The heart is right, why is there no regular script in the future?

In regular script, there were four peaks in ancient times, or four masters, that is, Ouyan Liuzhao. But we found a phenomenon that there are very few people who follow Liu Gongquan, and it has been like this since the Tang Dynasty. So, why are there so few people who write Liu Kai?

In fact, this is relative to the other three "Ou, Yan, and Zhao", but compared with learning from Europe and Yan to become famous and becoming a family, it is indeed relatively rare to learn from Liu Kai, which may be caused by Liu Kai's own characteristics and the aesthetic differences of modern people.

Why are there so few people writing Liuti script now? ，The willow body no longer meets the aesthetic needs of today's people, so there are very few people who learn it. There are few people who learn, and naturally there will be no regular script.

In addition, the willow body is too competitive, and some overemphasize the strength of the pen, bone strength and bow and crossbow, and there are really few people who can write the willow body after the Song Dynasty. Of course, there are many other reasons for this.

"Gongquan beginner learned the king's book, read modern penmanship, and was a family of his own. It can be seen that he has a deep commitment to the calligraphy of his predecessors, and his attainments in regular script have both Ouyan penmanship and structure.

Mr. Qi Gong commented on his "Mysterious Tower Tablet" in "Introduction to Calligraphy": "Its calligraphy is dignified and handsome, basically symmetrical on the left and right, light and vertical in horizontal and vertical, short and stout, and the right shoulder is slightly raised; The length and width are extraordinarily slender and elongated, with a clear beginning and end; The vertical painting is abrupt and powerful, and the line is clean and neat. From the overall point of view of the knot, it is mainly introverted and extended.

This kind of artistic style with a strong pen, tight knots, tendons into the bones, and a round and thick within the QinggangIt is the success of Liu Gongquan's inheritance and integration of the Jin and Tang Kaifa and unique ideas.

Let's now go back and look at the strengths of the willow body, and its strengths are also the difficulties. It has always been Ouyan Liu Zhao who has always studied and guided Jinjin. They are well-deserved as a model for beginners.

Among the four major families, the willow body is the most exquisite and the most skillful, in terms of the subtlety and meticulousness of the brush strokes, and the strict rules of the structure, it is none other than Liu Gongquan.

Mr. Zhang Zhihe of the Palace Museum said that he was the last perfecter of the art of regular script in the Tang Dynasty, which should be appropriate. If you want to surpass the Tang people in regular script techniques, especially the willow body with complete techniques, as Li Bai said, "it is difficult to go to the blue sky". You know, it is impossible to write words perfectly, and things can never be blamed.

How many people tried to mend Venus's arm, but finally gave up in vain. It is precisely because of this that the Song people retreated in the face of difficulties and found another way, I can't write in regular script to you Tang people, so I won't play with you. It's not the law, but the will.

At a time when aesthetic orientation is diversified and calligraphy is expressive, many calligraphers are more focused on the continuous innovation of "trend-making children", even calligraphers and scholars who are concerned about the development of regular script also prefer Wei and Jin Xiaokai or folk tablet plates.

In today's environment where the personality is overflowing, it is strange to hope that it can be observed. In other words, the willow body is not popular at all, who will write it?

The heart is a famous quote of Liu Gongquan, and it has become a mantra for teachers to teach students.

His calligraphy is strong, and the words are rigorous and meticulous. In the characteristics of the word, it is known for its thinness, and the regular script is written, the body is vigorous, the bone strength is strong, and the line book and regular script are the most exquisite. It is also due to the unique characteristics of his works.

The regular script of Chinese calligraphy, the most well-known and influential in the history of Chinese calligraphy is Ouyang Xun, Yan Zhenqing and Liu Gongquan. Among them, the "Yan and Liu" calligraphy has almost become synonymous with regular script for thousands of years. In the initial stage of learning calligraphy, whether it is a white-haired old man or a three-year-old child, he must choose one of the posts from Ou, Yan and Liu to copy and learn.

As for why this is done, after a long time, no one will probably pay attention to the reason.

Because he writes so well, it is simply unprecedented, and no one writes better than him in the eyes of the world.

What a person thinks in his heart, what he shows is what he does, and Liu's regular script is magnificent

It is true that there are relatively few people who learn Liu Kai to become a family, which may be caused by Liu Kai's own characteristics and the aesthetic differences of modern people.

Because Liu Gongquan is a fair person, people often say that words are like his people, so the words he writes are also fair.

It is said that people are like their words, and Liu Gongquan is honest and fair, so this is a kind of honorific title for him.

His handwriting style is really good-looking, and he is also very well-behaved, and it looks very standardized.

Liu Gongquan's font is bold but particularly difficult to learn, and the penmanship is neat, straight, strong, and tightly structuredIn later generations, it is less and less studied by everyone.

Liu Gongquan, the word Chengxuan, the thirteenth year of Tang Dali (778 AD), the prince and the young master, so called "Liu Gongzi". He began to learn the writing skills of Wang Xizhi, Ouyang Xun, and Yan Zhenqing, and later became a family, his font is beautiful and strong, heroic and unrestrained, but the willow character is slightly thin, so it is called "Yanjin Liugu". Mu Zong tried to ask Liu Gongquan how to use the pen, and he said that the pen is in the heart, that is, it is free, but the heart has rules.

Zhu Changwen of the Song Dynasty said in the compilation of "Ink Pool" that regular script and Xingkai are the best, and grass is not the best, but its power is mellow. Willow body it is famous. At first, Liu Gongquan learned Wang Xizhi's calligraphy and spread it all over the world, he learned from Yan Zhenqing, integrated new ideas, and made his writing avoid the trend of horizontal, vertical and thick, and took the characteristics of flat, thin and hard, learned from each other's strengths, and integrated them.

At the age of twenty-nine, he began to serve as a low-level ** in the local area, and later, Tang Muzong accidentally saw his words, at that time, Liu Gongquan was in his forties. He was an upright and meticulous man, and likewise, his character revealed the characteristics of this part of him, and because of this, his reputation and status in Chang'an increased. Generally speaking, princes and nobles are willing to pay huge sums of money to invite him, and after the middle of the Tang Dynasty, calligraphy in the late Tang Dynasty declined, but Liu Gongquan became popular for a while.

Liu Gongquan's penmanship is delicate and powerful, with sharp edges and corners, and his penmanship comes from Yan Zhenqing's font, but it is different from Yan Zhenqing's thick and broad, and it feels too heroic.

The heart is right.

The words that are written with a righteous mind are correct.

Source: "Old Tang Book: Liu Gongquan Biography".

Pinyin xīn zhèng bǐ zhèng

Name] The heart is right.

Pinyin] xīn zhèng bǐ zhèng [Explanation] In the old days, it was believed that the quality of calligraphy was related to the character of the character person, and the character written by the heart was correct.

Liu Gongquan was a famous calligrapher in the Tang Dynasty. He has been very smart since he was a child, and when he was 12 years old, he was able to write very good articles, especially good at writing large characters. Liu Gongquan's characters are more known for their bone strength than the Yan Ti characters with rigorous penmanship and strong muscles, and are known as "Yan Muscle and Willow Bone", which is deeply loved by people.

Because this font was created by Liu Gongquan, people call it "Liu Ti".

Liu Gongquan is not only a famous calligrapher, but also an upright and outspoken person. He received the teaching of "virtue" in the "Liu's Family Motto" since he was a child, and took virtue as the foundation of his life all his life, "Bo Guan Jingshu", and reflected the Confucian style in life, calligraphy and art.

One year, the Tang Dynasty emperor Mu Zong saw Liu Gongquan's writing in a Buddhist temple, and he loved it very much, and he wanted to meet Liu Gongquan in person and talk about calligraphy with him. Coincidentally, it didn't take long for Liu Gongquan to come to the imperial court from Xiazhou, where he was an official. When Tang Muzong heard that Liu Gongquan had come to the capital, he asked him to come to the palace to see him, and gave him the official position of giving advice to the emperor, leaving him in the imperial court.

One day, Tang Muzong brought Liu Gongquan to talk about calligraphy with him, Tang Muzong asked Liu Gongquan for advice and said: "Liu Aiqing, your handwriting is correct, strong and powerful, but I can't write so well, how do you use a pen to write well?" ”

After listening to Tang Muzong's questioning, Liu Gongquan remembered that his duty was to give advice to the emperor, and he had long heard that the emperor was eating, drinking, and having fun all day long, ignoring the government and politics. He thought: Why don't I take this opportunity to persuade the emperor?

So, he said to Tang Muzong: "To write, you must first hold the right pen." The key to using a pen lies in the heart, only when the heart is right, the pen can be right! ”

After listening to Liu Gongquan's words, Tang Muzong knew that he was using calligraphy to persuade himself, and understood that writing and governing national affairs are the same truth, and it is not okay not to be careful.

Heart is the pen is "emphasizing the character of the calligrapher, Mi Fu said: "public power such as the deep mountain Taoist, cultivation has become, the spirit is clean and healthy, without a little vulgarity. Su Shi said

Young Master Liu's words and hearts are correct and his pen is correct, not only sarcastic, but also reasonable. From the perspective of calligraphy creation, this profoundly reveals the important role of the calligrapher's personality in calligraphy. Liu Gongquan's "written advice" has become a kind of "model" for later generations of scholars.

B test question analysis: It can be seen that Yan Zhenqing and Liu Zongyuan have a high attainment in regular script, and have the reputation of "Yan Jing Liu Gu", Yan Zhenqing and Liu Zongyuan both lived in the "Tang Dynasty" period, and there are many similarities in character and calligraphy, so Yan Zhenqing meets the requirements of the topic, so choose B.