Is the high pitched C talking about HighC???

We usually call a group of small characters, that is, the sound of the group of **c, and the c of the group of small characters 2 is called the treble c. That is, the note in the third room of the treble clef of the staff, we call it the treble do.

HighC, on the other hand, refers to the C of the three groups of small characters, which is an octave higher than the treble C.

Therefore, the treble C and the highc are not the same sound.

**C is the do with a line under the treble spectrum, the treble c is the do between the third line of the treble spectrum, and the highc is the do with the second line on the treble spectrum, how many octaves do you say they crossed? Huh

Hope it helps.

** With Composition Technique (Team) Gong Zheng.

Highc is not a treble C treble C is **C high C is an octave higher than **C, and the span of the vocal range is a statement between high and low. It is difficult to go up to high C for the treble chest part of the male voice, and of course it can be higher with the head voice. For example, Zhang Yusheng thinks about you every day, and I still have the Manchu Army, I need you to go up to high C, Zhang Yusheng's Zhang Yusheng, the highest note in Zhang Yusheng's works is E4, that is, one octave higher than high C, plus two notes.

The treble C is highC, which refers to the C of the 2 groups of small characters

There is no spanning for a single tone.

HighC is the C of the three groups of small characters, and the treble C and HighC are separated by an octave.

The high C of tenor refers to (always) C5, while the high C of soprano refers to C6.

There are three commonly used notation methods for tenors I've seen:

The use of "treble clef" notation, in which the tenor uses a note that is one octave higher than the actual pitch, is the same as the soprano, hence the so-called "no male voice has an octave lower range than a female voice".

At this time, this problem is easy to solve if the score in your hand is a choral score or a duet score with a baritone, and the baritone bass is written at the actual pitch with the bass clef.

Why should the tenor be noted, with a treble clef and an octave raised instead of the bass clef? Because the most commonly used pitch for tenors is C3-A4, the higher octave notation falls just between the lower and upper lines of the score indicated by the treble clef, which is easy to read.

The "lower octave treble clef notation" is used, in which the tenor original notation is notated. This notation is commonly found in some notation software produced with modern notation software, such as Sibelius and Sibelius 8, and the tenor instrument is notated by default with a lower octave treble clef.

Use the "Shifted Alto Clef Notation", in which the **c sign of the alto clef points to the third room, the tenor original notation. This notation is common in some notations that have been published for a long time, and the actual meaning of the clef is exactly the same as that of the second.

There is no such thing as a male or female notation, and the baritone bass bass is written using bass clefs and original keys.

You didn't figure out the grouping of sounds, that's why you ask such a question. HighC is C3 (C of small characters in three groups) The C5 you speak of does not exist on the piano, and the vocals can't sing that low.

The highc in vocal music is equivalent to the C of the three groups of small characters on the piano (the twenty-second white key from the right) In addition, the scores used by the tenor are all scored in the upper octaves, so the highc of the tenor is only equivalent to the C of the second group of small characters on the piano (the twenty-ninth white key from the right).

Strictly speaking, the piano does not have a highc, and the higc is just a pitch standard in vocal music, which is equivalent to the C of the three groups of small characters.

About the sound group: The piano key has three white and two black, and four white and three black next to each other, which is a sound group. The three whites are cde, the four whites are fgab, and the middle is followed by the semitone adjacent to them.

The second group is the leftmost group of the piano, which has only ab and a semitone in the middle. The small word group is the most ** group of pianos, and the C of this group is called **c.

Arrangement of sound groups: from the left to the right of the piano, in order, there are two groups of large characters, one group of large characters, one group of large characters, one group of small characters, one group of small characters, two groups of small characters, three groups of small characters, four groups of small characters, and five groups of small characters (only C).

Marking: The sound names of large characters are marked with capital letters, and the ordinal number of the sound group is marked at the bottom right of the sound name, and the sound name of small characters is marked with a lowercase letter, and the ordinal number of the sound group is marked at the top right of the sound name.

The highc in the highc vocal music is equivalent to the C of the three groups of small characters on the piano (the fifteenth white key from the right) In addition, the scores used by the tenor are all scored in the upper octaves, so the highC of the tenor is only equivalent to the C of the second group of piano small characters (the twenty-second white key from the right).

**The position of C is C1 and then up, that is, the right-hand direction is C2, C3, C4, C5, and there is no more.

From the position of the middle finger Xunyang c down is c and down is c and then c1 The order is like this: c1 c c c1(**c)c2 c3 c4 c5 is changed to Chinese is a group of large characters Large character group Small character group 2 Small character 3 groups Sakura banquet 4 groups.

This is the "treble" tuned on the stereograph.

Some devices are marked with "high", which actually means the same thing.

There are also a few "bass" bass, "blance" balance, and so on, all of which are commonly used terms in sound systems.

The so-called full-band speaker refers to a speaker that can cover the low-frequency, mid-frequency and high-frequency range. The lower limit frequency of the full-band speaker is generally 30Hz-60Hz, and the upper frequency is 15KHz-20KHz.

According to the use of the occasion to divide:

It is divided into two categories: professional speakers and home speakers. Tease.

Household speakers are generally used for home sound playback, which is characterized by delicate and soft sound quality, more delicate and beautiful appearance, and the sound pressure level is not too high, and the power it bears is relatively small. Professional speakers are generally used in dance halls, karaoke, theaters, auditoriums and stadiums and other professional entertainment venues.

Generally, the sensitivity of professional speakers is higher, the sound pressure is high and resistant, the strength is good, the power is large, compared with the household speaker, its sound quality is hard, and the appearance is not very exquisite. However, the performance of the monitors in professional speakers is relatively close to that of home speakers, and the appearance is generally more delicate and compact, so this kind of monitors are also often used in home Hi-Fi sound systems.

The above content reference: Encyclopedia-speaker.