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Xia Yan's real name: Shen Naixi.
Xia Yan (October 30, 1900 - February 6, 1995), formerly known as Shen Naixi and Pang Ling, was a native of Hangzhou, Zhejiang, a famous writer, film and drama writer and social activist in modern China, and one of the pioneers, organizers and leaders of China's left-wing film movement.
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Through Xia Yan's concise words, the article shows his clear and clear noble personality and unique charm. Directly point to Xia Yan's charm 1 He is always so agile, organized, concise, not stumbling, not vague, not humming, rhythmic and fast, timely and to the point. 2 He always understood and saw the truth.
3 He was sincere, eager to absorb new information, interested in all new knowledge and trends, and humorous like a young man. 4 He has always had a discerning eye for all kinds of problems. 5 Knowing right and wrong as pure basic knowledge, experience and knowledge are broad and profound, knowing that travel and faith are determined, going through vicissitudes, the individual has nothing to ask for, no desire is rigid, invulnerable, detached from the ordinary, paying attention to life, forgiving all forgivable people and things, knowing all the tricks and legs, both angular, and implicitly reconciled.
In one sentence, eight points into the wood, every word and smile are so sharp, wise, weighty, principled, interesting and moderate. 6 In bedridden, Xia Gong was still concerned with the cause of Chinese literature. 7 He was innocent all his life, and he walked innocently.
Events Described in the Article 1 He clearly remembers the time of an important story. 2 He was very thin. 3 He refused to be treated and titled "chief".
4 His inspiring speech at a meeting of the Cultural Congress. 5 He said that the biggest mistake in the 30 years after the founding of the People's Republic of China was the failure to carry out family planning. 6 He insisted on writing the preface to the "New Works of Contemporary Masters".
7 He leaned on his crutches and admired the flowers. 8 He was bedridden and still cared about Chinese culture. 9 He calmly and thoughtfully arranged the aftermath.
These things show his quick and thorough wisdom, attitude towards reputation and power, attitude towards work, love of life, etc. In-depth analysis: 1. Why do you write about "flower appreciation" and "arranging aftermath" when introducing specific examples?
"Flower appreciation" is written in order to reflect a person more fully and make it amiable. The purpose of writing "arranging the aftermath" is to reflect a person more completely and make it a good death. In-depth analysis:
2. What effect can be achieved by the narrative of the sandwich discussion? make it concrete and credible; The proposal is profound and incisive.
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1. He clearly remembers the time of an important report.
2. He's very skinny. >>>More
Xia Wanchun (1631-1647) was a general and poet of the Southern Ming Dynasty. The original name is complex, and the word is ancient. A native of Songjiang Huating (now Songjiang, Shanghai). >>>More
Yes, but there were almost no in the Xia Dynasty.
Part of the "Ode" in the Book of Songs, a total of 5 articles. The first 3 chapters "That", "Lie Zu", and "Xuanniao" are sacrificial songs, which are not divided into chapters and were produced earlier. The last two chapters, "Long Hair" and "Yin Wu", praise the victory of Song Xianggong (reigned 650-637 BC) against Chu, both of which are divided into chapters and produced later. >>>More
Zhu Di (1360 1424) was the third emperor of the Ming Dynasty, reigning from 1402 to 1424. The fourth son of Zhu Yuanzhang, Taizu of the Ming Dynasty, was born in Yingtian, conquered in current affairs, and was named the king of Yan, and then launched the battle of Jingjing, and attacked his nephew Emperor Jianwen, and seized the throne. After his death, the original temple name was "Taizong", and more than 100 years later it was changed to "Chengzu" by Zhu Houxi of Ming Shizong, and the reign of Ming Chengzu was called "Yongle Shengshi".