Who knows Chu Ci s poems, including the author s introduction, and the reasons for recommendation

Chu. chǔ cí]

The first collection of romantic poetry in China.

Chu Ci is China's first collection of romantic poetry and essays. The name of "Chu Ci" was already in the early days of the Western Han Dynasty, and it was collected by Liu Xiangnai. Wang Yi of the Eastern Han Dynasty wrote chapters and sentences.

Qu Yuan, Song Yu, and Huainan Xiaoshan, Dongfang Shuo, Wang Bao, Liu Xiang and others in the Han Dynasty, a total of 16 articles were written. Later, Wang Yi added his own work "Nine Thoughts", which became 17 articles. The whole book is mainly based on Qu Yuan's works, and the rest of the articles are also in the form of Qu Fu.

Because of its use of the literary style, dialect rhyme and customs and products of Chu (note: that is, the western part of Hunan, Hubei, and Anhui), it has a strong local color, so it is called "Chu Ci".

Chu Ci has gone through the process of Qu Yuan's works, Qu Yuan's imitation, collection in the early Han Dynasty, and Liu Xiang's collection. It was written between 26 and 6 B.C. Liu Xiang's original book of "Chu Ci" died early, and later generations can only indirectly trace and speculate on the original appearance through Wang Yi's "Chu Ci Chapters and Sentences" (the original book is also lost) of the Eastern Han Dynasty, which is considered to be the most complete, and Song Hongxingzu's "Chu Ci Supplement" (a supplement to "Chu Ci Chapters and Sentences").

As a collection of poems with the most far-reaching influence on Chinese literature after the Book of Songs, Chu Ci has unusual significance for the entire Chinese cultural system, especially in literature, it created the poems of Chinese romantic literature, so that later generations called this style of writing "Chu Ci style" and "Sao style". The four major genres of poetry, **, prose, and drama all exist to varying degrees.

The discipline of the study of Chu Ci (Chu Ci) and its research history is now called "Chu Ci Studies". It lasted until the Han Dynasty and the Song Dynasty, and in modern times, it has become the hall of Chinese classical culture. As early as the Tang Dynasty, the "Ci of Chu" flowed into the "Confucian-Chinese cultural circle" such as Japan, and after the 16th century, it flowed into Europe; By the 19th century, it attracted wide attention in Europe and the United States, and a large number of translations and research works appeared in various languages.

In the international sinology community, Chu Ci has always been one of the research hotspots.

Title: Chu Ci.

Narration: 26 B.C.E.–6 B.C.E.

Nature: Classics of Chinese Studies.

Influence: Profound influence on Chinese literature and Sinology hotspots.

Status: The first collection of romantic poetry in China.

Share. Synopsis.

Part of ancient books. Chu Ci is the earliest collection of romantic poetry and the source of romantic literature. The name of "Chu Ci" was first seen in "Historical Records: The Biography of Cool Officials".

It can be seen that this name existed in the early Han Dynasty at the latest. Its original meaning was to refer to the lyrics of Chu in general, and it became a special term later, referring to the new poetry style represented by the creation of Qu Yuan of Chu during the Warring States Period. At the end of the Western Han Dynasty, Liu Xiang compiled the works of Qu Yuan and Song Yu and the works of Huainan Xiaoshan, Dongfang Shuo, Wang Bao, Liu Xiang and others in the Han Dynasty who imitated Qu Yuan and Song Yu into a collection, totaling 16 articles, named "Chu Ci".

It is the ancestor of the collection. Later, Wang Yi added his own work "Nine Thoughts", which became 17 articles. They are:

Lisao", "Nine Songs", "Tianwen", "Nine Chapters", "Far Travel", "Buju", "Fisherman", "Nine Arguments", "Conjuring Spirits", "Big Moves", "Regretting Oaths", "Recruiting Hermits", "Seven Advices", "Mourning Time", "Nine Huai", "Nine Sighs", "Nine Thoughts". This seventeen-part chapter structure became the prevailing version for later generations.

Qu Yuan, "Tianwen".

Qu Yuan, "Mrs. Xiang".

Song Yu "Deng's Disciple is Lustful".

The representative writers of Chu Ci are Qu Yuan and Song Yu. Chu Ci, also known as "Chu Ci", is a poetic style created by Qu Yuan, a great poet of the Warring States Period. The work uses the literary style and dialect rhyme of Chu to describe the mountains and rivers of Chu and the historical customs, which has strong local characteristics.

During the Han Dynasty, Liu Xiang compiled Qu Yuan's works and Song Yu's works "inherited from Qu Fu" into a collection called "Chu Ci".

The representatives of Chu Ci are Qu Yuan, Song Yu, Huainan Xiaoshan and Dongfang Shuo.

"Chu Ci" was collected by Liu Xiang of the Western Han Dynasty, including more than 10 works by Qu Yuan, Song Yu, Huainan Xiaoshan, Dongfang Shuo and other editions, and its representative writer is Qu Yuan. Qu Yuan (c. 340 B.C., c. 278 B.C.), known as Ping, was a native of Chu during the Warring States Period, and was the first great patriotic poet in ancient China. In 278 BC, the Qin army captured the Chu capital Ying, and the destruction of the state and personal misfortune set Qu Yuan on the path of suicide.

Legend has it that on May 5 of this year, he bouldled and sank himself in the Miluo River near Changsha.

One. The name of Chu Ci.

Chu Ciyi is the name of the poem, which refers to a poetic style used by the Chu people represented by Qu Yuan in the Warring States Period, and is a new poetic style after the Book of Songs. One is the name of the poetry collection, when the Western Han Dynasty became the emperor, Liu Xiang sorted out the ancient documents, the works of Qu Yuan and Song Yu in the Warring States Period and the similar works of Huainan Xiaoshan, Dongfang Shuo, Wang Bao, Liu Xiang and others in the Han Dynasty A total of 16 articles were compiled into a collection, and the collection was called "Chu Ci". Later, Wang Yi of the Eastern Han Dynasty added another article to his own work, which became seventeen articles, called "Chu Ci Chapters and Sentences".

The whole book is dominated by Qu Yuan's works, and the rest of the works also inherit the form of Qu Yuan.

Two. Characteristics of Chu Ci.

As a poetic genre, Chu Ci is rich in imagination. The witch style of Chu is prevalent, and the witches are often used to play the gods during the sacrifice, and some myths and legends are performed to entertain the gods. All these have cultivated the rich imagination of the Chu people, so that the works have rich imagination, gorgeous rhetoric, and gorgeous romantic style, such as "Lisao" and "Nine Songs".

Chu Ci "all books and Chu language, as Chu sound, Ji Chu land, name Chu things [1]", has a strong local color. The sentences of Chu Ci are uneven and full of variations, and the commonly used auxiliary words "Xi", "some", etc. And the structure is generally grander, and the length is generally longer.

Three. Characteristics of the fisherman.

And the fisherman is a hermit who knows how to go with the passage of time, be at peace with what happens, and know his fate with joy. He saw through the disturbances of the world, but he never avoided it, but was at ease, pinning his sentiments on the endless nature, and maintaining the discipline of his personality in the midst of casual self-comfort.

Qu Yuan, the representative of Chu Ci, is the earliest patriotic poet in the history of Chinese literature. Among the 16 volumes of the first edition of "Chu Ci", Qu Yuan's works account for the vast majority, and a total of more than 20 of his poems in 8 volumes are included. Including "Lisao", "Nine Songs" (11 articles), "Tianwen", "Nine Chapters" (9 articles), "Far Travel", "Buju", "Fisherman", "Conjuring" and so on.

The other 8 volumes are, Song Yu's "Nine Arguments", and Jing Cha's "Big Move".

Han Jing and Jia Yi's "Regret Oath", Huainan Xiaoshan's "Recruiting Hermits", Dongfang Shuo's "Seven Advices", Yan Ji's "Mourning Time", Wang Huai's "Nine Huai", Liu Xiang's "Nine Sighs" and so on.