Xijiang Yue Zhang Xiaoxiang felt after reading the song full of a boatload of autumn colors

Original. Loaded with a boat of autumn colors, tiling ten miles of lake light. The wave god left me to watch the sunset. Evoke waves of scales.

It's better to get back tomorrow, so why not sleep out tonight. The Crystal Palace is full of dresses. Quasi-proposed Yueyang upstairs.

Appreciation. Zhang Xiaoxiang was in the third year of Song Xiaozong's dry road (1167) Zhitan Prefecture (now Changsha City, Hunan). Later, the official left Hunan, took a boat to the north, passing through Huangling Mountain on the shore of Dongting Lake, and was blocked by the wind, and wrote this poem.

Sixty Famous Words of the Song Dynasty is titled "Huangling Temple", and there are slight discrepancies in individual sentences.

The above film writes about what the boat saw and felt when it was blocked by the wind and parked under the Zhoushan Mountain.

Loaded with a boat of autumn colors, tiling ten miles of lake light. The first two sentences write about the scenery when the wind has not yet risen. "A Boat of Autumn Colors" is written by the author's feelings, outlining the characteristics of the season, leading people to reverie, it can be imagined that at this time, the surrounding mountains are rich and green, all things are vibrant, the flowers are gorgeous, and the fruits are abundant; "Ten Mile Lake Light" writes that the lake is wide and open.

These two dual sentences are contrasted with "full load" and "tiled", drawing the lake and the mountains together, and the previous sentence says that the beautiful autumn scenery is in full view; The latter sentence says that when there is no wind, the lake is level, and when viewed from a distance, it is like "tiling" there. The water and mountains reflect each other, and the people on the boat are relaxed and happy, and the fun is endless. These two sentences are purely about the scene, and the author's joy is all in it, that is, the so-called love in the scene.

The two sentences of "Boshen" said that the water god intended to keep the beautiful scenery of my ** sunset, and put up the ripples like fish scales. This is written about the sudden change in the weather, the scenery on the lake at the beginning of the breeze, and it is also a precursor to the change of weather. Experienced boatmen are bound to drop anchor and take emergency measures, because after the glow of the sun, after the "scaly waves", it will be the bad weather described by Fan Zhongyan in "The Story of Yueyang Tower" as "turbid waves emptying" and "the collapse of the tree".

These two sentences are humorously written about the scene when the ship was blocked by the wind and forced to anchor, which reflects the author's state of mind at this time. Use the "slanting sun" to point out that the time is evening, and use the "thin waves" to explain the weather changes, and the wind to rise, all of which are wonderful strokes.

The next film writes about the author's mental activities after the ship was stopped. "The wind will return better tomorrow", writing that he looks forward to the wind direction turning, the weather getting better, and the mood of boarding in time. "Why don't you sleep out tonight?

What's the matter", he said "what's the matter", in fact, he was helpless, but it also showed his open-mindedness when he was forced to "sleep in the open". "Crystal Palace", "Crystal Palace", commonly known as "Dragon Palace"; "Ni Dress", that is, "Ni Dress and Feather Song", the name of a large-scale song and dance song. The author heard the sound of waves, and a peculiar imagination came naturally, comparing the sound of water to the ** of the Dragon Palace.

Since the Dragon Palace plays the joy of celebration, tomorrow will be a good weather, the ship will move forward normally, "quasi-Yueyang upstairs", the last sentence envisions that tomorrow will be able to enjoy the beautiful scenery of Dongting Lake on Yueyang Tower.

This word writes about the scene of the ship being blocked by the wind, writing the scene, lyricism, and even the idea of "tomorrow", writing with ease, without the slightest frustration. The language of the whole word is simple and elegant, and the author only feels that he has infinite love for the landscape, but he does not see the chagrin of the boat being blocked by the headwind, which is the characteristic of this word, and the author's conception is unique.

Xijiangyue Dynasty: Song Dynasty.

I don't know what happened, and I sighed and gave this.

I don't know the plains too much, and I have always been from the mountains of Shuibei. The world's deeds have been lost. Huafa Xiao Xiao is full of mirrors.

Fortunately, there is an idyllic hometown, talking about the wind and the moon and the river city. The west side of the West Lake is flat in the evening. Take a picture when you are in your hands.

From the Song Dynasty poet Zhang Xiaoxiang's "Xijiang Moon, Under the Wind Peak".

Translation: Loaded with a boatload of autumn colors, sailing on the vast and flat river.

These two dual sentences draw the lake and the mountains together, and the first sentence says that the beautiful autumn scenery is in full view; The latter sentence says that when there is no wind, the lake is stable, the water and mountains reflect each other, and the people on the boat are relaxed and happy, and the joy is endless. These two sentences are purely about the scene, and the author Zhang Xiaoxiang's joy is all in it, that is, the so-called love in the scene.