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Now that labor and prices are soaring, the investment cost of historical dramas is too high! Small productions can't be done at all, and if you want to restore the real historical appearance, you can calculate the cost yourself. However, there will soon be two big productions to be launched, one is "Chang'an under Heaven", and the other is "The Biography of Ba Qing" (formerly known as "Winning the World"), both of which are big productions with an investment of more than 500 million.
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It is difficult to interpret a piece of history into an excellent film and television drama, which requires all the actors, directors, screenwriters and other crew members to have a better understanding of this history, including the characters, events, costumes, customs and other aspects of this historical period, especially the details of things, the more detailed things can affect the audience's subjective feelings about this historical drama, and it is a great test for the professional ability of actors, directors and screenwriters, and the professionalism of actors is especially important in historical dramas. Whether or not a historical figure can be brought to life depends on the control of the actors. If you can't shoot a historical drama well, it's better for the audience to read history books.
Many times, it is the actor who has done his homework in place, but the screenwriter has written the script in a mess, or the screenwriter has written the script well, but the actor has not acted well or the director has not done well. There are also costumes, props, scenes, etc., which are all factors that affect the quality of a historical drama.
Nowadays, many crews are filming historical dramas as idol dramas, looking for idol stars, writing hypocritical scripts, and under heavy makeup, it is not as vivid as the street couple's quarrels.
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Now some of them are not historical dramas in the first place. can only be called a costume drama at best. For example, if you are still a pearl gege, can it be called a historical drama? Did the Qing Dynasty have this romantic "history"?
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In today's era of rapid economic development, many film and television dramas invest hundreds of millions of dollars at every turn, but the resulting works disappoint the audience. Therefore, many organizers began to take shortcuts and chose the path of remakes. So far, many popular IPs have been remade countless times, so much so that every time we hear that a classic is going to be remade again, we cry out for pity, and we can't help but think about it:
Why is it possible to shoot works with culture and connotation in the difficult environment in the past?
The first is the actor, the actor is the carrier of a work, and how an actor's acting skills directly affects whether the audience can be substituted into the plot. In the past, the actors were all recommended by thousands of selections, and they had to be on their own in any scene, no matter how bad the environment was and how severe the weather was. Unlike today's climate, many stand-ins almost finished most of the scene.
The actor's emotional transformation is embarrassing, and he can't even pass the lines. Even if Hu Minzhi is a good script, it will not be recognized and loved by the audience.
Not long ago, I heard that another classic drama "Pink Girl" was going to be remade, and many people said that it was impossible to surpass the previous work in the hearts of the audience. So I also went to review this happy comedy pants pure that left a deep impression on me in my childhood, and the play mainly revolves around four girls with very different personalities. They each have their own nicknames:
Heartthrobs, man's mothers-in-law, marriage maniacs and Ha Mei, among them, heartthrobs have countless golden sentences about love to teach us how to distinguish true love.
For example, she said: Marriage is not 1+1=2, but. Because only two people can piece together if they each cut off their own personalities and shortcomings.
Another example is that she said: Love needs laws, and marriage needs self-discipline. Analysis such as this is interspersed in almost every episode, and this is also the most distinctive character label of a heartthrob.
In fact, there are thousands of truths, and we can learn some lessons based on the experience given by our predecessors, but we can never avoid emotional conflicts. What marriage teaches us is tolerance.
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First of all, the Chinese nation has a long history and splendid culture, and historical dramas give people an opportunity to learn and relive the past through historical events and characters. China has always had a tradition of learning from the ancients, and in ancient times there was a saying that "using history as a mirror can know the rise and fall". Secondly, after the reform and opening up, the increasing prosperity of the Wensou rock art market is also the reason for the popularity of historical dramas.
After the reform and opening up, China strengthened the implementation of the principle of "letting a hundred flowers bloom and a hundred schools of thought contend," which enlivened the literary and artistic market and aroused the enthusiasm of the vast number of literary and artistic workers. The 17th National Congress of the Communist Party of China (CPC) proposed to promote the great prosperity and development of socialist culture, and one of the important links is to carry forward the traditional culture of the Chinese nation.
The party's policy of harmony has laid the foundation for the prosperity of historical dramas. At present, China is at a critical juncture of reform and opening up, with a variety of social contradictions intricate and complex, conflicts of interest among all social strata intensifying, and the popularity of some historical dramas reflects people's expectations for social reform from the side. Fourth, we must also see the shortcomings in the popularity of historical dramas.
China's traditional culture, especially the feudal ideology, still has a considerable existence in the current society, and there is also a certain market for the idea of loyalty to the monarch and the feudal superstition expressed in historical dramas. Just as mentioned in the "Eight Honors and Eight Shames" that we advocate, "we should be proud of advocating science and be ashamed of ignorance," we should look at historical dramas scientifically, dialectically, and objectively. The leakage is big.
The idea of answering the question is: dialectical analysis of the problem.
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The second point I admit, the first point needs to be considered, the ratings of the Kangxi Dynasty in Taiwan that year, a song borrowed from the sky for another 500 years to become popular all over the country, the Emperor Wu of the Han Dynasty, the Yongzheng Dynasty, the ratings set that year were also unprecedented, and old actors like Chen Daoming and Chen Baoguo also emerged. So everyone still likes to watch it.
The acting skills of the emperor who are not angry and self-assured.
So why are there fewer and fewer historical dramas? There is only one that is too difficult to film, to make a good drama, there must be a strong acting bonus, Kangxi has Chen Daoming, Han Wu has Chen Baoguo, Cao Cao has Chen Jianbin , which one is not a drama hegemony.
Secondly, there must be a large investment, the Kangxi Dynasty invested 20 million in 2001, when a people's teacher had a monthly salary of 1,000 yuan; The Three Kingdoms filmed 200 million, and at that time, the box lunches for the group performances in those big scenes alone cost 300,000, and there were 217 names in the cast, so note that they were all famous. Compared with those who only need one or two traffic stars, talking about love and showing off the incense car, the difficulty is not a level.
Making an excellent historical drama requires first-class actors, first-class directors, and first-class scripts, otherwise it will become unpopular if you are not careful.
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First, the audience doesn't really like it. What everyone likes to watch are martial arts, urban, and Xianxia TV series, and historical dramas, which are difficult to attract audiences.
Second, historical dramas are not easy to film. If you shoot exactly according to the trend of history, if you don't adapt it, it won't be much fun, and if you change it too much, there will be a group of people who say that you distort history and mislead the audience. Secondly, many historical scenes are relatively grand and difficult to restore, such as large-scale battlefields, where hundreds of thousands of people are often invited.
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The level of directors and screenwriters is not enough, there are not necessarily many people who spend a lot of money to shoot historical dramas, the acting skills of actors are uneven, it is difficult to find actors, and the audience has aesthetic problems, and there are relatively few people who like to watch historical dramas.
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The acting skills are not enough, and the acting skills of the current actors can't support such a large plot structure, and the depth is not enough. There are not enough audiences for simple old dramas, and there must be two small fresh meat with popularity. In addition, the current audience's preference is not this kind of heavy history and brain-burning drama, and the preference is not in historical dramas.
Even if someone shoots, how many people will watch it?
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Now it is a market economy, and you can shoot whatever drama makes money. The investment in historical dramas is generally relatively large, and no one invests if it doesn't make money.
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The social atmosphere is impetuous, and really good works need to be precipitated.
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The drama is too rigorous and no one watches it (refer to the history and popular science class), and it is not rigorous and sprays. The investment is large, the audience is small.
How good is the fantasy drama, look at the special effects, how to come and how you want to come (understand the Wumao special effects), look at the appearance, handsome brother and sister; Looking at the plot, there are many twists and turns (all kinds of dog blood). Yan Gou has its own topics, traffic, and all kinds of complaints.
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Now is the era of cultural globalization, and a large number of foreign cultures have infiltrated into life. People's minds are also more active, more receptive to new things, and more people are thinking about creating new things. Therefore, on the contrary, the audience of relatively serious and serious cultural products is getting smaller and smaller, that is, the market demand is small, so there are not many historical dramas.
In addition, I also like these dramas haha, although there are always some unsatisfactory things about TV dramas, such as frequent use of the same tricks, some places are not elegant, etc.
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According to this definition of historical dramas, there will be no historical dramas in the world, because there are all jokes, and there are very few people who watch historical dramas without making money and losing money, why are so many people chasing garbage idol dramas because everyone likes to watch the ups and downs of the bloody plot, and those who disdain this kind can still complain and find fun.
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The real historical record is not complete, and most of the lost ones have been changed, and the audience doesn't like to watch it, the audience sees love, handsome guys, and beautiful women.
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Writers and screenwriters do not vigorously excavate and create excellent scripts, which requires the playwright to work hard.
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There are a lot of historical dramas, but there are not many good ones.
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China's current historical dramas only revolve around the prosperous period, and most of them are fictional and falsified, but in fact, there are very few people who really study history and make him into dramas.
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Quite a bit. There are all dynasties.
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Because the current newcomers are not good at acting, and the salary is expensive for good acting.
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Because there are too many historical records lost, the authenticity needs to be verified, and the audience can't be deceived with fakes.
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I really can't help but complain about the plot of my country's domestic dramas, there are more and more episodes of a TV series, but the content is getting less and less, there are very few plots that an episode really wants to express, remove the front beginning and remove the end of the back for thirty minutes, and I am really tired of waiting for the broadcast of the TV series every day.
The recently hit drama "Dear, Loved" is a sweet love drama starring Yang Zi and Li Xian, this drama has very little content and no connotation, the main thing is that Yang Zi and Li now know each other and fall in love in the show and have not encountered great difficulties, especially in the last few episodes, they are completely showing affection. In this way, the TV series also filmed 41 episodes, and each episode can be broadcast for more than 40 minutes, but the final content is also within 30 minutes.
Korean TV dramas are the opposite of ChinaKorean TV drama love stories are basically controlled within 20 episodes, most of them are 18 episodes, and one episode can be broadcast for more than an hourThe content is also very complete, the connection of the plot is very compact, there are not too many false plots, which can attract the audience's attention. So there are too many people who like to watch Korean dramas and like their plots and the actors in the plays.
A large part of Korean actors do not make as much money as China, because many domestic actors are charged by the episode, and the salary is very high, just like Yang Ying, who is recognized by the audience as having no acting skills, the salary of a TV series can get tens of millions, such a money-making industry, of course, wants to shoot a few more episodes.
Of course, it can also be related to the habits of domestic people, who are used to dozens of episodes of a TV series, like a court drama that does not feel too complete if it does not shoot dozens of episodesFor example, the TV series "The Legend of Zhen Huan" has aired 76 episodes, but it is also quite successful, and it is still related to habits
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Maybe the show party wants to make money. Because TV series are sold by episodes, it costs so much money to invite celebrities to act, if the number of episodes is small, the money sold is not enough for the star's actor fee, then it will be a loss.
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I think it's because the story is getting longer and longer, and the director and screenwriter may prefer the longer episodes when looking at the market.
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In order to make money, it is just a strategy for capitalists to make money, and a drama that can end in 30 episodes has to be cut into 50 episodes.
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Many of the current domestic dramas are very long, the plot is not compact, a bit long-winded, and the dramas with many dramas may have more investors to make money.
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One is to seize the audience's desire to watch the drama and increase the popularity of the drama. There is also to increase ratings, and the essential benefit is still for money.
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The episodes of domestic TV dramas, sometimes because of the editing, and the dragging plot, will have more and more episodes. I think sometimes it's just about making up the number of episodes.
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Personally, I think there are too many domestic dramas now, and the most critical point is that the plot is very protracted, and there are many places that deliberately extend the time.
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It shows that this market has been gradually expanding, and at the same time, it shows that its prospects are very good. For the audience, everyone's preferences are becoming more and more extensive, and the natural demand is also increasing.
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I think the reason why there are more and more domestic dramas gathering now is mainly because many excellent plots take longer to show, and if the time is too short, it can't reflect the excellence of a work.
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Of course, there are many dramas that are completely inconsistent with history, the previous "The Legend of Ruyi", although some of the plots in it are still similar to history, but the difference is still very big.
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