Which director in the entertainment industry do you think has the highest level?

Johnny To, his movies are mainly police and gangster films, but I like it very much, and the shooting is very classic.

Feng Xiaogang is a good director, and every ** he shoots, the details are very good! The main framework of a film is written by the screenwriter, but the details of the film need to be handled by the director.

I think it's Er Dongsheng, and his "Disciple" has become the most influential of the ** I have seen.

This is of course Stephen Chow, Stephen Chow's directing level is admirable, several movies he has shot before have become popular, and I especially admire Stephen Chow, so I think his level is the highest, and it is irreplaceable in my mind.

I like Zhang Yimou more, especially "Hero" directed by him, I have watched it three times.

In fact, I think that in this entertainment industry, Feng Xiaogang's directing level is still very good.

In today's entertainment industry, I think director Chen Kaige has the highest level, although he has rarely appeared in recent years, but the glory of the past is beyond the reach of others.

Some directors are actually of the same level, and they like Feng Xiaogang more, because he dares to say and do things that others dare not say.

Director Huang Bo has the highest level in the entertainment industry, although she has only tried one work, but the filming process is very good and the future is immeasurable.

I think director Zhang Yimou has the highest level, because he is very warm and capable in the first place, and I like to watch all his films.

I think Feng Xiaogang's directing level is the highest because he can capture people's hearts.

I think Zhang Yimou's ability is a little stronger, I like the way he arranges the plot, and I like all his works.

A must-have star, I personally think that his directing level is the highest, and the box office can prove it.

Zhang Yimou, he is a well-known director, which many people know, and many of his works have high ratings.

I think Director Jiang Wen is great, his "Let the Bullets Fly" made me revisit it several times, and after I understood it, I really admired his skills.

Zhang Yimou's level of director will be particularly high, as long as he directs it, every work will have a box office of hundreds of millions, and the movies he directs will make people linger and not get bored.

I feel that the current entertainment industry is still very admirable for director Feng Xiaogang's works.

In fact, I think Zhang Yimou is a very good director, and his directing level is relatively high.

Ang Lee is the highest-level director in the entertainment industry. Because he was nominated for an Academy Award for his role in "Sense and Sensibility" in 1995, and later "Crouching Tiger, Hidden Dragon" directed by Ang Lee won him an "Academy Award." Ang Lee's influence is not only very influential at home, but also abroad, for example, in 2009, Ang Lee was nominated for the top 50 film directors of Entertainment Weekly.

Ang Lee's films are very in-depth, which is incomparable to other famous directors.

Of course, it's Chen Kaige, "Farewell My Concubine" has unsurpassed its status in the film industry so far, and it is also influential in the world, and there are really few that can be compared in China, "Wuji" is incomprehensible by many people, and now I can understand the true meaning when I look back.

I think the director with the highest level is Chen Kexin, and I feel that his films are very good-looking, and they are also very good.

I think Feng Xiaogang's level is very high, and his movies have a soul, as if telling you about his thoughts, and "Lu Criminal's Knowledge" is very good.

Feng Xiaogang, his films are more realistic, and he can always send out some things that are worth thinking about from a certain historical background.

The highest-ranking director in China is Zhang Yimou.

Zhang Yimou, born on April 2, 1950 in Xi'an, Shaanxi, is a Chinese film director, one of the representatives of the "fifth generation of directors", honorary doctorates from Boston University and Yale University, and a distinguished professor of Beijing Film Academy. In 1978, he entered the Photography Department of Beijing Film Academy. After graduating in 1982, he was assigned to Guangxi Film Studio, and in 1984, he served as a cinematographer for the first time in the film "One and Eight", and won the Chinese Film Outstanding Cinematographer Award.

In 1986, he starred in his first film "Old Well" and won three actors, and in 1987, his first film "Red Sorghum" won the Golden Bear Award at China's first international film festival. After 2002, the commercial films "Hero", "Ambush on All Sides", "The City is Full of ** A" and "The Thirteen Hairpins of Jinling" have set new Chinese film box office records twice and won the annual Chinese film box office championship four times.

Zhang Yimou's character evaluation

Zhang Yimou is one of the representatives of the "fifth generation of directors", and his films occupy an important position in the history of Chinese film development. His films integrate national culture, social thinking, cultural roots, and film innovation. He persistently explores the potential of film language, pursues the strength of composition, the richness of imagination and the fullness of color, and gives people a strong visual impact through unconventional screen modeling, achieving a unique artistic realm.

In addition to movies, Zhang Yimou has a lot of "side jobs". He has directed operas, ballets, and large-scale landscape live performances, and the "Impression" series has become a local tourist culture. He has filmed the official promotional videos of Beijing's Olympic bid and Shanghai's bid for the Expo, as well as the promotional videos of the Beijing Olympic Games emblem and torch.

In addition, he has also shot advertisements, published books, designed stamps for the 60th anniversary of the National Day, and served as the chief director of the opening ceremony of the Beijing Olympic Games.

The professional level of actors is also divided into high and low, but the basic skills and professional standards are better because they can distinguish the level of screenwriters and directors.

The traditional method is to do an "inner monologue": to understand the past and present life of the character they play, figure out how to enter the role, and naturally express the role.

The past and present lives of the characters come from the design of the screenwriter. Whether the character is three-dimensional, confusion, growth, fear, jealousy, joy and other emotions are the best in what, then this part of the actor has a judgment in his heart. Judging the character is the process of understanding the strength of the screenwriter.

It is difficult for non-protagonists to see the whole script, so it is not necessarily clear to judge whether the script is good or bad. However, if you are a screenwriter who is willing to put effort into secondary roles, at least she is also a screenwriter with heart.

To some extent, the actor must also be "able to read and travel thousands of miles", otherwise some points of the character may not be understood. At this time, it is necessary for the screenwriter, director and actor to communicate. A good actor will provide several ways to perform for the character, rather than completely following the command.

As for judging the director's level, it mainly depends on the director's control of the scene, character understanding, shooting ideas and shooting rhythm.

The actors mainly focus on their own performances, but the director's "aesthetic judgment" can be seen more or less on the set, such as the director's choice and control of the service, such as the choice of a certain prop, and the reasons given by the director when communicating with the props are enough to be recognized. This aspect involves the director's aesthetics, and the director's experience and aesthetics will be reflected in all aspects of the set.

Character comprehension is shown from the reading of the script and the early communication, which can convince the actor to make the actor fully understand. When filming on location, the actor's understanding of the director's level is mainly the director's adjustment of the performance, so that the actor himself feels better and better each time. Another situation is the improvisation of the director, which attracts the actors the most.

The shooting idea is mainly character scheduling, which is based on the content of the script and the performance of the characters. On the other hand, the shooting rhythm is the director, who is actually an "actor" on the scene, but he is acting for everyone to see, and even to the extent of his madness, he is acting for the whole group. The director must control the whole scene, and if he is led by someone to walk the basic scene, it will be scrapped, because it shows that the director's thinking is not clear.

The rhythm of on-site shooting can also be seen in the director's level, the shooting time of cutscenes and key scenes, and the overall labor intensity changes, which are all controllable by the director.

Another point is the relationship between the director and the actor, which depends on emotional intelligence and also affects the actor's judgment of the director's level. Regardless of the above, the actor can see whether the director is prepared or not.

Actors can distinguish the high level of the director and the screenwriter, but the actors are chosen, so sometimes the dramas they make are not necessarily decided by themselves.

Okay, the actor should be able to tell the level of the director and the screenwriter, because the actor will read through the script before accepting it, and will also choose a good director, because a good director. Coupled with the acting skills of the actors, then this film. It should have a relatively high reputation evaluation.

To a certain extent, the actor can distinguish the level of the director and the screenwriter. But in order to play a work, you can have a relatively high salary and income, even if the director and screenwriter are poor, the actor will play the role normally, because as long as you can earn money, you don't care about the quality of the work.

Of course not, the actor's job is to act, he can distinguish the level of the director and the screenwriter, after all, in the process of contacting the director, you can experience the director's guidance ability, as well as the level of the screenwriter and the scriptwriter.

The actors are divided into the protagonists, and the supporting roles are tricky, which one are you talking about? The cultural quality of the actors is also different.

Besides, even if you can see that the level of the director and screenwriter is a bit low.

But it's lucky enough to have you participating, it's impossible to do your job well.

Most of the actors can actually tell the level of the director and screenwriter, but most of the actors have no income if they don't take on the play, and they have to take any play for money, on the one hand, they have to support their families, and on the other hand, they have honed their acting skills.

Actors can still tell the level of the director and screenwriter, and this is also judged according to the director's reputation and the actor's personal experience!

Actors can distinguish the level of directors and screenwriters, but it is also difficult for actors, and it is difficult for them to find scripts they like, and they must be in order to live, they need to play some roles they don't like, just for some pastry salaries.

It's true, when the actor is acted, it is not what we the audience end up seeing, and it is difficult to fully understand the work.

Of course, you can see the level of directors and screenwriters, but sometimes you can't see it, after all, they are just actors.

Actors can tell the level of the director and the screenwriter. It's good to tell if the script is good or bad, but if an actor stars in a movie or a TV series, it depends more on the pay.

Yuan Yuan can tell the level of the director and the choreographer, because he knows what is inside.

The actor must be able to distinguish the level of the director and the screenwriter, but in order not to offend the director and screenwriter, I don't dare to say it, in fact, it should be able to distinguish.

You can tell the level of the director and screenwriter, but most of the actors have no income if they don't take on the play, and they have to take on any play for money, on the one hand, they have to support their families, and on the other hand, they have honed their acting skills.

To a certain extent, an actor can not distinguish the level of the director and the screenwriter, because when an actor receives the script, he will read the script first, and according to this script, the level of the director and screenwriter can also be roughly judged.

But some star actors, because some TVs may give a particularly high salary, they dare to accept any kind of drama, whether it is suitable for them or not, well, they dare to accept no matter how bad the plot is, so it leads to too many bad dramas.

I think most actors can actually tell the difference between the level of the director and the screenwriter. But most actors have no income if they don't take on the play, they have to take any play for money, on the one hand, they support their families, and on the other hand, they have honed their acting skills.

As the saying goes: if a connoisseur stretches out his hand, he will know if there is one.

An actor is a professional talent who specializes in acting. ......They can clearly distinguish the level of screenwriters and directors. There is no doubt about it.

Of course, actors really can't tell the difference between the level of the director and the screenwriter, because they don't have professional level skills.

There is no direct relationship between the acting skills of the actors, as well as the level of the director and the screenwriter, the actors sometimes act very well, but the level of the screenwriter is not good and in vain.

You can tell the acting skills of the actors and the level of the director, because the director is a conductor, and he conducts well and badly. affects the quality of this show.

is a good actor, because there are many traffic artists in the entertainment industry now, and these artists are relatively famous, but they have no acting skills.