What is the basic form of a Peking Opera performance?

Peking Opera is a popular genre of opera throughout the country. After more than 200 years of improvement and evolution, it has its own complete set of performance system.

The basic form of Peking Opera performances is based on the "Four Gongs", namely: singing, reading, doing, and playing.

Singing: Most of the Peking Opera repertoire is mainly singing. The singing methods of each profession are different, and the singing styles of various genres are also different, but each profession has its own important "singing opera".

Some genres sing melodiously and tactfully, some have high-pitched voices, and some are gleeful and intermittent. But generally speaking, the singing of Peking Opera should be "correct and round". The skills of singing can be summarized as "words are born from love, and words are supplemented by words".

Nian Gong: That is, the Tao of Peking Opera. The Taoist confession of Peking Opera is very exquisite, and it is common for actors to recite the confession on stage, which is so one-dimensional and emotional.

Pronunciation is more demanding than singing in terms of intonation, volume, pause, and stress. For example, Yang Xiaolou, a Peking Opera celebrity, is famous for being good at reading white.

Exercises: including body and facial expressions. This is also the basic skill of Peking Opera actors. The actors use their body and footwork to express the artistic beauty of Peking Opera with their eyes and gestures.

Fighting: that is, martial arts, it is the combination of hands, eyes, body, and footwork. Martial arts have a variety of fixed programs and sets. A good martial arts actor can only mature after years of hard training.

Peking Opera is the quintessence of our country, which is gradually formed on the basis of two local operas, absorbing the tunes of Kunqu Opera and Northern Bangzi Opera, and combining the linguistic characteristics of Beijing.

In 1919, since the Peking Opera master Mei Lanfang performed in Japan for the first time, Peking Opera has gradually become known to the world.

The performance forms of Peking Opera include singing, reading, doing, and playing. Related introduction: Opera actors should be trained from these four aspects since childhood, although some actors are good at singing skills (singing skills veterans), some professions are mainly based on doing skills (Hua Dan), and some are mainly martial arts (Wu Jing).

However, every actor is required to have excellent singing, reading, doing, and playing four basic skills

There is a basic introduction to the content of Peking OperaExpression, line classification, etc.

1.Basic Introduction:Peking Opera, also known as Ping Opera.

Peking opera is the most influential opera in China, and Peking Opera is Jinghui opera and Qin dialect.

The confluence of Chinese tunes, and the absorption of Kunqu opera, the Beijing dialect to form the Peking Opera. He is good at expressing political and military struggles on historical themes, and most of the stories are taken from historical romances and ** scripts. In May 2006, Peking Opera was approved to be included in the first batch of national intangible cultural heritage lists.

2.Expression: Peking OperaFour artistic techniques.

They are: singing, reading, doing, and playing, which are the four basic skills of Peking Opera performance. refers to singing, and reading refers to the recitation of the first nature, and the two complement each other. Do the physical movements of the finger dance, and the skills of martial arts and tumbling.

3.Classification of Lines:According to the gender, personality, age, occupation and social status of the characters played, artistic means are used in makeup, costumes and other aspects, so that the characters on the stage are divided into four types: raw, dan, pure and ugly.

The special noun for these four types in Peking Opera is called "Xingdang". RawA general term for male positive characters other than flower faces and harlequins. DanA general term for positive female roles.

It is commonly known as the flower face, and it is mostly played by male characters. UglyPlay a comedic role.

The above content reference: Encyclopedia - Peking Opera.

The four artistic techniques of Peking Opera performance are "singing", "reading", "doing" and "fighting".

"Sing" refers to singing, and "reading" refers to the recitation of the first nature, and the two complement each other and constitute one of the two major elements of the Peking Opera performing arts. "Doing" refers to the danced body movements, and "fighting" refers to the martial arts and tumbling skills, and the two are combined with each other to form "dance", which is one of the two major elements of the Peking Opera performing arts.

Opera actors must be trained from these four aspects since childhood, although some actors are good at singing, some are mainly doing skills, and some are mainly martial arts. However, every actor is required to have excellent singing, reading, doing, and playing four basic skillsOnly in this way can we give full play to the artistic characteristics of Peking Opera.

It is more smooth and easy to express and portray the various characters in the play.

Classification of Peking Opera

1. "Sheng" is a general term for male positive characters other than flower faces and harlequins, which are divided into old students, martial artists, and small students.

2. The collective name of "Dan" female positive roles is divided into Tsing Yi, Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, Cai Dan, and Lao Dan.

3. "Jing" is commonly known as the flower face, most of them play male characters with some peculiarities in personality, quality or appearance, makeup makes the town use the face, the timbre is loud, and the style is rough. "Net" is divided into a big flower face based on singing, divided into Zhengjing, shelf flower, Wu Erhua, beating flower, oil flower.

4, "Ugly" plays a comedy role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Chou, Wu Chou, etc. Each profession has a set of performance procedures, and each has its own characteristics in the skills of "singing", "reading", "doing" and "playing".

The four artistic techniques of Peking Opera are: singing, reading, doing, and playing, and these four artistic techniques are also the four basic skills of Peking Opera performance.

"Singing" refers to singing skills, and "reading" refers to ** sexual recitation, the two complement each other and constitute one of the two major elements of the Peking Opera performing arts. "Do" refers to the shouting of the burning gear is to do the work, that is, the dance-like body movements, which can be understood as performance. "Fighting" refers to the skills of martial arts and tumbling, which combine with each other to form "dance", one of the two major elements of the performing arts of Peking Opera.

These four artistic means are the four basic skills that are indispensable for opera performance, and are commonly known as the "four skills" in the opera industry.

Opera actors have to be trained from these four aspects since childhood, although some actors are good at singing skills (singing skills veterans), some professions are mainly based on doing skills (Hua Dan), and some are mainly martial arts (Wu Jing).

However, every actor is required to have excellent singing, reading, doing, and playing four basic skills, in order to give full play to the function of opera art performance as a song and dance drama. Better performance and portrayal of various characters in the play.

Among them, there are singing, dancing, dialogue, martial arts, and various symbolic movements, which is a highly comprehensive art.

Sheng, Dan, Jing, and Chou are the four types of roles in Peking Opera, and the special terms for these four types in Peking Opera are called "Xingdang".

Sheng: A general term for male positive characters other than flower faces and harlequins, divided into old students, martial artists, small students, red students, and doll students.

Dan: A general term for the positive roles of women, divided into Tsing Yi (Zhengdan), Hua Dan, Boudoir Dan, Dao Ma Dan, Wu Dan, and Cai Dan.

Net: Commonly known as flower face, most of them play male characters with some peculiarities in personality, quality or appearance, with makeup and face, loud timbre and rough style. "Net" is divided into a big flower face that is stupid to promote the lord with singing skills, divided into Zhengjing (heavy singing skills, called copper hammers, black scalp wild), shelf flowers (heavy industry frames), Wu Erhua, beating flowers, oil flowers (a hair net).

Ugly: Playing a comedic role, because he smeared a small piece of white powder on the bridge of his nose, commonly known as a small flower face. Fen Wen Chou (divided into square scarf ugly, robe belt ugly, old ugly, Rong Yi ugly, and also played Cai Dan, mother-in-law), Wu Chou (also known as opening jump) and so on.

Each profession has a set of performance procedures, and each has its own characteristics in the skills of "singing", "reading", "doing" and "playing". <>

The four artistic techniques of Peking Opera performance are: singing, reading, doing, and playing, which are also the four basic skills of Peking Opera performance.

1. Singing and reading: singing refers to singing, and reading and rolling refers to the recitation of the truth, which complements each other and constitutes one of the two major elements of the Peking Opera performing arts.

2. Doing and fighting: Doing refers to the physical movements of dancing, and the skills of fighting and falling, and the two are combined with each other to constitute the "dance", which is one of the two major elements of the Peking Opera performing arts.

The important reputation of the technique performance:

Opera actors should be trained from these four aspects since childhood, although some actors are good at singing skills (singing skills veterans), some professions are mainly based on doing gong (Hua Dan) faction, and some are mainly martial arts (Wujing), but every actor is required to have excellent singing, reading, doing, and playing four basic skills. Only in this way can we give full play to the artistic characteristics of Peking Opera and better express and portray the various characters in the play. There are singing, dancing, dialogue, martial arts, and various symbolic movements, making Peking Opera a highly comprehensive art.