How to quickly memorize the guzheng score 5, how to quickly memorize the guzheng score

I also learn the guzheng, and being interested in the tune is the best magic weapon to quickly memorize the guzheng score Besides, the guzheng is a few books with no shortcuts, only practice makes perfect.

In fact, it is not difficult, the teacher said that I am a fast memorization of guzheng tunes and a strong receptive ability. So, these are my methods.

1. Read the general content again every day before playing the guzheng and sing the score.

2. When playing the guzheng, first watch, play, and memorize it paragraph by paragraph, pay attention, and be sure to sing the score.

3. If you think you've memorized almost, then you'll be able to memorize it paragraph by piece.

This should be useful, it was my teacher who taught me.

Anyway, the most important is.

Be sure to sing the score.

There's nothing quick about memorizing, it's just memorizing it with a lot of practice. Sing more, play more, listen more. When the melody is familiar, it will naturally be.

Don't memorize by rote, it will be counterproductive, you just play it a few more times, and you can memorize it after you are familiar with it, this is how I memorized the ten-level guzheng score, and the longest I have memorized is 7 pages of reverse positive.

Hehe, I also learned Guzheng, but I finished the exam early. You just practice more, a fragment is lyrical (for example) practice the lyrical several times, humming the score in your heart. Replace the next paragraph, the same way.

If you study tightly, when you have time, you can play a volley bullet (that is, your hand on the table "plays") understand?!

Sing along first, if there is a song on the Internet, listen to it online, and then practice more.

Play more and practice more, there is no need to deliberately memorize.

Sing the score and sing it a few times to make an impact.

Practice every day and sing the score.

You can memorize it by trying to play it yourself.

I'm Guzheng level 10. Please do you need to memorize that tune, maybe I can help you.

Fingering formula: the name finger is tied to the pile and the four fingers are suspended, and the hook is shaken and the strings are lightly played.

It is necessary to know that there is no other way to do it with the left hand, and it is leisurely to press and rub it.

Practice Zheng 16 words formula:

Divide and combine the division and the combination of the shed to prepare for the change: that is, when playing a new piece, it is generally necessary to practice with one hand first, then with both hands, and then with one hand, and then with both hands.

Zero: It is to practice the piano many times from part to part - part - part - and then to the whole again.

Slow, fast, slow, fast: When practicing, follow the law of slow-fast-slow-slow-fast and fast to carry out repeated practice.

Guzheng music score. Zheng code placement formula:

One pendulum, two sticks, three to find the code, four to take five fixed six strokes, seven put, eight tunes and nine formed.

Pitch mantra: can be divided into five different sounds.

Double bass, the voice is low, like the voice of an old grandfather.

The bass, brighter than the double bass, is Dad's voice.

The alto is a mother's voice, kind and plain.

The treble is a child's voice, bright and crisp.

There is only one high pitch, and that is the sound of tapping a crisp glass.

Look at the back and look at the back: When playing the music, through repeated practice such as reading the score, memorizing the score, and then reading the score, and then memorizing the score, the purpose of perfect performance is achieved.

Zither.

Here's how to memorize the score quickly.

1. Action inertia memory method.

This is the fundamental requirement of memorization, and it is a direct reflection of the player's proficiency in the work. When it comes to performance, even if you can write down the score silently, it does not mean that you can play accurately and smoothly on stage. Only through a lot of practice to form a continuous movement, even in an "absent-minded" state, can you play accurately and fluently can be considered to have met the basic requirements of the stage.

Slow passages are often overlooked due to their ease of technique, and lack of practice can lead to a lack of proficiency in the movements, which in turn leads to forgetting the score. Therefore, it is quite necessary to increase the practice time of slow passages or works.

2. Keyboard position memory method.

This method is especially suitable for works with complex tonality, a large number of key signatures and temporary ascending marks, and frequent position changes. Due to the requirements of music theory and harmonic writing, there are often more complex pitch recording methods in the score, such as re-elevating G, although theoretically it can never be replaced by restoring A, but it is indeed restoring A, so when we encounter such a note, we do not need to remember whether it is re-elevated G or re-A, but directly memorize the corresponding keyboard position, which can greatly reduce the complexity of the score.

3. Visual memory method of musical notation.

As the name suggests, a visual image is formed in the mind by repeatedly looking at the music, just like remembering a certain figure. In this way, when the player is playing by heart, the content of the score will appear in front of him, and the player will feel that he is still playing according to the score.

4. No piano and no spectrum memory method.

In the later stages of memorization, you can try to deepen your impression by "playing silently" completely in your head, and if you can clearly play each specific note in your imagination instead of a single stream, then the proficiency and reliability of the memorization score has reached the standard of being able to take the stage.

5. No piano and no spectrum memory.

In the later stages of memorization, you can try to deepen your impression by "playing silently" completely in your head, and if you can clearly play each specific note in your imagination instead of a single stream, then the proficiency and reliability of the memorization score has reached the standard of being able to take the stage.

There are many ways to notate, and I don't know what instrument you learned. However, the methods should be the same: 1. Mechanical memory (motor memory):

What you have done will always leave an image in your brain, and through repeated practice, you will naturally remember it. But the disadvantage is that it is unstable, and it is not recommended to use this if the landlord is going to participate in a competition or performance. 2. Auditory memory:

This is the most efficient method, memorizing the melody is a good way to strengthen the effect of memorization. I can play it while singing it! I teach piano and singing music is a good habit!

3. Visual memory: This is the most important memory method in the process of memorization, and it is the most stable and least likely to cause accidents. There are two types:

One is to memorize the score visually, as if there is a score in front of you, and some pianists can even write the score silently! The other is to remember the position on the keyboard. The above three methods need to be used comprehensively and closely related to achieve results!!

I wish you success in memorizing!!

It is enough to play more, and it is recommended to take the following methods to train.

1. Use your brain to read the music without using your hands, and visually memorize the key signature, melody progression, bass progression, basic rhythmic patterns, and the structure of the piece.

z relies on the touch of the fingers and the inner sense of hearing, reciting on the piano without making a sound, remembering the position of the keyboard of the fingers.

3 Play on the piano at a slow tempo with a weak tone. This requires a high degree of concentration of thought to be carried out to the end.

4 Divide the piece into sections. Make up the number and learn to start playing from any number, so that in case the back is broken, there is still a way to continue playing, so that you will not be at a loss.

5.Buy some staves, let the child write simple tunes on the score, this is a very reliable way to memorize the notation, sometimes the child is bored to play, parents can ask him to mark the notes on the music paper; He will find it as fun as making a game. By writing, he will be very clear about what sound he is playing.

6 Break up the back. When memorizing music, the problem often lies in the left-hand and slow sections, because the melody is easy to remember in the right hand, while the bass and harmony progression in the left hand are not paid attention to. Rapid passages require a certain amount of playing skill.

In order to solve the problem of technique, the number of exercises is so fast that there is no time to doubt whether the notes are correct or not; The slow segment is often overlooked. Thinking that there is no skill problem, you can practice less, but as a result, there will be hesitation and accidents when memorizing, so it is very beneficial to break up the back in a targeted manner.

Break up the back, play slowly, and be sure to look at the shop after practice.

The score is played slowly. Recite the melodic notes and sing them out.

Piano teaching: how to have the strongest memorization method, these four methods must be learned!

Back one line at a time, back a few more times, and find the law to remember!

Let's write a short score. is the correspondence.

If you can participate in the performance, you should know music, and you can sing.

, full pentatonic chord sequence strumming notation.

This notation is completely equivalent to the notation of the traditional guzheng. In addition to the trembling, pressing, pushing, and kneading techniques performed in the left playing area, both the right and left hand playing were performed in the right playing area. If you only need to play a piece with your right hand, you can memorize a score with one hand; If a piece needs to be played with both hands, it is recorded as a two-part score, with the top being played with the right hand and the left hand at the bottom.

2. Complete seven-tone scale string sequence strumming notation.

This notation is based on notation equivalent to the pentatonic chord sequence. This notation is only available for playing in the full left playing area.

3. Pentatonic chord arrangement and seven-tone chord sequence mixed strumming notation.

This type of notation is the most complex and needs to be determined according to the specific circumstances of the repertoire. If the two performance areas are frequently used alternately, it is recorded as a two-hand two-zone four-part score; If the two performance areas are used alternately infrequently, it can be recorded as a two-handed two-zone trilogy; If the two performance areas are not used interchangeably, they can be recorded as a two-part two-part score with two hands. The complexity of this notation determines its marking.

That is, markers are used when notating. The notations of the four-part score are: right, left; Right, left.

Right, that is, the right hand plays the score in the right performance area; Left, that is, the left hand plays the music in the right performance area; Right, that is, the left performance area, the right hand plays the score; Left, that is, the left hand in the left performance area, plays the score. The first line of the score should have a text mark and a symbol mark, and the text can be omitted in the future, leaving only the symbol mark.

4. Twelve equal rhythm strings are arranged in order to play the notation.

This notation method is basically the same as that of piano notation, and the two-part notation method of two-hand two-zone notation is adopted. The upper part of the score is played by the right hand, and the lower part of the score is played by the left hand. The upper part of the score is played either in the right or left section; The lower part of the score is played either in the left playing area or in the right playing area.

The determination of the chord sequence of the 12 equal temperaments determines the positioning of each note. Therefore, there is no need to specify the playing area.

5. Fixed key notation.

The notation of the repertoire of the 12 equal chord sequences of the new Zheng can be completely notated using the five-line notation method, and it is played in a fixed key when playing. This method is especially suitable for A-type new kites.

6. Ensemble, unison, ensemble, and concerto notation.

The performance of the new zither can appear in the form of solo, ensemble, unison, ensemble, and concerto. When notating, the notation of each guzheng can adopt one of the above five notations according to the repertoire, but it is necessary to indicate the guzheng and other musical instruments that play different roles. Such as guzheng, erhu, pipa, yangqin, etc.; The first guzheng, the second guzheng, etc.

The notation of the new Zheng concerto pieces using the orchestral concerto should be notated using the stave notation method. The scores are at the top, and the scores for other instruments are arranged at the bottom according to the orchestra's standard notation order.

This should be different for everyone, as far as I'm concerned, it's definitely not realistic to memorize the whole song first, of course, it's good to read or sing the whole song first. When it comes to practice, the first thing is to practice the playing method of each note, and it should be so that when you see a certain note in the score, you can directly reflect it to a certain string under your hand, which is actually not difficult, but Gao Shenshu needs to be familiar with it. When you see that the score can reflect the strings, you can first try to play the whole piece smoothly while watching it, and if you encounter too difficult skills, you can put it first, so that after going through the whole piece, you will have a number in your heart, and then practice sentence by sentence.

In fact, you don't have to deliberately memorize the notation or the tune or the fingering, these three are actually one, when you play the blind more times and get used to it, then when you play the whole piece, you will find that what you actually think of when you play is not the score or fingering. When you sit down to play a really familiar tune, you may just know which string to play for the next note because of habit. It's like I haven't played the guzheng for many years, but now that Qi Feng has the qin, I can still reflect a few passages of the very familiar tune I played before, although I don't remember the specific score.

In the final analysis, playing the piano depends on skill, practice makes perfect, practice may be a little depressing, but you can always practice, after a few songs, you will have fun. Practice a lot, keep it up.

Except for a few professional guzheng notations that use staves to make notation, most of the general guzheng notations are notated with simple notation. The rules applicable to the simple notation also apply to the Guzheng notation.

Guzheng notation not only has the general characteristics of simple notation, but also has the professional characteristics of Guzheng itself. On the scoremap, it will also be marked with various performance techniques involved in guzheng performance, such as: hook, support, wipe, split, strumming, finger shaking, finger swing and other marks and common terms (some are common in ** theory, and some are unique to the guzheng itself).

This is not the case in a simple notation.

In general, in addition to the professional characteristics of the guzheng itself, as the main content of notation, such as the recording of the key signature, time signature, length of the note, high and low, strength, notes, bars, rise and fall are completely consistent, from this point of view, the ancient Zheng score is a simple score.