How did the sleeve dance rise in the Han Dynasty? Why does it represent a faith?

The sleeve dance of the Han Dynasty was the favorite dance form of the rulers of the Han Dynasty, and Liu Bang, the ancestor of the Han Dynasty, was more fond of the Chu dance with long sleeves and thin waist, and the dance with raised sleeves was more popular, and then this dance form gradually developed into a necessary dance performance form for the upper ruling class to feast and drink. In addition, both the movement design and the beauty conveyed by the sleeve dance are in common with the culture of the Han Dynasty and the thoughts of the ancients, so it has gradually developed into a belief. <>

1. How did the sleeve dance rise in the Han Dynasty After the Han Dynasty established the country, Liu Bang, as the ruler, naturally relaxed a little, plus the needs of the banquet guests, so he would arrange some dances to help the fun. In the process, he gradually fell in love with sleeve dancing. Whether it is the long-sleeved and thin-waisted Chu dance, or the "dance of bending the waist with raised sleeves" of Mrs. Ai Ji Qi, it all makes him linger.

Because the monarch liked to watch this dance, the management of the ruling class gradually developed the custom of watching the sleeve dance. On some slightly more solemn occasions, the sleeve dance will be used to finalize, which promotes the popularity and prosperity of this dance. More and more people began to pay attention to and learn the sleeve dance, which gradually became one of the important dance forms of the Han Dynasty.

2. Why can sleeve dance represent a kind of faith? Whether it's singing or dancing, when designing lyrics and movements, there must be a certain theme. Writers say that if you study the sleeve dance of the Han Dynasty, you will find that it has something in common with the thoughts of the ancients and the culture of the Han Dynasty.

Like in the sleeve dance performance, the dancer will express the intention of "turning into a bird" through some movements and props, which to a certain extent meets the wishes of the ancients who want to fly to the sky and meets the emotional appeal of the first. <>

In addition, in the sleeve dance performance, the dancers showed the theme of "the unity of heaven and man" and "the unity of things and me" by changing their movements, and their performance style was vivid and lively, showing a unique sense of the times and a strong atmosphere of the times, which met the ideological demands of all classes in the Han Dynasty, and then gradually developed into a kind of faith.

Some people say that the sleeve dance of the Han Dynasty began to spread to the whole country from the love of the rulers, and because of the rich body movements and the ideological connotation expressed, the sleeve dance satisfied the spiritual experience of the dancers from the root, making this dance form a kind of belief and running through the lives of the people of the Han Dynasty.

Because the rulers of the Han Dynasty at that time were very fond of the sleeve dance, especially the founding emperor of the Han Dynasty, Liu Bang, was particularly fond of the sleeve dance, and then gradually became one of the necessary dances for the banquet of the upper-class rulers.

The sleeve dance of the Han Dynasty became a religion mainly because the rulers of the Han Dynasty preferred this form of dance. The design of the sleeve dance movement, the beauty conveyed by the Han Dynasty and the cultural ideas of the Han Dynasty, coupled with the Han Gaozu Liu Bang, for the long-sleeved and thin-waisted Chu dance, the dance of the sleeves are more fond of this dance form, and gradually developed into a dance performance form of the upper class rule and banquet.

During the Han Dynasty, this dance was able to rise because when this dance was performed in the court for the emperor to see, the emperor liked it very much. It can become a belief because of the elegance that this dance represents.

After the Han Dynasty settled the country, Liu Bang relaxed a lot, coupled with the needs of the banquet, he arranged dances to help the fun, and then he was more fond of the long-sleeved and thin-waisted Chu dance and the dance of the sleeves, and then promoted the rise of the sleeve dance. In the performance, some actions and props will have the intention of expressing "flying birds", which can be seen that the ancients wanted to fly to the sky.

It was raised by Liu Bang, the ancestor of Han Gao, who prefers long sleeves and thin waists. It gradually represented an activity of the banquet of the upper class, and finally inherited the Han culture.

Towel Sleeve Dance The towel sleeve dance is a dancer dancing with sleeves or holding an empty scarf. The image of the dance of the scarf sleeves is rich in the portrait bricks and stones of the Han Dynasty. As far as the "dance sleeves" are concerned, their forms are different, there are solo dances, pair dances, different forms, lifelike.

There are also many images of "dancing towels" in Han portrait stones. The use of towels and sleeves has greatly expanded the body's expressiveness, making the expression of emotions richer and more distinct. The characteristics of "the dance of the scarf sleeves" expressed by "Luo Yi from the wind, long sleeves intertwined", "skirt like flying luan, sleeves like returning snow", "fragrant flying scarf, light flowing jade" have developed and matured in the Han Dynasty and have a long history.

The "water sleeves" and "red silk dances" in the body rhyme of opera dances and classical dances on today's stage are all the continuation and innovation of the ancient dance of the scarf sleeves.

The reason why the sleeve dance became the belief of the Han Dynasty was simply because of the aesthetics of the rulers. Han Dynasty good sleeve dance, this is a popular trend from the Han Gaozu Liu Bang, he likes the long-sleeved and thin-waisted Chu dance, and Liu Bang's favorite Mrs. Qi is particularly good at dancing long-sleeved dance, that is, the so-called "dance of the sleeves and waist". At that time, because the long-sleeved dance was loved by the supreme ruler, the long-sleeved dance appeared in basically every large-scale ** dance event, so this dance became one of the essential dances for the upper class to feast and drink.

The history of the sleeve dance has a long history, which can be traced back to the Western Zhou Dynasty, when there was a saying called "sleeve as a ritual", that is, only with long sleeves as a dance tool, from the Western Zhou Dynasty's "sleeve as a ritual" to the long sleeves and thin waist in the Warring States Period, and then to the Western Han Dynasty's "bent sleeves and waist", the Wei and Jin Dynasty's white silk dance, the Tang Dynasty Flying Dance and the Ming Dynasty drama in the water sleeves, it can be said that the sleeve dance runs through the history of Chinese song and dance, but among themThe most classic is the sleeve dance of the Han Dynasty, where they can express different emotions by driving the long sleeves to show a variety of postures through the movements of the dancing hands.

The long sleeves of the Han Dynasty sleeve dance also have different styles, different sleeves with different lengths and widths, and even the difference between single sleeves and sleeves. But no matter what style of long sleeves they are, they must be made of silk, and the long sleeves made of silk are smooth and elegant, which can maximize the softness of the dance movements. The Han Dynasty also liked to sew tassels and streamers on their dance clothesEach time you dance, the skirts, tassels, and streamers will turn and twist and twist with the dance moves, and they will fly up and down, left and right, showing a unique and beautiful form.

The Han Dynasty sleeve dance was influenced by the Chu dance, and the morphological characteristics of its long sleeves and thin waist were amplified, forming a unique waist-focused action, twisting the waist out of the hips, the body was graceful, sometimes powerful, sometimes soft, andThe long-sleeved dance and the bending of the waist are classic close-up movements of the Han Dynasty sleeve danceOne of the most common movements is to stretch your arms and sleeves, which appears in almost every dancing scene in today's TV dramas.

Mainly guided by the aesthetics of the rulers of the time! Han Gaozu Liu Bang likes smart and beautiful sleeve dances very much, and his favorite concubine Mrs. Qi is favored because she is good at sleeve dance! In the basic large-scale ceremonies of the Han Dynasty and the banquets of the upper class, the sleeve dance is a must-dance!

In the era of the supremacy of imperial power, the preferences of the rulers directly became the beliefs of the Han Dynasty!

The sleeve dance is as wide as the wings of a bird, and in the past it was believed that the bird could transmit consciousness to the heavens. Sleeve dance is also a kind of spiritual sustenance for human beings to fly freely like birds.

The people of the Han Dynasty thought that the bigger a person's cuffs, the better his fortune or luck, so the sleeve dance was also a widely spread dance. The long sleeves flutter in the air and dance like butterflies, which is very graceful.

The sleeve dance of the Han Dynasty has its own distinctive characteristics in the overall style, the most important of which is the so-called "bending the waist with raised sleeves". It is said that the fortunate Qi Fu of Han Gaozu knows to make the virtual people, and every year on October 15, he sings and dances in the palace to worship the gods, sings the "Song of the Spirit", plays the bamboo flute, and dances against the building. During the dance, she and other female dancers "set fire and stomp on the ground with their arms, singing "Red Phoenix Comes".

Xijing Miscellaneous Records once recorded her: "Good at dancing with sleeves and bending the waist, singing the song of the Cypriot people's slippery eyes and looking home." Hundreds of maids are accustomed to it.

The harem sang in unison, and the sound was in the sky. ”

The Han Dynasty inherited the tradition of Chu dancing with long sleeves and a thin waist. Mrs. Qi, the favorite concubine of Liu Bang, the ancestor of the Han Dynasty, is versatile and "good at dancing with bent sleeves and waist". A Han portrait stone unearthed in Shandong, with the sleeves and the waist bent on the same picture.

The dances are different, and the feelings echo each other, which is both coordinated and contrasting. Among the cultural relics of the Han Dynasty, there are extremely rich images of dancing sleeves, with a variety of sleeves and different dance postures. The old man has both a swift and high-spirited posture, as well as a soft and gentle attitude.

Gansu Wuwei Mozizui Han Tomb unearthed a wooden figurine wearing a pure narrow long-sleeved dance dress, one arm drooped, the other arm straight to the sky. The dance posture is vigorous and extraordinary.

The image of the sleeve dance in the bricks and stones of the Han portrait is even more rich and colorful. Or flying long sleeves, or long sleeves draping, or rolling long sleeves, or long sleeves up. Ever-changing, beautiful.