How do you do muffled and overtones on a guitar?

Palm muffled: Muffled notes by touching the strings in front of the bridge with your right hand.

Muffled: By placing the left hand on the string without pressing the string, the sound that produces a blow is played with the right hand.

Natural overtones: Play a note with your right hand while touching the overtone point with your left hand. That is, when playing the string, the left hand does not press the string on the fret, but caresses the finger on the overtone point, and after the right hand plays the string, the left finger immediately leaves the string

Difference Between Muffled and Overtones:

Muffling can be done in any taste; Harmonics are to be done at the overtone point or at the "artificial" overtone point

When the sound is muffled, the left finger does not leave the string, so that the vibration of the string is blocked, resulting in a "stuffy" sound; In overtones, after the right hand plays the string, the left hand quickly leaves the string, and the vibration of the string is blocked in the early stage, and then it is open

Muffled, the right hand of the big fish leans against the bridge. Press down the tail of the string slightly. Muffled the sound of the piano. Similar to the plucked strings of a violin.

Natural overtones.

First of all, find the position where the 12th fret is most obvious to play, gently place the tip of your left finger on the string above the 12th fret, and the moment the right hand is played, the left hand quickly leaves the string, and the overtone will be produced.

There are two things to note here:

1. The fingertips should be placed on the strings above the 12-fret fret, not the string at the 12th;

2. Gently place it on the strings, do not press on the strings.

Similarly, we can play at the frets of the 7th, 5th, and 4th frets, and here we can hear that the overtones at the 12th fret are the fullest, and the higher the forward, and the weaker the overtones.

Artificial overtones. The way to play is to press any non-empty string note on the guitar with the left hand, and press the index finger of the right hand on the 12th fret after the left finger is the actual number of frets, and play with the ring finger. For example, if you hold down the 2nd fret with your left hand and count backwards to the 12th fret, you will play the overtones at the 14th fret.

By analogy, it can be understood that the left hand is equivalent to 1 fret after pressing the real position, because it is necessary to play the overtones at the 12th fret, which is the original 14th fret. It should be noted here that when plucking the string with the ring finger of the right hand, it will be easier to play as far away from the overtone point as possible.

There are three main types of overtones in the guitar.

Natural overtones mean that there are many overtones on the guitar, such as 5 frets, 7 frets, 9 frets, 12 frets, etc., such overtones only need to be lightly placed with the left hand directly above the guitar string overtone fret column, and the right hand plays the left hand and leaves immediately.

The principle of the first artificial overtone is the same as the natural overtone of the 12th fret, that is, the midpoint of the chord length is at the starting fret+12th fret, so the overtone is the clearest, the playing method is to press the string normally with the left hand, and the index finger of the right hand is placed on the left hand plus the 12th fret column directly above the column (for example, the left hand presses the 3rd fret, the right hand is placed on the 15th fret), and then the right hand is played with the thumb of the right hand, and the right hand immediately leaves the left hand and does not move.

The last type of right-handed overtone is commonly used in electric guitar playing. Immediately after the trigger is played, the wrist of the right hand is rotated and the thumb is touched to the side of the string that is sounding, and this overtone requires a certain level of proficiency.

There are no hard and fast rules for this, and you can use it as long as you want.

Play "Cherry Blossoms" and you'll know!

I'm sorry I'm a newbie... What are Overtones?

Harmonic playing technique: natural harmonic playing.

Natural overtones are the ethereal sounds of bell-like timbre emitted when the empty strings are lightly touched by hand to the top of the frets, and the natural overtones are the sounds that vibrate half-third-fifths of the strings according to the length of the strings. Mainly in the 12th fret, 7th fret, 5th fret three frets, in addition, like a good guitar, 3rd fret, 9th fret can also produce overtones.

There are two ways to play, the first is to touch the little finger or ring finger of the left hand to the empty string above the fret, and pluck the string with the right hand to produce natural overtones. For example, in the 12th fret of natural overtones, the little finger or ring finger of the left hand touches the side of the string and then plucks the string to produce an ethereal overtone.

The second method, the right hand plays directly, without the left hand, with the index finger of the right hand lightly touched the string above the fret, with the right little finger or ring finger to pluck the string, the same can play the natural overtones, which is also the method of playing artificial overtones.

How to play the guitar overtones:1. The position of the fingers of the left hand touching the string should be accurate. The position of the overtone point is generally on the string directly above the fret column, with slight variation in individual positions.

2. The strength of the fingers of the left hand should be light, and the action of touching the strings should be smooth, like a dragonfly touching water.

3. It is best to use the thumb or the fingertips of the fingertips of the right hand to pluck the string. In this way, the overtones played by the keys will be more penetrating and malleable.

4. The position of the right hand plucking the strings should be between the sound hole and the bend of the saddle.

5. Keep the left and right hands unified when playing.

1. Coordination. <>

The basic method of artificial overtone history is as follows: after the left finger actually presses a fret, the index finger of the right hand presses the twelfth fret, which is behind the place where the left finger is actually pressed, and plays with the thumb, and after the ring finger of the right hand is played, the index finger immediately leaves the string. While the left hand is still pressing the strings, the overtones are produced one octave higher than the note actually pressed by the left finger.

In this way, notes in all registers on the guitar can be played with artificial overtones.

The natural overtones of the guitar are mainly distributed in the fifth, seventh, ninth, and twelfth frets of the guitar, and the left hand is gently pressed on the corresponding overtone fret without pressing down, and the moment the right hand plays the corresponding string, the left hand is raised to complete the natural overtone playing. This is the way to play natural overtones.

Categories: Culture Arts >> Instrumental Music Vocal Music.

Analysis: The timbre of an instrument is determined by the proportion of its overtones. A violin and a flute all play the A note of 440 Hz, but it sounds like anyone can tell which is the sound of the violin and which is the flute, because the overtones of the violin are different from the overtones of the flute.

If the fundamental sound a is 440 Hz, then the overtone column contains ...a range of frequencies. The proportions of these overtones of the violin are different from those of the flute, and the proportion of the overtones when Wadi and Jay Chou sing the same note is also different, so that we can easily distinguish their voices.

So it doesn't make sense to say "what the overtones sound like" alone. Overtones are inseparable from the fundamental tone, otherwise it will be a tree without roots. The overtones and the fundamental tones resonate together to form a full-bodied and complete timbre.

When someone says that the overtones of a certain headset are good, it actually means that it has a good high-frequency response and can reproduce high-frequency overtones.

Listening to the piano up close will give you a deep understanding of overtones.

One of the most intuitive ways to do this: find a friend who can play the guitar.

Ask him to play a few natural and artificial overtones for you, and you will understand it at once.

The harmonic articulation of the guitar simply suppresses the fundamental tone and emphasizes the overtones.

The same can be said: the voice of the triangle "ding." , in which the "of" sound is the fundamental tone, and the "cause." It's overtones.

This type of overtone playing is also found in violin playing. It is also divided into natural overtones and artificial overtones. The sound sounded hollow. It can be seen that the overtones lacking the fundamental tone are not good to listen to and are very empty.

Some instruments, such as violins, can have a pantone of up to 20,000 Hz, so it is difficult to faithfully reproduce. To accurately reproduce the sound of an instrument, it is first necessary to reproduce all of its overtones in its entirety.