural accomplishment, psychological foundation, super memory, super thick skin, super good drinking.

When directing the performance of the whole orchestra, the conductor must make the performance of these parts a whole, which can be described as the soul of the orchestra.

The conductor holds the baton in his right hand and masters the tempo and tempo; The left hand mainly indicates the strength and weakness of the musical expressions. Facial expressions, head and body movements are also an aspect of commanding.

All in all, a good conductor must be an excellent educator and a great musician, so that he can shoulder the responsibility of raising the professional level of the entire orchestra and lead the orchestra to present the work perfectly.

Hierarchical relationships

First Member. Each instrument group has a principal virtuoso (or soloist) who has the task of soloist and leading the other ** players in the group.

Second Member. Symphony orchestra.

The violins are divided into two groups: the first violin and the second violin, so the violin has two principal players. The principal virtuoso of the first violin, also known as the principal player, is not only the principal of the bowed string instrument, but also the principal of the entire orchestra, and his position is only under the conductor.

The principal player of the trombone is the principal player of the bass, while the principal player of the trumpet is the principal player of the entire brass instrument. The principal player of the clarinet (and sometimes the flute) is the principal player of the entire woodwind instrument.

The French horn is technically a brass instrument, but it often functions as both brass and woodwind. Most instrumental groups also have an associate principal. If the chief is absent, they ** the chief.

Third member. Modern orchestras generally require a conductor to conduct their performances, and in the past there was no conductor, and the principal or harpsichord played the role of conductor. Today, especially small chamber orchestras or orchestras dedicated to the Baroque do not need conductors.

Orchestras generally play classical** or opera, and sometimes pop**. Some orchestras will also perform for the soundtrack or **** for the film.

Lots of practice. One minute on stage, ten years off stage. To become a conductor, you need to keep practicing, keep learning different styles of music scores and songs, and master the rhythm in order to master the whole performance.

To become a conductor, you need not only to use both the mind, but also to combine movement and static. The conductor not only needs to beat according to the rhythm of **, but also needs to make good use of his gestures to guide the singer to play high and low notes.

I know everything about it. The conductor must have a strong interest in **, and know all the scores well, and have his own understanding, so that he can conduct a good performance.

To become a conductor, you have to practice. Find the right teacher, the teacher is willing to let you play, every practice is a rare experience, you need to keep learning, find your own shortcomings, and keep improving.