Poets always love Xikun well, and hate no one to make Zheng notes

【Source】Yuan Yuan asked "Thirty Poems" (its twelfth) Emperor Wang's spring heart to support the cuckoo, and the beautiful woman Jin Se complained about the Chinese year.

Zheng Jian: Zheng Xuan's "Zheng's Note" in the Eastern Han Dynasty refers to the note on ancient books.

Analysis] This poem is a commentary on the Tang Dynasty poet Li Shangyin. Li Shangyin was a famous poet in the late Tang Dynasty, and his time, family, and life experience contributed to Li Shangyin's sentimental and introverted personality and mentality from all aspects. In addition to some realistic political poems, his lyric poems (including love poems) are often beautiful in mood, and they are good at turning the hazy images of the spiritual world into trance-like poems in vague and tortuous ways such as metaphors, symbols, allusions, and hints, showing the characteristics of hazy and polysemous.

Most poets love Li Shangyin's poems in the Xikun style, and the style is beautiful, but it is a pity that no one has made perfect annotations for his works like Zheng Xuan's ancient books. Xikun: Later generations called Li Shangyin's poetry style "Xikun style".

Zheng Xuan's notes on ancient books in the Han Dynasty were highly valued by later generations. Most of Li Shangyin's poems are obscure, but no one has made detailed annotations for him. Yuan Haowen was overwhelmed by this, so he wrote this poem.

He quoted the verses in "Jin Se" precisely because the meaning of the poem "Jin Se" is obscure, there are many lawsuits, and there are many interpretations, which seem to be difficult to convince the public. The two lines of poetry "The poet always loves Xikun well, and hates no one to write Zheng Jian" are often quoted by later generations to describe the obscurity of Li Shangyin's poems. In this poem, Yuan Haowen expresses his yearning for the deep affection of Li Shangyin's poetry, and at the same time expresses regret and ironic criticism of the difficulty of understanding.

1. Xifukun.

Refers to Li Shangyin. Because of the system for the Xikun poetry school and Li Shangyin's poetry creation bai has a deep connection, not only inheritance, zhi

There is also its own breakthrough DAO.

2, Zheng Jian. Referring to the abbreviation of Zheng Xuan's "Mao's Poetry Biography", Zheng Xuan's annotations have had a profound impact on future generations.

Scholars of the past dynasties have mostly studied the Zheng Jian from the perspective of specific interpretation and specific exegesis methods, because the Zheng Jian mainly involves the exegesis of specific words.

The Xikun School of Poetry has a deep connection with Li Shangyin's poetry creation, not only inheriting, but also making its own breakthroughs. This paper analyzes and summarizes the creations of Xikun poets such as Zhong Yangyi, Liu Yun and Qian Weiyan, in order to explain the inheritance and transformation of Li Shangyin's poetry creation by Xikun poets. This is mainly reflected in the overall style of affectionate Mianmiao, elegant and Seiko, diligent use of dictionaries and good at words and sentences.

In the early Song Dynasty, the Xikun poets, represented by Yang Yi, Liu Yun and Qian Weiyan, consciously learned to imitate Li Shangyin and their overall style of poetry.

There are quite similarities with Li Shangyin, and his creative methods such as the use of allusions, the choice of words and sentences, and the use of color and ink are also influenced by Li Shangyin, and all aspects of their creation have more or less inherited and followed the Yishan family law. Li Shangyin's poems were very popular in the early Song Dynasty, and the "Xikun style" imitated the canons of Yishan poems, and later became the Xikun poetry school, but they only learned to pile up rhetoric mechanically, but could not get the essence of Yishan poems.

As we all know, the poets of Xikun are all Zongshang Li Shangyin. In ancient times, some commentators only evaluated Xikun's poems based on the similarity with Yishan's poems, but in fact.

It's a misunderstanding. This paper compares the poems of Yishan from the aspects of material selection, diction, word selection, confrontation, and main style, and concludes that the inheritance and learning of Yishan poems by Xikun poets are combined with their selection, transformation and development.

Xikun style is a new poetic style pioneered by Yang and Liu Zhu in the early Song Dynasty, which has unique artistic characteristics and outstanding artistic achievements, and is a key step in the development of Tang poetry to Song poetry. "Xikun body"The relationship between it and the cultural and academic atmosphere of the early Song Dynasty court advocating cultural governance can be Wu Shu and Ding.

It is said to be confirmed on a case-by-case basis. Correspondingly,"Xikun body"The vast majority of works are just"White body"The delicate form is hard to achieve"Righteous Mountain"The height of art and thought. Xikun body introductory martial arts"Righteous Mountain"The end of the aftermath but the final failure shows that the poetry of the Song Dynasty is in a new situation that is fundamentally different from the political, cultural and academic atmosphere of the Middle Ages, and can no longer follow the path of the unique rejuvenation realm of Tang and pre-Tang poetry.

To a certain extent, this turning point shows the difference between Tang Yin and Song tones.

Li Shangyin's life is really like a story, no one will believe it when it is said, and when her husband left in the later period, she wrote this poem to remember him.

Because Li Shangyin is originally a woman's weak beauty, misty is originally a part of sensibility.

Who said".Poets always love Xikun well, but they hate no one to make Zheng Jian"? Everyone can recite this Tang poem, but no one can really understand it. When it comes to "hazy poetry", people generally believe that it is a product of the 70s of the last century, but in fact, as early as the Tang Dynasty more than a thousand years ago, a famous hazy poet was born.

Some of his poems are complex and obscure. Later poets of the Song and Jin dynasties once issued such an exclamation: "Poets all over the world love Xikun, not Zheng Jian", in Yuan Haowen's works, Xikun is the famous poet Li Shangyin of the Tang Dynasty.

Li Shangyin, whose name is Yishan, was born in Xingyang, Zhengzhou City (now Xingyang City, Zhengzhou City, Henan Province). Li Shangyin was one of the few poets in the late Tang Dynasty and even in the entire Tang Dynasty who deliberately pursued the beauty of poetry. His poems are novel in conception and beautiful in style, especially some love poems and untitled poems, which are touching, beautiful, and well-read.

But some of his poems, such as the familiar "Golden Thread", are obscure and become representative of his hazy poetry.

Li Shangyin's poetry has had a profound impact. A group of poets in the Song Dynasty formed a group of societies more than 100 years after his death. They learned from Li Shangyin, including Yang Yi, Liu Yun, Qian Weiyan, etc.

Their singing and poetry were later compiled into a book by Yang Yi, known as the Xikun Bounty Collection. For this reason, it is known as the "Sikun School". Later generations called Li Shangyin Xikun.

Therefore, most of Xikun's works are only subtle forms of "white style", which is difficult to match the artistic ideas of "Yishan style". The failure of the "Yishan style" of the Xikun style indicates that the poetry of the Song Dynasty is in a new situation that is fundamentally different from the political, cultural and academic atmosphere of the Middle Ages. It can no longer continue to develop the unique imagery of Tang poetry and pre-Tang poetry.

In a way, this shift shows the difference between the Tang and Song dynasties.

Because this poem reflects his mood at the time, it is very Mimeng.

Because Li Shangyin's mood was very complicated at this time, he made this poem.

Because he wanted to use it to express his lyrics, but he couldn't say it explicitly, he wrote this vague poem.

Li Shangyin should have been very sad at that time, so the poem is also in this style.

Because Li Shangyin was in a very helpless mood at that time, she wanted to express her emotions through poetry.

I think it may be that Li Shangyin encountered something at this time that could not be relieved, so he wrote such a poem.

This must have been written in a special period, that's why it's like this.