Who is Fan Kuan, what did Fan Kuan say

Fan Kuan, a native of Huayuan (now Yao County), Shaanxi. Date of birth and death unknown. Painter of the Northern Song Dynasty.

The name is positive, and the word is Zhongli. Because of his temperament, people call him wide. He lived in the early Northern Song Dynasty and was one of the three famous landscape painters of the Northern Song Dynasty.

Painting beginner Li Cheng, following the law Jing Hao, after feeling that "with his teacher, not as good as the teacher of the creation", because of the migration to Zhongnan Mountain, Taihua Mountain, the scenery of the meaning, do not take the decoration of their own family, and Li became a representative of the northern school of painting. Fan Kuan's works depict the real mountains and rivers in the Guanshan area. He emphasized the naturalness of the teacher, and at the same time, highlighted the originality, rather than being confined to a certain family.

He often travels back and forth to the area of Zhongnan Mountain and Taihua Mountain, and has a deep feeling and description of the scenery of Guanshan. In the records, it is said that he is good at expressing the scenery of the four seasons, traveling, and "the scenery of the wind and the moon and the clouds", "all of which are written about the momentum of Qin Long's uplifting, the big picture is broad, and the mountains are compelling". The characteristics of the painting method are "the top of the mountain is good for the dense forest", "the water is for the abrupt boulder", and the "idea" method is loved.

Together with Guan Tong and Li Cheng, he formed the three main schools of northern landscape painting in the Five Dynasties and the Northern Song Dynasty, and had a great influence on later generations. The surviving works include "Traveling in the Mountains and Streams", "Cold Forest and Snow Scene" and other pictures.

Fan Kuan: The word is neutral, also known as Zhongzheng, the word Zhongli, because of his gentle temperament, he is known as "Fan Kuan", a painter of the Northern Song Dynasty. A native of Yaoxian County, Shaanxi.

At first, he learned from Li Cheng and Jing Hao, and later he went deep into the dense forests of Laoshan to experience nature and became a family. He is strong and tough under the pen, the front of the mountain is majestic, the stone pattern is made of watercress, raindrop-like pen, the mountain is folded and powerful, the top is planted with dense forest, the branches are like lilacs, the water is made of abrupt big stones, the house is dyed with ink, called the "iron house", and the peaks and peaks between Qin and Long are thick, severe and compelling. He is also good at painting snow-capped mountains, and has the tendency to rise out of the clouds.

He, together with Guan Tong and Li Cheng, is the mainstream of the Northern Landscape Painting School, known as the "Three Landscapes". His works include: "Traveling in Streams and Mountains", which was included in "Three Hundred Famous Paintings of the Forbidden City"; "Snow Scene and Cold Forest", now in the collection of Tianjin Art Museum.

1. Biography: Fan Kuan, surname Fan, name Zhongzheng, word Zhongli, Huayuan people. Gentle and generous. Therefore, the eyes of the people at that time were Fan Kuan.

Living in the mountains and forests, he often sits all day long, looking around, in order to seek his interest. Although the moon is snowy, he will wander and gaze to think. Learning Li Chengbi, although it is exquisite, it is still out of it.

So the scenery is created, not to take the decoration, to write the mountain bones, for the family. Therefore, its ancient trend does not offend its predecessors, so it is parallel to Li Cheng. The Song Dynasty has the world, for the landscape, but the middle and the success are unique, so far there is no one.

The people of the time said: Li Chengzhi's pen is as short-sighted as a thousand miles away; Fan Kuan's pen does not leave the sitting; They are all so-called God-makers. However, the middle of the painting is just the trend of the snow out of the clouds, especially the bones.

Fan Kuan is famous for the landscape, which is important to the world, and the real stone and old trees are very alive in the pen, seeking its charm, out of the surface, and not for decoration. In ancient times, it was impossible to create oneself, and the roots of the tree were shallow, flat and far-reaching, all of which were small flaws, not harmful to exquisiteness, and also listed as gods.

Fan Kuan: (c. 950-10027) was an outstanding painter of the Song Dynasty. The word Zhongli, one said neutral.

A native of Huayuan (now Yaoxian, Shaanxi). Good at painting landscapes, learning from Jing Hao and Li Cheng, can come out of New Italy, don't become a family. He attaches great importance to sketching, often lives between the mountains and forests, and observes the bleak clouds and clouds in the morning and evening, and the scenery of the wind and moon is gloomy.

When the Song people talk about his works, most of them are majestic and reckless. The composition inherits Jing Hao's tradition of "being good at writing about the top of the mountain in the clouds, and the four sides are thick". The pen is strong and vigorous, and the pen is strong.

And the ink makes good use of the dark and heavy ink rhyme, thick and moisturizing. But in his later years, he used too much ink, and the soil and stone were not distinguished, although the momentum was majestic, but it was as dark as twilight. Its method is generally called "raindrop", the pen is straight, shaped like rice, and it is also called "sesame".

The character of the house is first drawn with an iron line, and then dyed with ink, and later generations call him an iron layer. Handed down works, according to the "Xuanhe Painting" recorded there are fifty-eight pieces, Mi Fu "Painting History" mentioned to see thirty pieces of authentic works, such as: "Xishan Travel Map", "Guanshan Snow Crossing Map", "Ten Thousand Miles of Rivers and Mountains", "Heavy Mountains and Mountains", "Snow Mountain Map", "Snow Scene Cold Forest Map", "Linliu Sitting Alone" and so on.

Fan Kuan is a famous painter in the Northern Song Dynasty, and this sentence is his own painting experience:The way my predecessors painted mountains and rivers was often by observing the scenery in front of me, and instead of studying the paintings of my predecessors, I should carefully observe the real scenes.

Instead of observing and figuring out the scenery, it is better to choose the painting technique and style that you like. - As a result, he changed his painting method and completely established a landscape painting style that was consistent with his own heart, and thus became a generation of masters.

Introduction: Fan Kuan said, Fan Kuan, a painter of the Northern Song Dynasty. Also known as Zhongzheng, the word is neutral.

Han is of Han nationality, a native of Huayuan, Shaanxi (now Yaozhou District, Tongchuan, Shaanxi). Loose sex, alcoholic and good-natured. He is good at painting landscapes, and is one of the three famous masters of landscape painting in the Northern Song Dynasty.

Beginning to learn Li Cheng, after the realization that "with the teacher of others, not as good as the teacher of the creation", then secluded in Zhongnan, Taihua, the scenery of the meaning, write the mountain bones, self-contained.

The peaks and peaks of his paintings are thick and dignified, and the momentum is magnificent, which makes people feel majestic and precipitous. The pen is strong and powerful, with many raindrops, watercress, nail heads, the top of the mountain is good for dense forests, often placed at the water's edge of the boulder boulder, and the house is dyed black. The surviving works include "Traveling in the Mountains and Streams", "Xiao Temple in the Snow Mountains", "Snow Scene and Cold Forest" and so on.

Fan Kuan's paintings were already famous in the Song Dynasty, and the Xuanhe Painting Book records that the court collected 58 of his works at that time. The representative works that have been handed down to this day include "Traveling in the Mountains and Streams", "Sitting Alone in the Stream", "Xiao Temple in the Snow Mountain", "Snow Scene and Cold Forest" and so on. Macro to simplification.

Fan Kuan developed Jing Hao's Northern Landscape Painting School, and was able to find a unique way, so the Song people ranked it alongside Guan Tong and Li Cheng, and praised it as "the three Dingzhi, the standard of a hundred generations". Tang Yuan's "Painting Guide" believes that "the landscape of the Song Dynasty surpasses that of the Tang Dynasty, Li Cheng, Dong Yuan, and Fan Kuan are only", and it is also said that "Dong Yuan has the spirit of the mountain, Li Cheng has the physical appearance of the mountain, and Fan Kuan has the bone method of the mountain, so the three families shine on the ancient and modern times, and they are the teachers of the hundred generations", all of which made a high evaluation of Fan Kuan's art. According to the literature, the painters of the Song Dynasty who studied under Fan Kuan included Huang Huaiyu, Ji Zhen, Shang Xun, Ning Tao and others, Li Tang of the Southern Song Dynasty was eager to learn from Fan Kuan, and then Ma Yuan, Xia Gui and others studied Li Tang, so that almost all the landscape paintings of the entire Southern Song Dynasty came from Fan Kuan's line.

Later generations called Fan Kuan, Li Cheng and Dong Shaoyuan the "Three Families of the Song Dynasty", and later the "Four Yuan Families", Tang Yin of the Ming Dynasty, and even the "Jinling School" of the Qing Dynasty and Huang Binhong in the modern era were all influenced by Fan Kuan's painting style.

Zhao Mengfu, a great calligrapher and painter of the Yuan Dynasty, praised Fan Kuan's paintings as "truly ancient and modern", and Dong Qichang, a great painter of the Ming Dynasty, commented that Fan Kuan was "the first in Song painting". However, there are also people who have different opinions, for example, although Su Shi admires Fan Kuan very much, he feels that his paintings are "slightly tacky", which is slightly inconsistent with the elegant style of ancient Chinese literati.

In 2004, the American magazine "Life" ranked Fan Kuan as the 59th of the top 100 people who had the most influence on mankind in the last thousand years.

Due to its age, there are not many authentic works of Fan Kuan, but the few remaining pieces are all fine. Such as the river and mountain travel map, the snow scene cold forest map, the snow mountain Xiao Temple map and so on. "Snow Mountain Xiao Temple" (National Palace Museum, Taipei) shows the deep mountains and valleys covered by heavy snow, dotted with ancient temples, passes, cold springs and travel plots.

There are not many brushstrokes but they are hard and powerful, the rules are strict and changeable, and the ink color dyes the hazy sky, which sets off the cold atmosphere of the snow ridge.

Snow Scene and Cold Forest Map (Tianjin Art Museum) also uses calm and spicy brushwork to draw the wonders of the northern mountains and rivers after the snow. The mountains are steep, the rocks are deep, the images of the trees in the vicinity are very postureous, and there are also steep mountains in the distance, which are falling and have momentum. Fan Kuan's painting of mountain peaks is good at braving the snow and clouds, and its appearance can be seen in the two pictures.

Traveling in Streams and Mountains (National Palace Museum, Taipei), ink on silk, vertical centimeter, horizontal centimeter. In the painting, the giant peaks are towering, the waterfalls in the mountain streams are cascading down, the thick mountains are covered with dense trees, and the rock lines are recognizable, showing a kind of majestic momentum. At the foot of the mountain, the fog is misty, and the big rocks stand nearby, the old trees are tall, and the stream is murmuring.

On the mountain road, there are travelers driving the caravan to pass, although the people and animals are painted as small as ants, but they are real and vivid, so that people seem to be able to hear the sound of the donkey's hooves.

When you see Da Yu Ding, will you feel that each word of Da Yu Ding is independent? But every horizontal, every vertical, and every point has a kind of bone power .........

Fan Renkuan's original form is Fan Wencheng.

Closed reputation word Xiandou, number to accompany the state buried Hui Yue, Ming Wanli.

Born in the twenty-fourth year (1597), died in the fifth year of Kangxi in the Qing Dynasty (1666), at the age of sixty-nine, he was under the Yellow Flag of the Han Lu Army.