Quatrain or rhyme, which one has a large audience?

The so-called "quatrain poetry" is obviously a question of Gu Juji's "five uniques, seven absolute poems, five laws, and seven laws" of rhythmic poetrySeven ancient and barely counted among them, and the rules of arrangement do not need to be considered, but there is no need to consider the rules.

Obviously, short tweets and tweets are more popular than long tweets because they can be digested in fragment time. People usually like to learn about something in a few words and have some fun. If you are interested, you can read a thousand-word article and appreciate the author's beautiful handwriting and context.

In twenty (5) and twenty-eight (7) words, they are rhyme, transition, and rhyme. They quickly explain the development of things, as well as the feelings and feelings of the author, and the poetic void leads to the imagination of the reader. This text of joy and mood excites the reader, so when we see them, we can't help but recite the quatrain.

If they are good, they will have lasting appeal, and if they are bad, they will be abandoned. It won't take much time anyway.

However, due to the length of the poem, the poet is more accustomed to the layout and description of its causes and consequences, which is a good thing for both interested readers and interested readers, and the hierarchy and rigor of the rhythm, the battle between the couplet and the neck, and the combination of the head and tail are all equivalent to a delicate poem, which can express the author's emotions more abundantly and perfectly, and establish the relationship between the reader and the writer. Rhyming poems are round and have no gaps.

The rhythm is longer as compared to quatrains. When scholars see these dense texts, they will click in their hearts. They also need to distinguish between layers and layers, stickiness, rhyme, collocation, transitions, higher requirements.

Psychologically, they don't like to read quatrains, and they are not as free-spirited as random quatrains in their artistic conception.

The quatrain, when said thoroughly, has two meanings, that is, scene and affection or matter and discussion. There are four more sentences in the poem, which is double the number of words in the quatrain, and the artistic conception that you want to express is relatively relaxed.

Therefore, the number of people who write (read) quatrains today is greater than the number of scholars who read poetry.

The quatrain of the four sentences has a wide audience, and because there are only four sentences, it is named because there are only four sentences, so its plainness and rhyme are generally no different from those of rhythmic poems.

Quatrains are shorter, sharper, simpler, and more straightforward than lyric poems, and at the same time, they also leave blank space for the reader's own imagination of the detailed content described in the lyric poems. The quatrain obviously has a larger audience.

Generally, when we see quatrains, we can't help but recite them, and if they are good, they will have a charm, and if they are bad, they will be abandoned. It won't take much time anyway. However, the poetry is different, because of the longer length, the poet is more accustomed to laying out and describing the cause and effect, and the reasons are very small, which is naturally a good thing for readers who are interested and in the mood to read.

It can't be said that they are all the essence left by the development of Chinese culture, and they are all worth learning.

The quatrain is relatively large, and the quatrain is learned from a young age.

It's the same, it's just a matter of length, it's all Chinese culture.

People generally like to understand a thing in just a few sentences, find a little fun, if you feel interested, you may read a thousand-word article, to appreciate the author's beautiful penmanship and the ins and outs of things. The same goes for quatrains and rhymes.

Quatrains, also known as truncated sentences, broken sentences, and quaint poems, are four sentences and one poem, short and concise. Quatrains are divided into legal and ancient quatrains, among which the legal absolute has strict requirements for discipline. Common quatrains are five-character quatrains and seven-character quatrains.

The difference between quatrains and rhythmic poems is mainly reflected in the following aspects:

1. The number of verses is different.

Rhythmic poems are generally eight sentences, with a total of forty words for five-word rhythms and fifty-six words for seven-character rhythmic poems; More than eight sentences are long laws, and most of them are five words, and there are also seven words, but not too many. Quatrains generally have only four sentences, so the number of words is only half of that of a rhyme, a five-character quatrain is twenty words, and a seven-character quatrain is twenty-eight words.

2. The requirements for sound and rhyme are different.

Rhythmic poems generally rhyme flat, and rhymed rhymes are very rare and can be basically ignored; There are rules for each sentence of the poem, which is a lot of attention; Each verse of the Psalm must have a battle, and the position of the battle must also be specified.

The ancient poems in quatrains are ancient style poems, that is, free verses, whether they rhyme or flat, they are not bound by the flat style of close poems. The rhythm is equivalent to one-half of the rhythm poem, because it is four sentences, only half of the normal rhythm poem, not only must rhyme flat, but also follow the rules of the close body poem.

3. The era of origin is different.

Lyric poetry sprouted in the Southern Dynasty Qi Yongming and Shen Yue and other new style poems that paid attention to sound rhythm and duality, which were stereotyped in the early Tang Dynasty and matured in the middle and late Tang Dynasty. The quatrain originated from the Yuefu short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the six dynasties.

During the Six Dynasties, the literati feasted on the collection, and there was a custom of writing poems in conjunction with each chapter, each person composed four sentences and five words, and combined into a whole poem. If each person's work is cut off and written separately, it is called "a quatrain", and the title of the quatrain is thus established.

Quatrains and rhythms.

That's right. There are four quatrains in ancient poetry and eight lines in rhythmic poetry, and "seven laws" refers to a seven-character rhythmic poem in each sentence.

Judging from the number of words in the poems, there are so-called four-word poems, five-word poems, seven-word poems, and miscellaneous poems. Four words are four words and one sentence, five words are five words and one sentence, and seven words are seven words and one sentence.

After the Tang Dynasty, it was called near-style poetry, so it was usually only divided into two categories: five words and seven words. Five-character ancient style poems are referred to as Wugu; Seven-character ancient style poems are referred to as Qigu, and those who use both three, five, and seven words are generally regarded as Qigu.

Wrong. The quatrain is four sentences for one poem. The lyric poem is a poem of eight verses.

Categories: Culture Arts >> Literature >>**.

Problem description: What is the difference between a lyric poem and a quatrain?

Analysis: Modern poems are divided into two categories, rhythmic poems and quatrains. The poem is divided into five rules and seven rules, five rules and eight sentences of 40 words, and the last word of 2, 4, 6, and 8 sentences rhymes; Seven rules, eight sentences of 56 words, the same 2, 4, 6, 8 sentences at the end of the rhyme.

The quatrain is half of the poem, only four sentences, and the rhyme is the same as the rhyme, and it is also divided into five and seven verses. Note that today's poems can only use flat rhyme, and can never use rhyme, nor can rhyme with different rhymes.

Rhythmic poems and quatrains should pay attention to "right" and "sticky". The verse is 8 verses, divided into quadruples. first couplet), jaw couplet), neck couplet (5,6 sentences) and tail couplet (7,8 sentences).

The first sentence of each couplet is called the first sentence (1, 3, 5, 7), and the next sentence is called the couplet (2, 4, 6, 8). The opposite of the balance of the sentence and the couplet is called "right". The pingxuan of the posterior couplet sentence and the pingxuan of the preceding couplet sentence should be the same, which is called "sticky".

Specifically, the five rules are that the second character of the third sentence should be the same as the second character of the second sentence, and so on, the second character of the fifth and fourth sentences, and the second character of the seventh and sixth sentences should be the same. The "sticky" of the seven laws requires not only the second word, but also the same level as the fourth word. The "pair" and "sticky" of the quatrain are the same as those of the lyric poem.

In fact, as long as we keep in mind the basic plain form of the poem, there will never be mistakes of misalignment and invisibility.

The law poetry circle also requires a battle. To put it simply, noun to noun, verb to verb, adjective to adjective, adverb to adverb, pronoun to pronoun. For example, there are tears in the pearl of the sea and the moon, and the blue field is warm and the jade is smoking.

Lyric poetry generally only requires the jaw couplet and the neck couplet to fight, and the first couplet can be used or not. Quatrains can be used without fighting, and if they want to be used, they can be used in the first couplet. In the lyric poem, number, color, and orientation nouns can only be compared with the same kind of words, such as three against nine, red against white, east against north, and so on.

Other nouns, if they are of the same kind, are called work pairs, such as the sun and the moon, which are all astronomical categories. If it is not the same kind of pair, it is called a wide pair. Writing poetry doesn't have to be a hard job.

The difference between quatrains in poetry is different, the classification and requirements are different, and the number of sentences is different.

1. Different origins: quatrains originate from the ballads of the Han and Wei and Jin dynasties. After the Tang Dynasty, near-quatrains prevailed, and the rhythm was the same as the first, second, or middle four sentences in the eight-sentence poem. Therefore, some Tang people attributed quatrains to legal poems in poetry collections.

Ryushi originated in the Southern Dynasties. The new style of poetry, which pays attention to sound rhythm and battle, was further developed and stereotyped in the early Tang and Song dynasties, and prevailed in the Tang and Song dynasties.

2. Different classifications and requirements: quatrains are also known as truncated sentences, broken sentences, and quatrains. Each poem has four sentences, and the requirements of the rhythm are not as good as the rhythm of the poem, Yan Kai Cong Pa Ge, usually there are five words, seven words, referred to as five uniques, seven uniques, and occasionally six uniques.

The rhythm of the poem is strict, requiring the number of words in the poem to be uniform, each poem is five words, six words, and seven words, referred to as five laws, six laws, and seven laws, of which six laws are rare.

Lyric poetry belongs to near-style poetry, which originated from the new style poems such as Shen Yue in the Qi Yongming period of the Southern Dynasty that paid attention to sound rhythm and battle, and was further developed and stereotyped in the early Tang Dynasty and prevailed in the Tang and Song dynasties. Lyric poetry has strict rules in terms of words, rhymes, evenness, and antiphons. The most common types are five-character poems and seven-character poems.

Lyric poems usually have eight lines each, and the rhythmic poems that end with eight sentences form a couplet for every two sentences, which is counted as four couplets. The first joint is the first couplet, the second joint is the leader couplet, the third joint is the neck couplet, and the fourth joint is the tail couplet. The upper sentence of each couplet is called the outgoing sentence, the next sentence is called the couplet, and the relationship between the two sentences that constitute the couplet relationship of the previous couplet and the couplet of the last couplet is called the adjacent sentence relationship.

Quatrains are divided into legal and ancient quatrains, among which the legal absolute has strict requirements for discipline. Ancient absolute is a kind of quatrain that is absolutely established by the rhythm, although it rhymes, and is relatively free, or it can be said that some poets are unwilling to be bound by the rhythm and compose. After the prevalence of the law, the ancient law was still used and developed.

There are a lot of five words in the ancient world, and there are very few words in seven words.

The quatrain originated from the Yuefu Zhuchang short chapter of the Han and Wei dynasties, and its name may come from the "couplet" of the literati of the Six Dynasties. According to the literature, during the Six Dynasties, the literati feasted and collected the poems, and there was a custom of composing poems in conjunction with each person, each person composing four sentences and five words to form a whole poem. If each person's work is cut off and written separately, it is called "a quatrain", and the title of the quatrain is thus established.

The difference between a lyric and a quatrain1. The origin is different.

Lyric poetry began in the Northern and Southern Dynasties and took shape in the early Tang Dynasty, and was famous for its strict rhythm of ancient poetry; Ancient poetry quatrains began in the Han Dynasty and the Northern and Southern Dynasties.

2. The number of sentences is different.

Ancient poetry quatrains are usually four sentences, five-character quatrains are twenty words, and seven-character quatrains are twenty-eight words; Lyric poems are usually eight sentences, five-character poems have a total of forty words, and seven-character poems have a total of fifty-six words. If there are only six verses, it is called a minor or tri-rhyme poem; If it exceeds eight sentences, it is called a row or long law.

3. The pressure rhyme is different.

Lyric poetry requires a rhyme throughout the poem, and the rhyme is limited to flat sound; Clause.

Two, four, six, eight sentences rhyme, the first sentence can be rhymed or not. Ancient poetry quatrains only.

Two or four sentences rhyme, the first sentence can be rhymed or not.

Characteristics of quatrains.

Each quatrain has four sentences, and according to the number of words in each sentence, it can be divided into five-character quatrains, six-character quatrains, and seven-character quatrains. There are many five-character quatrains and seven-character quatrains, and very few six-character quatrains. According to the strictness of the requirements of the discipline, it can be divided into the law and the ancient law.

Liang and Chen Shi have generally used quatrains to refer to four short poems, and their rhymes are relatively free, or ancient quatrains.

To put it simply, a quatrain is a poem of four sentences. The lyric poem is a poem of eight verses.