How to play a pathos sonata, why is the pathos sonata not pathos

Hello, I am a student of the ** Department of China Normal University, and the following are some personal views, I hope there are places you think are worth referencing

Beethoven's 32 piano sonatas are the bible of pianists, among which "Pathétique" and "Passion" are the most famous.

The first step, as with modern learning, I think you should first understand the circumstances under which the author wrote the piece, as well as some of the background of the era and some historical stories before you play it, which will help you understand the music.

After the first stage is reached, you can pour your understanding of the piece into your performance, so that the piece is a new creation of your own, and we call this undisguised expression of emotion "musicality". It is often easy to attract people's attention if the musicality is pure and unique, especially for some piano teachers or orthodox ** families. In this process of understanding, you may have a misunderstanding of the description of the work, but once you have your own ideas, the teacher will be more comfortable with the teaching, and he can help you correct some of them.

In this process, I suggest you take a look at some of the interpretations of the works by famous pianists today, everyone has a very different style, and there may be the same understanding as you

You can listen to the performances of different pianists, compare them, and choose what you think is good. Beethoven's works are relatively good, such as Michelangeli.

The different notes and bars are poured into the composer's different feelings, which your piano teacher should guide you after you become proficient (e.g., at the end of the bar, etc.).

Above、I hope there is something you think is worth referencing、Thank you! 、

It depends on what aspect you want to ask, if it's a way of expressing feelings, you can listen to the disc to imitate the strong and weak feelings in it, if you ask about the skills, I don't know what kind of movement you're asking, in short, listen to the way you play the disc should be able to play almost!

It is best to understand the historical description of Beethoven's style, the background of the composition, and the emotions to be expressed. You can also take a look at the excellent **analysis of this work, and**appreciate the book.

The reason why the pathetic sonata is not pathetic may be that the performer is not skilled enough, or it may be that the player does not grasp the emotional expression of the piece. The methods and practices to solve this problem are as follows: 1. First of all, the performer should grasp the emotional expression of the piece and express the pathos of the piece, which is the basis for playing the pathos sonata.

2. Secondly, the performer should be familiar with the skills of the piece and master the skills of the piece, so as to better express the emotion of the piece. 3. Finally, the performer should practice more, practice the piece more often, and master the skills and emotional expression of the song, so as to better play the pathetic sonata. In addition, the performer also needs to learn relevant knowledge, such as music theory, history, etc., which can help the performer better understand the piece and express the emotion of the piece earlier.

The Pathos Sonata, also known as the Piano Sonata No. 8, is divided into three movements, and I remember the third movement being the most famous. I don't know what you mean by the difference? The third movement is one of the components of the whole piece.

The Pathétique Sonata is a work by Beethoven and is divided into three movements: The third movement of the Pathétique Sonata is the third movement of it. This chapter is easier to play than the first two chapters, and the tune is more light and relaxed.

There are two main differences:

1. In terms of conceptual extension, the "Pathos Sonata" contains a wider scope, which refers to the whole and whole of the "Pathos Sonata". The third movement of the Pathétique Sonata contains a narrower scope, it only refers to a part of the Pathétique Sonata, and the relationship between the two is the relationship between the whole and the parts.

2. In terms of conceptual connotation, the content covered in the "Pathos Sonata" is more colorful, while the content covered in the third movement of the "Pathos Sonata" is relatively thin.

The latter is a movement of the former.

Fast tempo is not expelled by pathos In piano music, fast tempo only means that the inner feelings are changed and fluctuated. It has nothing to do with being happy or not.

Piano Sonata No. 8 "Pathétique", which is the culmination of Beethoven's early piano sonatas, is also a work that is familiar to the world for its dramatic melodies. In terms of content, melody and structure, this piece is permeated with a kind of rationality unique to the Germanic people, which is also a characteristic shared by Beethoven and other German leaders. The technique of this piece is not too difficult, so there are many opportunities to be played, and it is a piece that many beginners love to play.

Among Beethoven's piano sonatas, Pathétique is the first work to be titled by Beethoven himself. About"Pathos"This vocabulary is still quite far from Beethoven's touching and poignant tragic life in the second half of his life, because this is after all his early works.

The work is divided into three movements:

The first movement, extremely slow, turns to brilliant allegro, in C minor. It begins with a rather long period full of pathos and is then turned into an allegro, revealing a hint of firmness in the still pathetic melody.

The second movement is a song-like adagio, in A-flat major, 2 4 time. This movement is an extremely elegant adagio** and a lyrical song full of prayer. The theme of this movement is a very familiar melody, which has been adapted into a light song by the modern light ** team, and has become a popular ** masterpiece.

3rd movement Allegro, C minor, 2 2 time, rondo form. The theme of the movement has something in common with the motive of the first movement, and the beautiful melody has an unstable wandering mood, which seems to be in a state of flux.