The Burrow: How did the author evaluate his Burrow and what techniques did he use?

The author's intention in quoting He Ugly is that "the Burrow is not ugly", and "only Wu Dexin" dominates the whole article.

From the point of view of expression, "The Burrow" gathers description, lyricism, and argumentation in one. Through specific descriptions"Burrow"The tranquil and elegant environment and the elegant demeanor of the owner express their noble and secluded feelings.

The writing techniques of "Burrow Ming" are complicated, and the techniques of contrast, white description, metaphor, allusion, and analogy are used in just eighty-one words, and rhyme, the sense of rhythm is very strong, and the reading is natural and smooth, and the song is at the end, and the residual sound is lingering, which makes people have endless aftertaste.

From the point of view of sentence structure, "The Burrow" is mainly composed of sentences, with neat sentence structure, clear rhythm, and harmonious rhyme, giving people a visual beauty of neatness. But in "The Burrow"."What an ugly thing"It's a prose sentence again. Therefore, in terms of sentence structure, "Burrow Ming" is a combination of loose and scattered, so that the rhythm of the article is bright, the language is staggered, and the reading is subdued and frustrated, harmonious and pleasant, and it gives people the best sense of beauty in hearing.

At the same time, the article focuses on five words, with four words and six words in between, so the sentence structure is uneven, and the article rhymes to the end.

Judging from the clues, "The Burrow" is based on"Wei Wu Dexin"The idea runs through the whole text: the beginning leads to it"Wei Wu Dexin", and then expressed in terms of the living environment, the people who come and go, and the daily life"Wei Wu Dexin"and finally again"Zhuge Lu"，"Ziyun Pavilion"of"What an ugly thing"Contrast"Wei Wu Dexin"。This is all the subjective feeling of the author.

The Burrow is not "ugly" because of his high moral character. And also quotes famous quotes to make the article more convincing.

Centered on the above sentences, expand on it yourself.

Supporting things and words and aspirations, virtual and real are born together.

Opinion: Although this way of making friends has the meaning of literati being lonely and self-appreciative, it emphasizes high-level cultural exchanges and spiritual communication, which is an avoidance of vulgar interpersonal relationships, and also has a fulfilling spiritual significance.

There is a great deal of talk and laughter, and there is no vain correspondence": it is the elegance of the exchange between the owner of the burrow. The people who come here (the burrow) to talk and laugh are all knowledgeable people, and there are no vulgar people who are unlearned and unskilled.

There is a great deal of Confucianism in talking and laughing, and there is no vain in the exchanges": the people who talk and laugh together are all knowledgeable scholars, and there are no illiterate people who interact with each other, and the sentence comes from Liu Yuxi's "Burrow Ming". "Talking and laughing are confucian, and there is no vain in communication" is written by people in the studio, focusing on the interaction with friends, so as to show the nobility of the author's identity and the elegance of his temperament.

Zhuge Lu is the grass house where Zhuge Liang lived in seclusion in Longzhong in Nanyang in the late Eastern Han Dynasty; Ziyun Pavilion refers to the pavilion where the Western Han scholar Yang Xiong lived and wrote the Taixuan Sutra. These two sentences are to say that my humble room is like the grass house of Zhuge Lu in Nanyang, and it is like the pavilion of Yangtze Cloud in Sichuan. The author uses an analogy to write, comparing the famous rooms of Zhuge Liang and Yangziyun in history with his own humble rooms, implying that Nanyang Zhuge Lu and Xishu Ziyun Pavilion were originally also humble rooms, and they were famous all over the world because their masters had both ability and political integrity, so wouldn't my humble room be the same?

Implicit in it is his own lofty ambition. Be like them. There are ancients before and there are people who come after, and my humble room will be praised by future generations like Zhuge Liang's grass house and Yangziyun's pavilion; I myself want to be admired by future generations like Zhuge Liang and Yangxiong.

The article adds such a stroke, and it has a new layer of waves, richer content, and a more distinct theme.

In "The Burrow", the author describes the Burrow from three aspects: living environment, interacting with people and daily life. Inside.

Living environment: moss marks on the upper steps of green, grass into the curtain green. (Quiet) Dating Characters:

There is a lot of talk and laughter, and there is no white ding. (Elegant) daily life: you can tune the piano and read the golden scriptures.

There is no silk and bamboo, and there is no case. (Elegant) "Burrow Inscription" is selected from the volume 608 of "All Tang Texts", written by the Tang Dynasty poet Liu Yuxi. "The Burrow" combines description, lyricism, and discussion.

Through specific descriptions"Burrow"The tranquil and elegant environment and the elegant demeanor of the owner express their feelings of breeze on both sleeves. The article uses contrast, white description, metaphor, allusion and other techniques, and the rhyme, the sense of rhythm is very strong, the reading is natural and smooth, a song is at the end, and the sound is lingering, which makes people have endless aftertaste. The article shows the author's attitude of not being in the same stream as the world, keeping himself clean, and not seeking fame and fortune.

It expresses the author's noble and proud sentiments, revealing the author's hidden taste of poverty and happiness.

"The Burrow" is a Tang Dynasty poet Liu Yuxi created a inscription in the style of the words of the object. The full text is only 81 words, and the author uses praise of the Burrow to express his own noble aspirations, peace and happiness, and not to be in the same stream with the world, which also reflects the author's self-pretentious and self-appreciative thoughts.

Natural environment: moss-stained, grass-colored.

Guests: Hongru, no white ding.

Interior layout: no silk bamboo, no case.