What is the real self of The House of the Unhemp ?

In an interview, Satoshi Kon said that what he wanted to express in the movie was: The protagonist who lives under the flash of the flash, because of the appearance of mistakes, that is, bad fans, because of abnormal fans, the protagonist's personality has many mistakes, and this is the meaning I want to express. This is implicitly revealed at the beginning of the film through the scene of Superman in three masks defeating King Bug in order to maintain peace and order on the Internet.

"The House of the Mima" is an animated film directed by Satoshi Kon. The film mainly tells the story of Qinhe, the protagonist of the movie, the idol singer Weima, who quit the group group and transformed into an actor, although everything was unsatisfactory at the beginning, but Weima was not discouraged, and gradually entered the role with his own efforts. However, during this period, Weima received threatening letters, and the relevant characters were also continuously injured, and Weima fell into extreme entanglement and pain.

This movie is not so much a brain-burning thriller, it is more like a depressing youth ** film, the heroine Wu Yue is not numb in the entanglement of ideals and reality, the story of self-**, the whole film gives people a depressing feeling, and the suspenseful plot slowly reveals the truth with the ending.

The overall story direction, the suspenseful atmosphere is undoubtedly accentuated, but what can pry the perception more is the extremely sensitive but extremely awkward psychological portrayal of the heroine Weima. I want to transform, but I am afraid that the gains outweigh the losses; wants to gain popularity, but what he gets is not the imaginary popularity; I want to be submissive to others, but I can't please everyone.

"The House of the Ministry" is a movie with profound connotation and expression, and the ending shows that the growth of the unhemp has been completed.

Eventually, he went to a psychiatric hospital. At the end of the film, Weima went to a psychiatric hospital, not called a visit, but just looked at Liumei through the glass outside the window. She said to the doctor

I know I can't see her anymore, but it's because of her that I'm where I am today. The "she" here refers not only to Rumi, who took care of her in the past, but also to herself who used to be an idol singer.

The "seeing" through the window here echoes to some extent the metaphor of the fish and the fish tank that we discussed above, and it embodies that Weima is finally able to get rid of an object of desire and passive identity that is gazed at like a fish in a tank.

She got into the car and looked at herself in the mirror. The last shot of the film is a close-up of the unnumbed face in the mirror. She smiled and said to herself, "I'm the real one." ”

This smiling mirror image symbolizes the unity of today's Weima, Weima, who was a young actor in the past, and Weima, an idol singer in fantasy, which shows that Weima's growth has been completed, and she has been able to see herself clearly and objectively, without any more contradictory conjectures.

Satoshi Kon's own explanation is quite interesting. In the interview, he emphasized that the use of mirror image here is to imply to the audience that the growth of the hemp is not completely mature. It may be said that every time I realize my own growth, I rely on "myself in the mirror" to judge.

Satoshi believes that the growth of Weima must be a repetitive process, and the story is not really over here, and Weima may even have doubts about his "being true", and a complete Weima personality has not yet been formed.

It is the first animated film directed by Satoshi Kon, and it is also a high-quality work that the author believes best represents Satoshi Kon's creative philosophy. It is a typical text about seeing and being seen, a profound understanding of vision and desire, which leads to a large number of psychological and psychoanalytic topics, which deserve to be read carefully. My take on the ending is:

Life is hard, but hope is always around.

From the core members of the idol singer group Cham, the young girl Mima Kirigoshi had to fly solo and start her career as an actress under the arrangement of the agency. What awaits her is a completely different life.

And this relationship between watching and being watched is multiple and rich, because the fans, fans, collaborators, and all the people who pay attention to the future, and even as the audience of the movie "Wei", we have become the ** people of the future.

Through the medium of animation, two unmammaries, one real and one false, can appear simultaneously in the audience's viewing field in the same shot - which is obviously more direct, shocking and credible than the use of montages, stuntmen or CG special effects in live-action images to "make up for the clumsiness".

"The House of the Horse" is a dubbing work produced by Madhouse and performed by many dubbing masters. tells the story of idol singer Mima who quits the cham group and transforms into an actor, and his life becomes chaotic. The overall gloom, in the idea of growth, the ending is not unexpected.