Guitar experts please come in if you have a problem, ask for guitar problems, and ask the master to

First of all, I didn't listen to the original song.

Secondly, it has almost nothing to do with music theory.

But I can still hear it.

How to express it, I just tried to use the strumming up and down to represent the sign, but there are 1 3 in it, I'm not a professional, I don't know how to write, let's say this song is 2 4, those 2 are in one beat, almost the first one is a chord, and the last two 1 are a rhythm.

Down, down, up, up, down, up, down, up, down, down, up, down, up, down, up

To the left of the line is the first chord, and to the right of the line is the second chord, which makes up a measure, and the time on both sides is the same, and you can be infinitely slow, but note that it's relative, slow and slow, fast and fast.

I'm pretty quick to get a break.

You should listen to Union Station's original song "When U Say Nothing Atall" first

Many people ask about the rhythm of the strumming strings, for those who go up and down the arrows is a halo, and for those who are proficient, it is nothing more than an accent of 4 or 4 beats plus a few times of light auxiliary rhythm.

If you don't have a good grasp of the rhythm, don't think about those complicated tricks, you can regard a bar as four beats, each beat sweeps, except that the first beat of each bar is a little heavier, and the remaining three beats become up and down, after being proficient, the first beat is unchanged, and the remaining three beats are divided into 6 parts. If you want to imitate the rhythm in **, don't play the piano first, listen to it repeatedly in your ears, and play the rhythm with your hands until you are very familiar with it.

l Dude, let's come back when the music theory is familiar!

1. It is obvious that the guitar top is red pine veneer.

2. It is normal to have white lines.

3. The white line is caused by the production process, the specific reason: a panel is spliced out of two boards (any veneer is this Gongchong accompaniment) The method is: a piece of wood is broken from the middle and then butted up one by one, so as to ensure the symmetry of the wood grain on the left and right sides, and the sound of the piano can be balanced.

Therefore, there will be a splicing line in the middle of the panel, and this line will be particularly obvious due to the color difference of the wood, which is also the difference between the grinding section of the veneer and the plywood.

4. This line is unavoidable, even if tens of thousands of pianos will have this line, it will not have an impact on the piano.

Your guitar is normal, because the wood is two fast, one side of the wood is backlit, and the other side is facing the sun, which has no effect on the guitar.

The plywood guitar is like this, don't worry, learn to change to a veneer in the future, and the tone and feel are good.

This is a chord, you need to pluck four strings at once, and the bottom six lines of the staff have a note on the strings that need to be played and the number that needs to be held down.

1.I would say change a new set of strings, and then change it along with the fixed string vertebrae (string nails). I don't think it's a debuggable issue anymore, it's really something broken.

So, just change it. And then if it's an electric folk guitar, then you shake the guitar hard to see if anything falls out of it. Or is there a sawdust falling into Buzheng?

2.I don't think this is a mistake, this is the difference between amateur and professional. It's called 'integrity'.

Just like when we sing, amateur, you can regret singing until ** will be this bad, that insufficient, professional singing, you will feel that people sing too well. It's a natural thing, and it's the same for everyone, so don't worry about it. There is only one way to make up for it, that is, if you find that there will be mistakes, then correct them little by little, grind them slowly, and practice them carefully.

And then after you think it's all right, when you play the whole piece, you need to be 'highly focused' and do it all in one go. You may think it's nonsense, but practice, it's really important.

I used to practice a rough idea, and I thought I could play, but it passed like this, and I never practiced seriously. But in fact, this is what is really needed. No, it's important for me to start doing it all over again. Hehe. Currently self-studying...

I've been playing guitar for four years, and that's what I guess is the way it goes.

1 Is it near the audio There is said that there will not be near the audio, unless your guitar has fallen, poor quality may have a gap in the seam of the panel, you check, if it is a 5 string, you see if the wire around the top of the string is a little off or upturned.

2This is a normal phenomenon, but I don't know how long you have been studying, The solution is the obstacle in the heart of the customer service, Jian Liang is the kung fu in his hands, practice more difficult tunes, do you climb the traditional climbing lattice?

Sincerely, give it points.

1 There is a problem with the guitar strings, it may be time to change 2 Of course, the water is not in place, you see which master made a mistake in playing the piano.

None of them are to the point, because they haven't made you understand your first question: why the tune of the ballad is so much worse than the original melody, and how the accompaniment is derived."

I think you need to know a few basic styles: classical (classical guitar), folk (folk guitar), rock (electric guitar).

First of all, the so-called guitar playing and singing is singing while playing the guitar. You can play and sing by yourself, and you can play and sing by yourself. Many beginners will have such questions:

Why doesn't the chord accompaniment that comes out look like the song to be sung? Actually, it's not like it's right, that's the real accompaniment, if you play the melody, you will know it's the song as soon as you hear it, which is not right. Then it can't be called accompaniment, that's called solo.

Singing while playing the melody, that's pointless. Laughed to death.

How does the accompaniment come about?

The melody we sing can be said to be a line of ups and downs, and the chord notes used for accompaniment form an undulating surface around this melody line, with the purpose of enriching, accentuating and beautifying the melody line. It's like a singer singing, he sings the main melody, that is, the lead vocal, and the other guitars, basses, keyboards, and drum kits. All belong to the category of accompaniment.

Think about it, if the guitar plays the same as the lead singer, the bass plays the same as the lead singer, and the keyboard and drum kit are the same as the lead singer, can that be called a song? How singular!

The solo is in a classical style, blending the lead vocalist and accompaniment and expressing it on guitar. You can't sing, you can only play, and others can hear what song you play. For example, "Castle in the Sky" and "Canon" belong to solo performances.

The biggest difference between classical and folk is that classical is solo, just playing and not singing. Folk songs, on the other hand, are accompaniment and are suitable for playing and singing at the same time. It's no surprise that there is a solo element in the prelude to some of the singing, and how the accompaniment sounds good.

Understood, just.

Folk songs attach importance to the accompaniment of chords, and of course the original song has a lot of very individual things, but it doesn't mean that the guitar can't be expressed, so with the level of **, when the mastery of the guitar is getting better and better, there will be targeted changes to the chord breakdown to make the melody more beautiful

Learning the classics has a great role in promoting folk songs, which is reflected in solo

1. Whether the key you choose is the same as the key of the original song 2. Whether the guitar grade is used in a low-grade piano 3. The level of playing by 3 people 4. Generally, the original tune will be accompanied by other instruments A guitar sounds very monotonous and lacks performance Of course, the master can use a guitar to play out of the realm The role of playing and singing the guitar is rhythm, chords, melody tones Classical guitar is mainly used to play classical music, not suitable for playing and singing, play and sing, or use a folk guitar You can feel free Classical guitar is more difficult, just like the piano level, folk guitar mainly understands music theory, key, chords, skills, listen more, learn more, practice more.

1. From your description, it is almost certain that there is a problem with your hand shape, because most people only feel sour when they practice the big horizontal press, (not painful), and it will not be after a long time, and you actually practice climbing the lattice will, indicating that your hand shape is problematic, not relaxed enough, natural, but the specific problem lies in **, it is necessary to face to face observation to determine

So that's when you realize that the teacher is very important.

2. If the beat is not accurate, no matter how good the technique is, it is useless, because the music played is no longer (at least most people sound) the original tune, the taste, and even some special beats are the essence of the part, if not, it will be even more absurd.

Therefore, practice the basics of the beat, accurate, and stable (not just one or two bars), in fact, as long as you solve the problem of the beat, the music you used to play will definitely become good.

As for the practice, start with the basics, put the triplet on hold first, and practice your one-beat, half-beat, and quarter-beat first (fully masterable) before you can talk about it.

Hehe, it hurts because the fingers are not calloused, the lack of strength is because of tension, the posture needs to be adjusted, and the mood needs to be relaxed.

As for the rhythm, you have to ask your friends more about how to experience triplets, or two-to-three, which is a feeling that needs to be practiced slowly.

I will definitely succeed, I don't have a good sense of rhythm, but it has slowly become a success, and I believe you will succeed too!

Also, don't be in a hurry, go from slow to fast! No matter how slow it is, don't let it go wrong, because mistakes are a habit! If you are often greedy and make mistakes, you will unconsciously develop this habit, and once you perform, you will unconsciously play the wrong one!

Hope it helps, hehe.

Teach you a simple method: for example, C chords, pay attention to the formula: 1 press 2 put 3 press 4 put.

So looping, note: turn on the metronome, speed: 60 per minute. In this exercise, the right hand is not played, only the left hand is practiced.

The triplet is very simple, and you can sing it along with the metronome and play it again. Under normal circumstances, if you can't sing it, it must be unskilled, and if you play something unskilled with a guitar, it will definitely go wrong.

And finally: crazy metronome, even a cow can pull it back!

Can't press the instructions in place at one time or are not proficient Your question is very simple, listen more and practice more.