Why is it that when an opera is performed, it is necessary to sing it when it is possible to say the

**In 2016, the Ministry of Education put forward the initiative of "vigorously promoting elegant art and traditional opera into schools". Under such a trend, the activity of "opera on campus" has sprung up all over the country.

However, many people and parents of students will question that although traditional opera is a cultural treasure, it has nothing to do with students' current studies. Even from the perspective of cultivating students' comprehensive quality, it seems that traditional opera has little to promote.

So what is the significance and value of "opera on campus"?

As a member of the development of the cultural industry, as a practitioner of "opera into the campus", Xiaoxin has some of his own ideas to share with you.

First of all, it should be clear that "bringing opera to campus" does not mean that it will not cultivate thousands of opera fans, or even practitioners of opera performance. Rather, it is to give students the transmission and popularization of singing and appreciation, body experience, performance interaction, color connotation, clothing culture, historical knowledge, and moral education through this artistic carrier with the most national cultural characteristics.

"Opera on Campus" must not be a long theoretical indoctrination, but a teaching that focuses on the interests of contemporary students. As with popular interest classes, if the teaching format is not right, it will have a negative effect and make students resistant.

Aesthetics is the basic quality that a person should have. The aesthetic value of the art of opera is first reflected in its face art. Chinese opera mask is a unique stylized way of facial makeup performance in the art of Chinese opera, and its design aesthetics are reflected in the aspects of color design and pattern.

In terms of coloring, most of the opera masks are mainly based on the colors that the folk like to see, which are not only gorgeous and dazzling, but also have special symbolic significance, which are used to symbolize the good and evil, good and bad, character characteristics of the characters, etc. This referential function uses color symbolism as a means to make people distinguish good from evil, beauty and ugliness, intelligence and stupidity at a glance.

In terms of pattern design, the opera masks are also rich and colorful. This feature is particularly prominent in the net angle. The face, forehead, eyebrows, etc. are decorated with various patterns.

These patterns also have certain allegorical and illustrative functions. For example, Bao Zheng often uses the crescent moon on his face to represent "the sun breaks the sun, and the night breaks the yin", symbolizing his iron-faced and selfless character. The design of the face pattern is the crystallization of the wisdom created by the artist in the long-term labor of continuous improvement, and the pattern contains a typical summary of the character image and character quality, which is a symbol printed in the depths of people's minds.

Chinese opera is mainly a synthesis of three different art forms: folk song and dance, rap and burlesque. It originated from primitive song and dance and is a comprehensive stage art style with a long history.

Singing, chanting, and playing is the soul of opera, vividly showing the content expressed to the audience.

It is a way of expression that absorbs, because it is better to say it than to sing it, to express the inner thoughts.

Because this is a culture, you can say it, but you have to sing it.

The content of some stories is different from the feeling of singing, so the opera is more vivid.

If it is said to be a drama, it is not an opera, in order to express their feelings more vividly.

Opera opera, singing is called opera, what is said is storytelling.

However, many people and parents of students will question that traditional opera is a cultural treasure.

Through this artistic carrier with the most national cultural characteristics, people are given singing appreciation, body experience, performance interaction, and color connotation.

The same sentence, sung with different singing tones, the feelings expressed are different, through singing, you can amplify the psychological activities of the characters, and it is good to listen to and durable.

Dryly, you may only understand a little bit, but in fact, you only need to listen to a few more plays to understand why you use singing.

Yes, you can't stop after the opera starts, no matter how many people are in the audience, or no one needs to finish singing.

You can't stop, you must finish singing this play, no matter whether there is anyone in the audience or not, since it has started, you must finish singing.

Of course yes, because if you want to sing, you must sing until the audience leaves, and you must sing to the hearts of the audience, this is an old rule that has been handed down.

Summary. 唱戏 (chàng xì) refers to the performing arts of opera that includes dialogue, martial arts, singing, and other forms. Singing requires a lot of skills, and singing also advocates deep breathing.

Inhale slightly with your nose and you can suck deeply. If you inhale it slightly, your waist and diaphragm will swell, but don't swell it. Mei Lanfang, Xun Huisheng, Cheng Yanqiu, and Shang Xiaoyun are four outstanding Danjiao performance artists.

They are the four artistic stars who have sprung up on the stage of Peking Opera since the 20s of the 20th century, and they have formed four major genres with their own style characteristics and their respective representative repertoire, which has changed the dominance of the old students and the protagonists, formed a new situation of singing in the Danjiao class, and created a prosperous and colorful life on the stage of Peking Opera.

Yes, dear. Otherwise, why don't you sing and go up?

Singing opera (計告chàng xì) refers to the performing arts of Chinese opera, which includes dialogue, martial arts, singing, and other forms. Singing requires a lot of skills, and singing also advocates deep breathing. Inhale slightly with your nose and you can suck deeply.

To make the nose slightly inhaled, the waist and diaphragm Sun Kai will have a feeling of expansion, but don't go to the dead to swell it. Mei Lanfang, Xun Huisheng, Cheng Yanqiu, and Shang Xiaoyun are four outstanding Danjiao performance artists. They are the four artistic stars who have emerged on the stage of Peking Opera since the 20s of the 20th century, and they have formed four major genres with their own style characteristics and their own representative repertoire, which has changed the domination of the world in which the old students sing the leading roles, formed a new situation of singing in the troupe, and created the heyday of Peking Opera in which the stage is full of beauty and beauty.

The Octagon Investigation Bureau came to listen, one side is a person, three parties are ghosts, and the four sides are gods."

A traditional stage performance art form in our country. It is a synthesis of literature, dance, art, martial arts, acrobatics and character playing. Yuanla carries music and dance, haiyu and hundred operas originating from the Qin and Han dynasties.

The Tang Dynasty had military dramas, and the Northern Song Dynasty formed Song miscellaneous dramas (known as "Yuanben"). During the Southern Song Dynasty, the opera produced in Wenzhou (now Wenzhou City, Zhejiang Province) is generally considered to be the earliest mature form of Chinese opera. At the end of the Jin Dynasty and the beginning of the Yuan Dynasty, Yuan miscellaneous operas were produced in the north, and the creation and performance of opera were unprecedentedly prosperous, and a number of famous opera writers, works, and artists appeared, all of which have an important position in the history of Chinese opera and literature.

The Ming and Qing dynasties formed legendary dramas on the basis of opera and miscellaneous operas, and various local operas were widely produced, represented by Kun dialect and Peking opera, creating a rich opera literature and a complete stage art system. Opera scripts generally use both rhyme and prose, and are divided into "folding" or "out", while modern opera is divided into "scenes" or "scenes". The characters in the play are played by Shengdan, Jing, Ugly, and Defeated, and other footsteps, and the performance has different program actions and artistic requirements for singing, doing, reading, and playing according to the footsteps.

**The asana has the "couplet style" of singing cards, the "board cavity" based on singing seven-character sentences or cross sentences, or a combination of the two. After the founding of the People's Republic of China, various types of opera underwent new reforms and developments. According to the statistics of 1959, there were more than 360 kinds of operas of various nationalities and regions.

Refers to the lyrics sung in miscellaneous plays and legends. It is composed according to a certain tune, and there are strict rhythmic requirements such as word count, flatness, and rhyme.

The drama has opened its mouth, and it comes from all directions to listen. One side is a man, three parties are ghosts, and four parties are gods. Whether there is or no one in the audience, you must finish singing. Why? This is something left by the ancestors, and if mortals don't listen, it doesn't mean that ghosts and gods don't listen.

This is mainly because in ancient times, I felt that even if ordinary people didn't listen, there were gods and ghosts listening, so once the mouth was opened, no one in the audience needed to sing Da S to get married.

Hearing the old man's words, in the former inner courtyard drama, the scene was seated, shouting divination separated by a curtain, and the curtain people could see the behavior of the artist, and the voice of the curtain was not allowed to be seen by others in the curtain, and the sound was heard. This method is wonderful, so the first time Mei Lanfang crossed the day to film, that is, the method was chosen, and there are many scenes on both sides of the oval stage in the theaters of Pingzhong. If the auspicious Ruyi Theater is placed on the small pavilion at the entrance of the stage, its method is also good, but it is not as simple as separating the curtain.

This is the main way of manifestation, not only in terms of extremely economical human resources. The material resources mainly show the daily life scenes that cannot be mainly expressed on the stage, and they are uniform, and from the perspective of the stage interface, they also have the appreciation and use value of beautiful decorative design.

1.It is not allowed to turn over and seep into the file: the scene, which was known as the civil and military scene in ancient times. Wenchang refers to the huqin. Erhu. South strings. Yueqin; Wuchang refers to the drum. Big gongs. Cymbals. Little gong to talk about. Today's accompaniment**.

During the performance, the accompaniment of the scene was wrong, and the artist was not allowed to stare at the staff on the stage. As soon as the artist saw the scene, the audience immediately realized that there was a mistake in the accompaniment, which caused the scene staff to be restless and more prone to mistakes. It is suggested that the scene should be swapped after the play, and the scene should not be turned over on the spot.

2.After wearing the costume, go up the stairs to lift the placket, and go down the stairs to lift the back coat. It is not allowed to sit at will, let alone lie down and fall asleep in clothes.

3.Do not endanger others when you walk in the background: if you put on a flag, you should walk sideways on the console to avoid touching others. Holding the bone-crushing handle, it must fit its own body, and it is not allowed to hit the horizontal gun and knife, and dance wildly. Non-emergency bazaars, jogging is not allowed to be managed in the background.

Singing is a collection of classic dialogue. Martial arts movies. Singing and other types of opera performance plastic arts. Mei Lanfang. Xun Huisheng. Cheng Yanqiu. Shang Xiaoyun is one of the four outstanding Hua Dan artists.

They are the four big-name stars of plastic arts who have developed rapidly on the opera stage since the 20th century and 20th era, and they have their own characteristics and characteristics, and their respective intentions have confused the repertoire, resulting in four major factions, changing the domination of the world by Xu Sheng, and creating a new situation in which Hua Dan sings opera, creating a hundred flowers competing for beauty on the opera stage. Colorful prosperous years.

Drama: In ancient times, in the pre-artistic stage, the germination of various artistic factors was synthesized. It was only at the art stage that the various types of art in Europe gradually diverged.

For example, in the ancient Greek era, European drama had singing and dancing, but after the reforms of Sophocles, Euripides and others, the song and dance troupe gradually lost its role and became a simple drama with dialogue and movement as a means. This kind of drama has evolved from a dialogue of poetry to a dialogue that completely imitates the language of life, and has been transformed from a poetic drama into a drama. Song and dance were separated, and each occupied a place in the entire theater field in the form of opera and dance drama.

The situation of Han opera is different, it always tends to be a combination of song, dance, and drama. <>

From the early origin of Chinese opera in the Qin and Han dynasties, through the hundred operas of the Han Dynasty, the military operas of the Tang Dynasty, and the Southern Opera of the Song Dynasty and the miscellaneous operas of the Yuan Dynasty, this is the development process of an art from simple to complex, from low to high. It continues to absorb other sister arts, such as poetry, **, dance, rap, martial arts and many other nutrients, and gradually becomes a comprehensive art that is inclusive and wide-ranging, and the variety is dizzying. In other words, Chinese opera is based on the combination of literature (folk rap), **, dance and various arts, fully developed and compatible, forming a dramatic style that uses dialogue and action as a way to express the unbridled performance of special hands.

Lines: Lines are the words spoken by the characters in the drama performance, which are the main means used by the playwright to show the plot, portray the characters, and reflect the theme, and also constitute the basic components of the script. The lines of a drama generally include dialogue, monologue and narration, and in Chinese opera, the vasolet is a combination of rhyme and prose.

Dialogue is the dialogue between the characters in the script, and it is also the main form of drama lines. The monologue is the line that the character says alone on the stage, and the narration is mainly the character's inner monologue.

In the use of lines, "subtext cracking" and "inner monologue" are often ignored by actors because there is no relative script analysis, but they are especially important in theatrical performances. How to make full use of subtext and inner monologue to strengthen character building needs to be carefully studied. Singing:

Singing, the main component of traditional opera. It can refer to the general term for the singing method that requires interspersed tunes (such as ballads and songs) in Chinese opera.

Why do young people nowadays dislike to listen to dramas more and more? In addition to not being able to understand it, another reason is that the scope of influence of opera is relatively narrow. It is because there are fewer people who learn to inherit opera, so it seems that the performing art of opera is a little backward.

One. Singing opera is the simplest and most straightforward way to express it.

Singing is about speaking and singing, and the artists performing on stage need to express what they want to convey through their own interpretation. Singing refers to learning to sing in singing, and the way of singing is actually the simplest and most straightforward way of performance, through the level of their voices in singing, and the gradual change of emotions can feel the emotions of the actors!

Two. The singer can show his inner monologue through his own actions.

Because singing is relatively simple, and basic beginners can do it, so how do better opera artists do it? In addition to singing, singers can also show their inner monologue and psychological activity to the audience through their own actions, that is, their every move, but this requires their own technical skills and deep understanding of the content of the opera.

Three. The costumes and accessories of opera performers can also represent the inner mental activity.

In fact, if we want to understand the inner narration and emotional changes of the opera performers on stage, we can also see their heart cleaning activities through their outfits and even the accessories they wear. When singing, the face is generally smeared, and the red face represents the loyal man, while the white face represents the treacherous, and when singing, the costumes and accessories of different characters are different.