Why do Hong Kong dramas and mainland dramas look different?

I also feel the difference. I feel that the difference is mainly due to the big difference between the director and the script.

Here are my thoughts:

1.Director: Mainland directors like to use long shots, while Hong Kong directors like to use big faces.

The rhythm in the mainland is varied, and there are many slow paces, which makes people feel dragged on. Hong Kong is fast-paced, and you will never see a shot of sitting and crying for 1 minute, often passing by.

2.In terms of script: Hong Kong focuses on the plot, and the mainland focuses on the connotation.

Of course, it has changed in recent years, and martial arts dramas in the mainland are extremely mentally retarded, much more mentally retarded than those in Hong Kong, and of course there are good ones. The dialogue of Hong Kong dramas is very tight, and the plot is very intriguing, and he likes to portray human nature very extremely, the good guys are very good, and the bad guys are particularly bad and hopeless. The mainland is different, many dialogues are extremely boring, and it takes a long time to narrate a thing.

There are many differences, and it is up to the individual to experience them.

The filming backgrounds are different, the actors in Hong Kong and Taiwan dramas are very open, and they act very realistically, I don't want mainland TV dramas, I know that they are imitating others at a glance, which is really disgusting.

The level of filming is different, and the way the actors handle the role is different.

The director is different! There are also actors who are different, the important thing is that the customs and culture are different, so the things filmed will be different.

It's disgusting when I watch mainland films, and the filming is getting worse and worse, especially those so-called comedies, which feel very fake, **Taiwan's** bar is still average, and then there is a bad voice, which can't be compared with Hong Kong dramas!

Hong Kong dramas have depth, and you can learn a lot from watching Hong Kong dramas, while mainland dramas are pure.

The script and the actors, the acting skills of the mainland actors are really disgusting and contrived.

Many people like to watch TV series very much, because TV series are rich in content and have many plots, which are very exciting, and even many TV series originate from life, so there are many people who like to watch TV series.

Especially some girls, they just like to follow dramas very much. In fact, except for some modern TV series, they are very good-looking.

There used to be some old Hong Kong dramas, which were also very classic, such as the Legend of the Condor Heroes, which everyone is very familiar with. It is adapted from Jin Yong's ** Legend of the Condor Heroes. Maybe we don't have a deep understanding of the image of the characters when we watch **, but after watching this Hong Kong drama, each of us will have a richer image of the characters.

There are also many people who like to watch Xiao Li Feidao, which is also a very good Hong Kong drama. So in fact, there were many very good Hong Kong dramas in the past, and these Hong Kong dramas are very rich in both plot and character image.

So a lot of feelings have become very classics in our minds, these feelings are not only enriched, but our lives also make us feel that these TV series have become eternal classics in our minds.

When it comes to TV series, everyone must be very familiar with them, and many people like to watch TV series, especially some girls. They like to follow dramas all day long.

Among the many TV series. In the past, the most memorable ones for everyone were those very classic Hong Kong dramas. There are many Hong Kong dramas that are very classic, even after so many years, when we look back at it now, we still find that it is still the same classic.

For example, the Legend of the Condor Heroes, which we are very familiar with, is a story of martial arts that is probably very familiar. When it is filmed into a Hong Kong drama, we can feel the image of each character more intuitively. And this wonderful Hong Kong drama is very good both in terms of plot and character building, and the restoration of the original work has resonated with many audiences, and it has also become a very classic work in our minds.

Let's take another example of Shanghai Tang. This Hong Kong drama is also very exciting, and it was almost empty when it was **. Because first of all, the storyline of this Hong Kong drama is very attractive, and the emotional context between the characters affects every audience, so every audience likes this TV series very much.

So for each of us, we have our own favorite TV series, and those Hong Kong dramas that used to be very classic still occupy a very important position in the hearts of each of us until today. Although it has been a long time, when we look back on it, we still feel that it is very wonderful, and it has become a classic work that is difficult to surpass in our minds.

It depends on the landlord's personal opinion, everyone likes Hong Kong dramas with different factors, in fact, many people in the mainland like Hong Kong dramas, I think there are several reasons. 1.Actor's skills.

Some people say that TVB actresses are not very good-looking, although I don't agree with it, but I think their temperament should be the main reason for attracting the audience, not their appearance. Relatively speaking, mainland dramas, let's just talk about idol dramas, if they don't sound good, they can be used as the protagonist to play by a good-looking person, regardless of their character and temperament. Although Hong Kong actors are not as beautiful as them (in fact, I think they are quite good), they have an aura as soon as they come on the stage.

Let's talk about acting. Taking idol dramas as an example, Hong Kong actors, isn't that Xiaosheng Hua Dan in his thirties? You see Lin Feng Yang Yi, he entered TVB at the age of 18, not from a beauty pageant, so he worked very hard, Yang Yi just started playing soy sauce, Lin Feng was once a Chinese host of TVB, more than ten years of struggle to have today, Ma Guoming is the same, more than twenty into TVB, now nearly forty.

But if you look at the mainland, a newcomer can play the leading role, and he will be praised as soon as he gets out of school, like Hong Kong people who have experienced ups and downs? But the salary they get is not known how many times that of TVB. Therefore, many TVB people went north.

Some people despise TVB for this, saying that looking down on our mainland is not taking our money, but who is not running around for money to support their families? Now those mainland rising stars are really unaccustomed to it, they have acted in a few dramas, and they have taken a lot of money to think that they are big names, and they have never played small roles. In contrast, I don't know if the landlord knows Chen Minzhi.

She's only been known in the streets of rage, and recently in the French Open. But does anyone know that it has been more than ten years since her debut, and I recently learned that she had made a cameo in the Gold Medal Iceman. The life of TVB people is really a history of struggle.

2.Screenwriter and executive producer credit. Needless to say, Li Tiansheng, Qi Qiyi, Mei Xiaoqing, Liu Jiahao, are all pillars.

Even if they are all old themes, criminal investigation, law, police, bandits, doctors, dramas, but they are exquisitely conceived and the actors are serious. The old themes in the mainland are swarmed and the quality is not high, which is inevitably boring. 3.

Work conscientiously and responsibly, and the quality of the works is high. There are a lot of works in the mainland, but many of them have to be pressed to the bottom of the box after being filmed and cannot be published. Moreover, TVB work is all live radio, which is very responsible, but many in the mainland are not like this, and I feel that this is already a big difference in work attitude.

1.The subject matter is realistic, down-to-earth, and closely linked to the pulse of the times, making it easy for people to substitute. Compared with idol dramas and period dramas, Hong Kong dramas are closer to letting people understand the people and things that happen in the city, and most of them have career lines and emotional lines.

In addition, the casting of Hong Kong dramas is actually still ornamental but not idolized, and most of the characters are a little more photogenic than the prototype characters, but they have not reached the level of stage performance casting with thick powder and heavy makeup. For example, police characters will choose people who are more photogenic than real police officers but are not stage stars, making people feel that they can "enter the house (referring to actors who have the credibility of the role but look comfortable)", such as Jackie Chan, Li Xiuxian, etc. For example, the role of the Black Astringent Club is also a person who is more suitable for the sense of the camera than the average gangster, but it is not far from the beauty of reality, Ekin Cheng's image of the Crazy Boy is still difficult to be surpassed, and it is also difficult for him to transform, and he has almost become a spokesperson after filming the Crazy Boy.

2.The psychological gravity is strong, and he knows how to capture the audience's interests. For example, people have the desire to snoop, want to know other people's secrets or survival weapons, ordinary people want to know how the world of the rich live, the police want to know the psychology of thieves, men want to know women's thoughts, women want to grasp men's weaknesses, etc., Hong Kong dramas will quote more scenes close to real life, which can satisfy most people's curiosity about the world they don't know but are interested in.

3.There is nothing superfluous, including the plot and dialogue, the pace is fast and not procrastinating, which is in line with the state of urban life. If the mainland's best dramas are still in court works, Hong Kong dramas have a good grasp of period dramas and the court, but they are more realistic.

There are also many good urban dramas in the mainland, but the general polarization is more obvious, one is that literature and art are highly pursued, and they lack the companionship effect of soap operas; The second is a traffic work that is boring and fictional to the point of talking about it all night, not to mention that it has no nutrients, and it is not good to insult the audience's IQ and taste.

Personally, I think that in terms of plot, Hong Kong dramas are not procrastinating, and the plot ups and downs are fast. Fascinating to keep watching. Most of them are around twenty episodes.

Don't get tired of watching. Compared with mainland dramas with 30 to 40 episodes, the first choice must be Hong Kong dramas. Unless it is a big drama, a mainland drama.

The plot is relatively full. The scene is much better than Hong Kong dramas in all aspects.

Some mainland actors' acting skills are not recognized by you. And maybe you just watch the actor or type you like, so you are more optimistic about Hong Kong dramas.

With different cultural backgrounds, Hong Kong's themes are difficult for the mainland to surpass.

Because it captures the psychology of our needs.

How many mainland dramas have you watched So sure that there is no good mainland drama.

The mainland's family ethics drama is quite good.

I've been rewatching Hong Kong dramas in the 90s recently, and it's really good. Although the monk's scalp is really exposed, the flaws are not hidden. In recent years, the quality of TVB's dramas has actually declined quite seriously. After a cursory analysis, I think there are several factors:

1.Script and casting. The quality of the script and actors directly determines the quality of the play. But comparatively, the script has a greater impact. Because there are always young, good-looking and attractive actors, but good scripts are hard to come by.

2.Director's team. The script is good, and the director must not be brain-dead.

That's why there are so many remakes of martial arts classics, but we think the good ones are always the same one. It can be seen that technology is far less important than production. The director team is not just the director, you see, a real classic, the costumes must be exquisite.

This is not to say how expensive an earring and a set of clothes are, but to say that the costumes will be made according to the character of the character and the background of the era. Secondly, it must be suitable. Sound the right ** at the right time to set off the atmosphere.

The instruments and tunes that may be used are simple, but it would be nice to achieve the effect. There are some mainland dramas, but when they sound, they are noisy and make people appreciate it, which is really putting the cart before the horse.

3.Storyline. The plot must be collected and released.

That's why we feel dry when we watch some mainland dramas, and when we should be in the province, we keep talking and talking, and when we should write in detail, we skip it again, until later, I don't understand how the hero and heroine can have deep feelings... By the way, speaking of which, the male and female protagonists must often appear at the same time, and if everyone plays their own roles, it is easy to give the audience such a feeling

The above are all contemptible opinions, and I hope everyone will take the essence and remove the dross

It's mainly the acting skills of the screenwriter and actors. I feel that Hong Kong films, whether they are TVB TV series or Hong Kong movies, have deeper meaning in the plot than the mainland, highlighting the intrigue between people, the sinister nature of people's hearts, selfishness, and greed, and it is very realistic. Most of the mainland will not shoot this feeling, only write the good side, and the bad side will be brushed aside.

There is also the fact that the actors' acting skills are really good, not to mention the actors of TVB, years of hard filming experience are by no means blown. The second is the credit of the Chinese voice actors, as well as the sound effects, scenes, costume design, etc. are all very well done.

Seriously agree, I think the TV dramas in the mainland have always felt like they can't arouse great interest, and it feels easy to know what the next plot is, and like costume dramas, court dramas, I don't resonate at all with these palace fights, **, the characters, and the scenes make people feel very boring, not compact at all, and the plot is also very bad, not suspenseful at all. And just like Hong Kong's police films, the mainland will never be able to shoot that kind of feeling, I feel that those voice actors speak with confidence and feeling, which is very attractive, and mainland films are very disappointing.

Hehe, you asked this question, I remember watching one of my classmates' graduation ** writing TVB professional dramas. He writes a professional drama alone, but I feel similar when it is promoted. I remember how much.

1. The plot is brought to life, using ordinary life to lead to events or cases, or adapting real events.

2. The "romance and case" mode in which love and cases or events are interspersed with each other.

3. Add comedy elements to the plot.

4. Exaggerating the function of the profession itself.

5. Be good at portraying alternative characters in the profession.

6. Strong human touch.