The formation and development of Peking Opera, what is the development of Peking Opera?

Updated on culture 2024-02-28
3 answers
  1. Anonymous users2024-02-06

    I want to know about Kunqu Opera, Peking Opera, Qin Opera, Sichuan Opera, Cantonese Opera, Henan Opera, Hunan Opera, Tibetan Opera, Gezai Opera, Yue Opera, Huangmei Opera, and Ping Opera. Come to the mini program and search for "Chinese Opera Appreciation" to join the learning!

  2. Anonymous users2024-02-05

    From the Jin Yuan miscellaneous drama to the legend of the Ming and Qing dynasties, from Kun Prosperity to the Four Great Hui classes in Beijing. The birth of Peking Opera became "noodles" and entered the ** era. In the 200-year history of Peking Opera, Qinghai-Tibetan, Tan Xinpei, Yang Xiaolu, and Mei Lanfang.

    Ma Yanliang and other generations of performing artists appeared. On behalf of the Women's Federation.

    The many opera classes have trained thousands of outstanding performers and supported the art of Peking Opera for nearly 100 years.

    Hall. The Scattered Theaters provide a thriving stage for Peking Opera, and the exquisite and unique instrumental, sketch and theatrical industries add luster to Peking Opera performances. Since 1917, a large number of outstanding Peking Opera actors have appeared on the stage, presenting a situation of various genres and prosperity, from the mature period to the heyday, and the representative figures of this period are Yang Xiaolu, Mei Lanfang, and Lu Shuyan.

    Classification of Peking Opera:

    Peking Opera. In addition to the natural attributes (gender, age) and social attributes (identity, occupation) of the characters, the division is mainly based on the character characteristics of the characters. The Peking Opera Troupe used to have the saying of "Seven Elements and Seven Subjects":

    The seven elements are the Shengxing, the Danxing (also known as the Zhanxing), the Pure Xing, the Ugly Xing, the Miscellaneous Xing, the Martial Xing, and the Popular.

    Everything on the stage of Peking Opera does not appear according to the original appearance of life. The characters on the stage of Peking Opera do not appear according to the original appearance of people in life, but according to the gender, personality, age, occupation and social status of the characters played.

    In terms of makeup and costumes, some artistic exaggerations are added, so that the characters on the stage are divided into four types: raw, dan, pure and ugly. The special noun for these four types in Peking Opera is called "Xingdang".

  3. Anonymous users2024-02-04

    Peking Opera, once known as Ping Opera, is one of the five major opera genres in China, with Xipi and Erhuang as the main tones, accompanied by huqin and gongs and drums, and is regarded as the quintessence of China, ranking first in the "list" of the three tripods of Chinese opera. Peking Opera has traveled all over the world and has become an important medium for introducing and disseminating traditional Chinese art and culture. The distribution area is centered in Beijing and spreads throughout China.

    On November 16, 2010, Peking Opera was inscribed on the Representative List of the Intangible Cultural Heritage of Humanity.

    Extended information: In addition to the natural attributes (gender, age) and social attributes (identity, occupation) of the characters, the division of Peking Opera is mainly based on the personality characteristics of the characters. The Peking Opera Troupe used to have the saying of "Seven Elements and Seven Subjects":

    The seven elements are the Shengxing, the Danxing (also known as the leaky Suifan Zhanxing), the Jingxing, the ugly Xing, the miscellaneous Xing, the martial Xing, and the popular.

    Everything on the stage of Peking Opera does not appear according to the original appearance of life. The characters on the stage of Peking Opera do not appear according to the original appearance of the people in the life of the living family, but according to the gender, personality, age, occupation and social status of the characters played, some artistic exaggerations are added in makeup and costumes, so that the characters on the stage are divided into four types: sheng, dan, pure and ugly. The special noun for these four types in Peking Opera is called "Xingdang".

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