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Sea. Clear sky from the blue sea.
See your color.
From a gust of fresh breeze.
I smell you.
Touching the damp corners of your clothes.
Touching your body temperature.
Wake up late at night. I hear your powerful breath in my ears.
Appreciation: I suddenly want to leave a little text commemoration for my trip to Shengsi on National Day, after all, this is the first time I have come to the real beach, the beach I look forward to infinitely!
The impression of the beach is the moonlight as the background, the moonlight sprinkles all over every corner of the beach, a thin layer, there seems to be nothing, but it clearly creates a unique atmosphere, fine sand, gentle sea breeze, and bursts of waves inadvertently, touching the ankles! And there is
But this trip we experienced a different beach scene, under the sun! The beach is just as nice during the day! We climbed over a hill (maybe just a low slope, but I like to call it that) to an underdeveloped beach, and the moment I saw the beach, I felt the wisdom of the Creator, when the sand met the sea, that kind of encounter, pushed the soft touch of the sand to the extreme, reinterpreted the gentle nature of the sea, in short, for me, it felt infinitely comfortable!
I would just like to throw away my shoes, get in touch with the sand under my feet, and be welcomed by the waves! Suddenly, I liked Zang Ke's sea, "From the clear sky, I saw your color; From the gust of wind, I smell your breath; Touching the damp corners of your clothes, touching your body temperature; I woke up in the middle of the night with your powerful breath in my ears".
The sea evokes all virginity: we line up and walk along the beach; We lie flat on the beach, letting the sand shuttle through the hairline; We dig pits, arguing about whose pit is bigger, and we bury our feet in the sand to enjoy the coolness; In the afternoon, we put on our hats and found more fun on the beach, we caught crabs, we released them, we picked up shells as gifts from the sea, we showed off our achievements to each other, shells are treasures in our hearts at the moment, our excited expressions when we picked up strange shells, everything rippled with a mood, a mood called happiness!
Facing the sea, spring flowers are blooming
Be sure to rate me as oh, it doesn't matter if you give the bounty or not!
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Written in 1956, The Sea is one of the poems written by the poet about the sea. The poet saw the color of the sea from the clear blue sky, which was written from a visual aspect; smelling the scent of the sea from the gust of wind, this is written from the olfactory aspect; I felt the temperature of the sea from the corners of my wet clothes, which was written from the tactile aspect; When he woke up in the middle of the night, the poet heard the sound of the sea again, which was written from an auditory aspect. The language of the poem is simple and not fancy.
The first two lines of the poem are written from afar; The third and fourth sentences are from looking far away to being close to the sea, and you can already smell the breath of the sea; The fifth and sixth lines are even closer to the sea, and the waves of the sea water make the poet's clothes damp, which can be seen from far and near, and the sea gives the poet a different feeling. The first two lines are obviously written during the day, and at the end it is also clearly written "late at night", so it can also be said that the sea gives the poet a different feeling during the day and night. Judging from the whole poem, the poet does write from far to near, from day to night, and writes at levels.
The poet writes about the sea, using anthropomorphic techniques, not dryly writing about the color, smell, and sound of the sea, but "from the clear blue sky", the poet sees the color of the sea, and smells the breath of the sea from the breeze. If this kind of writing is still written directly, then the poet has changed from touching the corner of his clothes wet by the sea to feeling the "body temperature" of the sea, which is obviously expressed in a detour. In the end, instead of speaking directly of the sound of the sea, it is said that it is "your powerful breath!"
The words "breath", "body temperature" and "breathing" all give life to the sea and personify the sea, which are actually the sublimation of the author's own feelings. This is a poem describing the sea, which is expressed in simple and unpretentious language by the poet Zang Kejia from his observation of the sea, from which we can indeed feel the poet's surprise at the sea and the spectacular scenery of nature. [1]
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"Old Horse", "Some People", "Sinful **", "Refugee", "Poetry and Life", etc.
Written in 1932, Lao Ma is one of the most widely circulated and popular poems in Zang Kejia's poetry collection "Imprint", "Lao Ma" embodies the characteristics of Zang Kejia's early poetry collection "Imprint", and also represents the poet's general creative tendency.
"Some People" is a poem written by the poet Zang Kejia to commemorate the thirteenth anniversary of Mr. Lu Xun's death, the poet summarizes two kinds of people, two life choices and two life destinations in highly condensed and summarized verses, eulogizes Mr. Lu Xun's life as a son of a cow, and expresses his heartfelt praise for those who live for the people.
The ** of Crime is a poem written by the modern poet Zang Kejia in 1933, and it is a representative work of Zang Kejia's early poetry. Through the imperialist construction of churches in China, the poet profoundly exposed the ugly behavior of the imperialists in using religion to carry out spiritual aggression against our country. It expresses the poem's incomparable hatred of dark reality.
At the same time, the poet enthusiastically eulogized the creativity of the people, expressed his deep sympathy and love for the toiling masses, and firmly believed that the final victory belonged to the people.
Character evaluation
Comrade Zang Kejia's life was a life of unremitting pursuit of light, a life of consciously expressing the times and serving the people wholeheartedly, and a life of diligent writing, painstaking efforts, and constantly climbing the peak of art. He has a keen mind, clear love and hate, kindness and integrity, optimism and open-mindedness, a decent style, a simple style of writing, approachable, open-minded, frugal and strict with himself. He devoted his whole life to the literary cause of the party and the people.
Chinese Writers Online Review).
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Zang Kejia's representative poems include: "Imprint", "Spring Breeze Collection", and "Cheering Collection".
1, "Imprint".
It is a modern poem written by the modern poet Zang Kejia in 1932. The poem is a taste of the author's life's suffering, which he likens to "leaving a mark on my heart", and at the same time, treats it as a universal human emotion, and thinks deeply about the nature of pain and the way to deal with it. The whole poem pays attention to rhythm and expressive techniques, and the form is neat, the rhythm is symmetrical, and the image is accurate.
2, "Spring Breeze Collection".
It is a collection of poems published by the Writers Press in March 1959. The author is Zang Kejia. It contains 44 short poems written by the author in 1958. The works draw on a wide range of materials and themes, and most of them praise the new atmosphere of the lack of regression and advanced exemplary figures in socialist construction.
3, "Cheer Collection".
The author selected 45 short poems from the three collections of "Selected Poems of the Zang Ke Family", "A New Star" and "Spring Breeze Collection". Most of them are poems in response to many major events that have taken place at home and abroad, calling for justice and peace, singing about the motherland, the Communist Party, and the people, and praising advanced and exemplary figures in socialist construction.
Zang Kejia's creative characteristics
Based on folk consciousness, Zang Kejia tried to reproduce the reality of life and the living conditions of the people at that time, which doomed most of the themes of his poems to depict the folk land and the lower class people. The main excellent works of the Zang Ke family are basically about the countryside.
For example, in the "Song of the Earth, the Preface to the Closed World", it is written: "I use a light ink pen to sketch the countryside, a natural landscape, a microcosm of peasant life, there is sorrow, there is sorrow, there is sorrow, there is hope, there is also a new life, I give a vivid life, with my deep feelings."
The peasant countryside is the basic foothold of Zang Kejia's poetry, and in the depiction of the countryside and the peasants, the folk cultural spirit of his intellectuals has reached a connection with the social reality, and the poet's artistic talent has also been brought into play.
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<>1, Zang Kejia (October 8, 1905, February 5, 2004), a famous poet, a native of Zhucheng, Weifang, Shandong, once used the name Zang Wang, pen names Shaoquan, He Jia. He is a well-known alumnus of National Shandong University (now Ocean University of China and Shandong University).
2. He was the editor-in-chief of "Poetry Magazine", and his first poetry collection was "Imprint", which mainly paid tribute to the satirical poetry collection "The Rotten and the Baby", and the literary ** collection "On the Road of Literary and Artistic Learning". His short poem "Some People" has been widely praised and selected as the twenty-seventh lesson of the sixth grade first volume of the people's education edition; "Saying and Doing - Remembering the Words and Deeds of Mr. Wen Yiduo" (the textbook of the People's Education Edition was renamed after the author's consent: "Mr. Wen Yiduo's Saying and Doing", and the textbook was revised and changed back to the original title in 2017) was selected as the second lesson of the second volume of the seventh grade People's Education Edition.
At 20:35 on February 5, 2004, Zang Kejia died in Beijing at the age of 98 years and 120 days due to multiple organ failure caused by coronary heart disease and uremia.
Zangke's family poems reflect his love for the grandeur of nature, but also reflect his philosophy of life, showing a certain philosophy of life.