Which painter s ink painting is good, please recommend a few to me, thank you

China has a long history of ink painting, and many famous painters have emerged to sell it for nothing. The following are the top 10 Chinese ink painting masters:

1. Zhang Daqian: A famous Chinese painter in the twentieth century, he is good at the creation of various themes such as landscapes, flowers and birds, and figures, and his representative works include "Pine Crane Extending Life", "Thousands of Miles of Rivers and Mountains", etc.

2. Liang Kai: A painter of the Yuan Dynasty, good at landscape painting, is a representative of the Nanzong School of Painting in China, and his representative works include "Hongyan Gaoshi Tu", "Taihe Landscape Tu" and so on.

3. Wen Zhengming: A painter of the Ming Dynasty, he is good at the creation of various themes such as landscapes, figures, flowers and birds, and his representative works include "Drinking Alone in the Cold Forest", "Birds, Insects and Flowers", etc.

4. Dong Qichang: Ming Dynasty painter and calligrapher, good at the creation of landscapes, flowers and birds and other themes, representative works include "Fuchun Mountain Residence", "Ink and Flowers" and so on.

5. Wang Xizhi: calligrapher of the Eastern Jin Dynasty, good at the creation of various calligraphy styles such as regular script, line calligraphy, cursive script, etc., and his representative works include "Orchid Pavilion Collection Preface", "Self-narrative Post" and so on.

6. Jiang Shanqing: A painter of the Yuan Dynasty, good at landscape painting, is one of the representatives of the Luba School of Chinese Southern Sect painting, and his representative works include "Snow Scene", "Bamboo Accompaniment Hu Shi" and so on.

7. Gu Kaizhi: Eastern Jin Dynasty painter and calligrapher, good at figure painting, landscape painting, cursive and other painting styles and calligraphy styles, representative works include "Luo Shen Futu", "Seventeen Posts" and so on.

8. Huang Binhong: A famous Chinese painter and calligrapher in the 20th century, he is good at the creation of various themes such as landscapes, flowers and birds, and figures.

9. Zhu Qi: Qing Dynasty painter, good at flower and bird painting, is one of the representatives of the Chinese flower and bird painting school, representative works include "Hundred Birds and Phoenix", "Langui Qi Fang" and so on.

10. Pei Translation: Tang Dynasty painter, good at landscape painting, representative works include "Luo Shen Fu Tu", "Taihe Hall Tu" and so on.

Spread a few pictures of the famous painter Zhang Yanjun that I like.

of the characters and landscapes.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

Zhang Yanjun.

China's ink painting is a great bai

Freehand, on the highest artistic conception du, the number of charm of the Ming Dynasty zhi Xu Wei (Xu Wenchang). DAO can be checked online. There are a lot of them in the contemporary era, but there doesn't seem to be "everyone" in the true sense of the word, at least in my opinion.

Chinese painting has been around for thousands of years, and ten years is not enough to talk about, so you have to understand it.

Attached is a painting of Xu Wei's ink, can you enjoy it?

Chinese Contemporary Ink Painting is a new artistic concept based on the contemporary development of traditional Chinese painting. The literal concept of contemporary ink painting contains two meanings: first, it refers to its contemporary category in time, specifically to the background of the times in the development of contemporary society, economy, science and technology and culture in the different pasts of our time; The second refers to the expressive elements of ink, that is, the most basic materials and forms of ink painting in traditional Chinese painting.

There are not only elements of traditional inheritance, but also the cultural trends and orientations of the current era, so contemporary Chinese ink painting is an interrelated and independent form of artistic expression between traditional art and modern art. And because of the contemporary spirit and cultural context of the times, Chinese contemporary ink painting shows the characteristics of our contemporary artistic expression. However, in the context of multi-era culture, when we carefully study and appreciate the relationship between contemporary ink painting and the traditional spirit and the development of modern art, we seem to feel that contemporary ink painting is both a gap and a bridge between traditional art and modern art, and this almost embarrassing state has created another development opportunity for contemporary ink painting itself to a certain extent.

There are many problems between traditional art factors and modern art orientation, such as the contrast between traditional and contemporary, regional and cosmopolitan, and cultural characteristics of the East and the West. This contrast and existence contribute to the fierce conflict between the two cultural concepts, but they are closely intertwined. This is also the interweaving and running-in of the cultural spirit of traditional Chinese painting and the spiritual orientation of contemporary art in the context of contemporary multiculturalism.

In the development of contemporary Chinese ink painting, on the one hand, it cannot be discarded as a Chinese cultural spirit and national factor, and on the other hand, it needs to have the contemporary spirit of the times, which needs to be inclusive and independent without losing our national identity. Therefore, contemporary Chinese ink painting is actually born and existed in such a gap between tradition and modernity.

In this pursuit, more and more ink artists are deeply influenced by the contemporary Western-based global ideology and artistic concepts, so as to try to inject more contemporary and international artistic spiritual connotations into Chinese ink painting. In this way, on the one hand, they have a certain traditional Chinese cultural gene, and on the other hand, they are able to make great strides towards the forefront of international and world art, which is also their mastery, in other words, they use the materials of Chinese brush and ink to express the cultural spirit of the contemporary, Western or world. This is also an important feature of our contemporary Chinese ink art.

Among them, there are Wu Guanzhong, Lin Fengmian, Ma Yixing, Gu Wenda, etc. On the one hand, these artists have been educated in traditional Chinese culture, and on the other hand, they actually appreciate the universality and freedom of contemporary art more in the world, and are unwilling to abide by the rules and precepts given to them by tradition.

Contemporary Ink Painting: Works by Wu Guanzhong.

Contemporary Ink: Works by Ma Yixing.

The originator of landscape painting, Tang Xianzu?

Summary. The function of looking at the painter is not to see whether he can paint pure ink, but to see the painter's skills, the following points can be used as a reference: line texture:

Chinese painting pays attention to the "five colors of ink", and different lines should have different thicknesses and textures, which can show different tastes. Exquisite brushwork: Chinese painting pays attention to "seeing movement in stillness", and painters need to express the texture and vividness of objects through the outline and delicacy of brush and ink.

Color use: Different color collocations can express different emotions and atmospheres, and a good Chinese painting should have its own uniqueness in the use of colors. Theme and mood:

A good Chinese painting should have a clear and profound theme and artistic conception, which can touch the hearts of the audience and arouse resonance. The author's experience and cultivation: The quality of Chinese painting works is also related to the author's education, cultivation and experience, which reflects the painter's morality, background and emotional world.

It's not visible.

Can you elaborate on that a little bit more?

The function of looking at the painter is not to see whether he can paint pure ink, to see the painter's skills, the following points can be used as a reference: line texture: Chinese painting pays attention to the "ink five colors" revision spike, different lines should have different thickness and texture of the socks, can show different tastes.

Exquisite brushwork: Chinese painting pays attention to "seeing movement in stillness", and painters need to express the texture and vividness of objects through the outline and delicacy of brush and ink. Use of color:

Different color combinations can express different emotions and atmospheres, and a good Chinese painting should have its own uniqueness in the use of color. Theme and artistic conception: A good Chinese painting should have a clear and profound theme and artistic conception, which can touch the hearts of the audience and arouse resonance.

The author's experience and cultivation: The quality of Chinese painting works is also related to the author's education, cultivation and experience, which reflects the painter's morality, background and emotional world.

The top ten famous paintings of Chinese painting are, Luo Shen Futu, Pai Gai Qingming Shanghe Tu, Fuchun Mountain Residence Tu, Han Palace Chunxiao Tu, Baijun Tu, Bu Yuan Tu, Tang Palace Ladies, Five Ox Tu, Han Xizai Night Banquet Tu, Thousands of Miles of Rivers and Mountains.

1. Luo Shen Futu

Luo Shen Fu Tu is a painting of Gu Kaizhi of the Eastern Jin Dynasty, and the original "Luo Shen Fu Tu" volume is a colored silk book. It is a long scroll composed of multiple storylines that is similar to *** and is well integrated, and it is now lost. At present, there are four facsimiles of the Song Dynasty, which are collected in the Palace Museum in Beijing, the Liaoning Provincial Museum and the Freer Museum of Art in the United States.

The two figures in the Palace Museum are basically similar to each other, but the scenery is complex and simple.

The whole volume is divided into three parts, with twists and turns, detailed and layered depictions of the sincere and pure love story of Cao Zhi and Luo Shen. The characters are arranged in a sparse and dense manner, naturally alternating, overlapping and exchanging in different time and space, and in the depiction of mountains and rivers, they all show a kind of spatial beauty.

Among the extant ancient Chinese paintings, "Luo Shen Futu" is considered to be the first painting adapted from a literary work.

2. Qingming Riverside Map

Qingming Riverside Picture, one of China's top ten famous paintings. It is a custom painting of the Northern Song Dynasty, and the surviving fine works of the Northern Song Dynasty painter Zhang Zeduan are only judged by the dust liquid, which is a national treasure-level cultural relic, and is now stored in the Palace Museum in Beijing.

The Qingming Shanghe map is centimeters wide and long, and is colored on silk. In the form of a long scroll and the use of scattered perspective composition, the work vividly records the urban appearance of Tokyo, the capital of the Northern Song Dynasty in China in the 12th century, also known as Bianjing, now Kaifeng, Henan, and the living conditions of people from all walks of life at that time, which is a testimony to the prosperity of the capital Tokyo in the Northern Song Dynasty and a portrayal of the economic situation of the city in the Northern Song Dynasty.

Fuchun Mountain Residence", "Galloping Horse", "Ink Shrimp", "White Picture of the Night".

Fuchun Mountain Book Mountain Staring Residence Map is an ink painting on paper created by Huang Gongwang, a painter of the Yuan Dynasty in 1350, known as "the orchid pavilion in the painting", "the first divine product of Chinese landscape painting", one of the top ten famous paintings in China, and belongs to the national treasure-level cultural relics.

"Galloping Horse", a famous Chinese ink painting, was made by Xu Beihong in 1941 and was listed as a national first-class cultural relic. The horse in the painting is majestic, vigorous, light disease, quite a "skinny bronze sound" beauty, galloping horse is strong and powerful, full of vitality, this painting not only shows the spirit and characteristics of the horse, but also gives the painter his own personality and ideals - for the revitalization of national art and the state and struggle!

Qi Baishi's shrimp painting can be said to be a must-have in the painting world, smart and lively, lifelike, it can be said that shrimp has become one of Qi Baishi's representative art symbols, he has been studying how to paint shrimp well all his life, draw God! "Ink Shrimp" is one of his representative masterpieces, and it is also one of the representative works of famous ink painting.

"Zhao Wei Changing the Night White Picture" is a Chinese ink painting created by the famous Tang Dynasty painter Han Gan, which is now in the collection of the Metropolitan Museum of Art in the United States.

There are many Chinese ink paintings, so let's take a look at two of them!

The first is the work of Zheng Banqiao, a literati of the Qing Dynasty. The painting depicts a scene of a forest in autumn. Autumn has arrived, and the leaves of the trees have fallen one after another, which makes me feel sad.

The sky was gloomy, but the colorful flowers beside the trees were still blooming, adding a warm touch to the bleak autumn.

This is this ink painting depicting a stream in the depths of winter. The winter was so cold that even the streams in the forest froze. The creek is lined with thick snow, and there are no more green meadows and all kinds of small animals.

The trees in the far reaches of the creek had also lost their leaves, and their bare branches looked very desolate.