What is the symbol of the formation of Peking Opera, and what is Peking Opera called?

The symbol of the formation of Peking Opera is the "Four Great Hui Troupes Entering Beijing". The Hui class entered Beijing and fused with the popular Beijing dialect, Qin dialect, Kun dialect, Han dialect and other operas, and Peking Opera was born. The history of Peking Opera began with the entry of the Hui Troupe into Beijing.

The 2.3 million-word three-volume History of Peking Opera in China published by the China Theatre Publishing House is the most complete, detailed, and authoritative monograph on the history of Peking Opera to date, and the time of the formation of Peking Opera has been re-examined, and it is scheduled to be around 1840.

The reason for this is that by about 1840, the operas performed in the Hui class had different characteristics from the previous ones in terms of repertoire, vocal tone, rhyme, stage performance form and other aspects. These characteristics are the hallmarks of the formation of Peking Opera. For example, there is a vocal cavity plate system based on Xipi and Erhuang, and the singing language specification of the combination of Beijing character sound and Huguang sound; For example, there is a unique repertoire unique to the genre of Peking Opera; For example, it has formed its own unique performance form, class club, stage, performance and other norms.

And all that. These are all obvious signs of the formation of Peking Opera. In this way, the history of Peking Opera is not 200 years, but about 160 years.

It's fun upstairs upstairs.

The sign is that the Hui class has entered Beijing.

Peking Opera is known as the quintessence of the country and is one of the first onesNational intangible cultural heritage

It is the quintessence of China, named because it was formed in Beijing. Peking Opera has a history of more than 200 years. Its origins can be traced back to several ancient local dramas, notably the Hui Ban, a local opera popular in southern China in the 18th century.

In 1790, the first Hui class entered Beijing to participate in the emperor's birthday performance. Subsequently, many Hui troupes performed in Beijing one after another. The Hui Troupe was originally highly mobile and good at absorbing the repertoire and performance methods of other opera genres, and Beijing gathered many local opera genres, which made the Hui Troupe rapidly improve in art.

The end of the 18th century was the first heyday of the development of Peking Opera. At that time, not only folk opera performances were flourishing, but there were also many opera performances in the imperial palace. Because the royal nobles of Pai Sulsun loved Peking Opera, the superior material conditions in the court provided favorable help for Peking Opera performances, dress regulations, face makeup, stage sets, etc.

The mutual influence between the court and folk opera led to the unprecedented development of Peking Opera.

Features of Peking Opera:

1. Comprehensiveness.

It refers to a variety of art forms in Peking Opera, such as literature, dance, art, martial arts, acrobatics, etc., and a variety of artistic expressions are combined into an organic whole in Peking Opera.

2. Virtuality.

The scenes and props of Peking Opera are quite simple and have strong symbolic meanings, and the actors use a highly virtual chain of dust on stage to arouse the imagination and resonance of the audience.

3. Stylization.

The process and form of Peking Opera performances have formed a high degree of standardization and fixation, and the singing and chanting of different professions have their own different vocal cavities, the movements of the performance, the chanting and chanting, the dressing, the mask, the props, etc., all have quite clear regulations.

Peking Opera is known as the "National Opera".

Peking Opera is noisy throughout the country, with a wide influence, and is known as "national opera". Take Mei Lanfang.

The named Peking Opera performance system is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world. Peking Opera is an important form of expression of the traditional Chinese culture, and many of its artistic elements are used as traditional Chinese culture.

symbols.

In May 2006, Peking Opera was approved to be included in the first batch of national intangible cultural heritage list. In 2010, it was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity on the UNESCO List of Intangible Cultural Heritage (INRC).

The social impact of Peking Opera.

From 1919 to 1935, Mei Lanfang's overseas Peking Opera performances eliminated the prejudice of the West against Chinese theater and even Chinese at that time, and promoted Chinese Peking Opera.

The spread overseas has enhanced cultural exchanges between the East and the West. Chinese Peking Opera, a treasure of oriental art, Wang Bangqi shines brightly on the world theater stage. The People's Republic of China was

Later, the foreign exchanges of Peking Opera were mainly organized by the Ministry of Culture and the Ministry of Culture, and Peking Opera became the cultural envoy of the country.

The art of Peking Opera is one of the most symbolic symbols of China's traditional culture, and it is a quintessential model of Chinese opera culture. Whether it is the colorful long, young, good, evil vivid and distinct faces, or the colorful Peking Opera costumes with the characteristics of the times; Whether it is the colorful, melodious melody of Peking Opera; is still the "four skills and five methods" with great artistic charm; Whether it is a colorful and brilliant performance program, or a colorful and distinctive genre; Whether it is the famous characters with their own merits, or the colorful storylines that deeply portray historical figures, ......All of these are permeated with the artist's hard work and profound skills in one minute on stage and ten years off the stage, all of which have a unique and fascinating infinite charm. It has flourished for a hundred years, giving people infinite beauty and strange touches, which is really dazzling, sighing, and endlessly interesting.

In literature, performance, singing, makeup, face painting and other aspects, the stage art of Peking Opera has formed a set of rhythmic and standardized procedures that combine fiction and reality, form and rise, debate and spirit, mutual restraint and complement each other through the stage practice of countless artists. As an artistic means to create a stage image, Peking Opera is undoubtedly a stage performance art with the highest artistic value, which can be called the most beautiful form of stage expression integrating art, dance, language and other arts. She carries too many excellent traditional cultures, historical allusions, humanistic spirit and ethics of the Chinese nation.

1. Peking Opera is one of the important symbols of Chinese cultural tradition. It is the most important type of drama that appeared in the "era of local opera", and it is the product of the change of the era of elegant culture in the decline of Chinese culture as a whole. Compared with Kunqu Opera, which transcends the aesthetic taste of a specific region, it is more a product of the culture of a specific region. Compared with the taste of literati and doctors represented by Kunqu Opera, it is closer to the taste of the lower class and the people, and the repertoire system of Peking Opera more fully reflects the folk nature of its historical narrative or the grassroots characteristics of celebration and noise.

2. After the founding of the People's Republic of China, the foreign exchanges of Peking Opera were mainly organized by the Ministry of Culture and the Ministry of Culture, and Peking Opera became the cultural envoy of the country.

The development of Peking Opera has a history of more than 200 years, which is the accumulation of China's traditional culture and history, and is also the carrier of China's traditional culture. Its art and connotation are vast and profound. Peking Opera is a theatrical performance art that integrates singing, reading, doing and playing, through the comprehensive use of hands, eyes, body, law and steps, with the help of situations to show history, politics, society and daily life, express the theatrical aesthetic concept of traditional Chinese society, and become an important communication medium representing the cultural image of the Chinese nation and a national cultural symbol widely recognized by the Chinese people.

As far as culture is concerned, Peking Opera itself has a considerable teaching role. Peking Opera has also been improved in the inheritance and development of many years, and from ancient times to the present, it contains some moral concepts and values with the function of educating people in ancient China. Etiquette, etiquette, benevolence, and faith all give the broad masses of the people profound ideological and humanistic education.

Peking Opera has allowed people to relive the past in terms of knowledge, and also made people improve their morality and cultivation. The creation, development, and inheritance of Peking Opera are rich in the unique ideas of an era, whether it is to do the necessary methods and skills in nature, society or interpersonal communication, as well as the original rules and virtues of being a human being. It is rich in cultural essence, pure knowledge, philosophy, and principles that people need to absorb and sublimate.

What is particularly important is that Peking Opera, as a pure culture, has a very important impact on establishing an outlook on life, strengthening humanistic education, and strengthening ideological and political education.

The formation of Peking Opera also reflects the process of artistic integration and development of China's opera culture and art from small to large, from a single local minor tune at a lower level of folk to a more complex artistic integration and development process.