Questions about calligraphy. What are some common questions beginners have with calligraphy? How to

Stationery stores are available.

The four virtues of the brush are: pointed, Qi, round, healthy, and pointed: when the pen is gathered, the end should be sharp.

Qi: refers to the tip of the pen after it is moistened and flattened, and the tip is flat.

Round: refers to the shape of the pen as perfect as the jujube core, which means that the hair is sufficient.

Jian: That is, the elasticity of the pen waist. Lift the pen under heavy pressure and return to its original shape.

The quality of rice paper mainly depends on the amount of sandalwood used in the production process. It's a process we don't usually get to see. So you can't tell from that.

Usually distinguish the quality of rice paper mainly depends on the following points.

1. In front of the light, look at the clouds on the rice paper to see if there are many clouds and flowers, whether they are even, if they are too much, they are good, and if they are not, they are bad. Because in the industry, rice paper with a large sandalwood content has more cloud flowers.

2. Feel to the touch, thick, soft, not to be pulled off. Because the sandalwood fiber is relatively strong, the cut is moderately soft and hard.

3. Experiment with ink, after dripping with thick ink, the ink dots are blurred into a circle, and the edges are neat, not round, and the edges are jagged.

4.The light ink is clearly layered, and the heavy ink is used to make the colors bright. If you can go deep layer by layer with accumulated ink, it is good rice paper, and vice versa.

In fact, the quality of rice paper mainly depends on their own needs, and the rice paper used for painting landscapes is generally not too absorbent, and the flowers and birds are generally not too thick. There are also different themes for painting, and the requirements for rice paper are also different, and some people like to use cheap rice paper to paint, which produces a lot of special effects.

If you use it more, you will naturally know that it is better than bad, and you can't see it at the beginning, just look at it.

1. If you don't know what to do, it's easy to fall into misunderstandings if you have no virtue after studying.

With the heating up of calligraphy, many people have joined the ranks of calligraphy learning, adding fresh blood and vitality to the cause of calligraphy in the motherland. Beginners develop a strong interest in calligraphy from the very beginning. After a period of practice, they often have a preliminary understanding of calligraphy, and some people seem to understand the true meaning of calligraphy.

No longer go deep into the post, seriously think about various secrets, grasp the characteristics of the post as soon as possible, learn the ancient book method, and be satisfied with a half-understanding, and do not understand some technical problems, resulting in no progress in the font for a long time. Some people even put Yan, Ou, Liu, Zhao and other books"Two kings"Waiting for the book to be said to be an expert, it is a bit pedantic suspicion. If this development continues, holding such a mentality will unconsciously affect the growth and progress of individuals learning the art of calligraphy, which will inevitably lead to a shallow foundation, difficult to reach the hall of elegance, and easy to fall into the misunderstanding of looking at the world from top to bottom.

We say that the only way to learn calligraphy is to do it. Beginners should be good at thinking while paying attention to the post, and must not one-sidedly pursue the likeness or simply pursue the likeness. I remember that Lu Xun once talked about the problem of reading.

He pointed out that you need to be able to read"WTO accession"with"Born"These are the two stages of reading. In fact, there are similarities between learning calligraphy and reading. Correctly understand the relationship between the selection of posts and the selection of posts in the study of calligraphy, have a target, take its essence, discard its dross, increase its deficiencies, and effectively enter and exit the post.

Some people imitate and write for many years while learning calligraphy, how can they know that in a post"Medium"It is the similar stage of the first stage of copying, and it is very effective in the degree of how to master the pen writing, but in a post"Drill out"The stage is dialectical because there is no good ability to convert; Without forming their own basic writing skills, some people seem to learn like Han Dan, and they still can't write better words without a post. In particular, those who are reluctant to communicate with experts, scholars, or calligraphy enthusiasts are more likely to fall into the trap of working behind closed doors.

Third, it is easy to fall into the misunderstanding of blind people touching elephants without dialectical thinking.

After learning calligraphy for the first time and having some internship experience, it was difficult to concentrate many posts when trying to adjust posts. It is often difficult to make a decision after reading the posts in the group, and it is also difficult to grasp the teacher-student relationship in learning calligraphy. At this time, if a beginner who is learning calligraphy does not think carefully, think dialectically, and practice calligraphy calmly, not only will he not be able to write according to the law, but he will probably be able to write"Four are not like", undoubtedly a detour.

If you don't pay attention to this situation and are still studying deeply, I am afraid that you will lose some good experiences and replace some bad habits and existing skills, which is really worth the loss. Some beginners may not be clear about the phenomenon and essence of imitation writing, writing more imitation is a good thing, but there is no thinking, this article analyzes the characteristics and relationship and law of using the pen, writing happy posts, blind imitation, not only did not achieve the purpose of learning, but increased habits, to avoid detours, unconsciously became a mystery.

The common problems of calligraphy beginners are not tempting, impetuous, poor writing and other problems, if you want to solve such problems, beginners should first be quiet, observe more, and find out the characteristics of other people's calligraphy.

The common problem is that your emotions are more irritable, it is difficult to calm down, you can't hold a pen, and it is difficult to master the technique, which requires certain skills; We can start with simple practice, let the teacher do it first, or watch some **.

Restlessness and wanting to vent emotions should be the most common problem. In addition, you may feel that your strokes are far from the words on the notebook, so the more you write, the more uncomfortable you become, and the more you feel that you have no talent. Therefore, the most important thing to learn calligraphy is to encourage and persevere.

It's actually because of the difference in the hands of the book. What is written by the official and the private is actually the same object, but it has a different effect. In the process of practice, there is no doubt that Gu Li is very efficient than Xiao Seal, and it is not a problem in reading.

The writers of the Qin edict version were mostly lower-level officials, and the edict version was more about practicality, so the writing of the text was not very neat and strict. The official small seal is just a look, it is a rough reference, and the strict standard small seal is only used on important occasions. Therefore, it is conceivable that in fact, at that time, the imperial court may not have been as strict as we imagined.

Because some excellent calligraphy comes from the people, and has been circulated among the people, after the official discovery, it will be collected and sorted, and then the book will be published to carry it forward. Therefore, official calligraphy will be more subordinate than folk calligraphy.

The concept of "folk calligraphy" itself is relative. The purpose of any term is to make a certain problem clear, and if there is "more confusion" as a result, it is better to have more than less, and there is better than nothing. In many cases, calligraphy can only be understood and cannot be spoken, because it has a kind of wholeness, and it is important not to look at it mechanically and one-sidedly.

In particular, the definition of "folk calligraphy" needs to be clarified with the help of the opposition between classical calligraphy, official calligraphy, and famous calligraphy, but it has become extremely narrow. You know, whenever you add a prefix, there will always be a specific meaning, such as "modern calligraphy", "women's calligraphy", etc. "Folk calligraphy" can be used to express a certain phenomenon and exist as a specific category, but at present, there are more and more additional and cumbersome components, and when it comes to overinterpretation, it can even be said that it is becoming darker and darker, which is inevitably contrary to the original intention.

Official calligraphy generally refers to the mainstream elite calligraphers in society, as well as the "calligraphy system" that the government vigorously advocates and uses power to promote it, such as the Chunhua Pavilion Posts and the Sanxitang Scriptures.

The concept of folk calligraphy is a relative concept, there is no absolute folk calligraphy in the world, and there is no absolute official mainstream calligraphy, the two are relative.

Folk calligraphy is more casual, some folk calligraphy has a more common social influence, and it will also become official calligraphy, and some official calligraphy originates from the folk.

The classics have a height, and the foundation and source are always in the folk. The classics can be higher than the folk, but they cannot do without the folk. In the past, classical calligraphy was admired, which was mainly manifested in the legitimacy and systematization of brushwork.

It is undeniable that in the so-called "folk calligraphy", there are indeed some classics, or the resources that can contribute to the acquisition of classics.

The official calligraphy is decent, the folk calligraphy is very casual, and the writing is free and easy.

Calligraphy is an elegant art, Chinese culture up and down for 5,000 years, inheritance and accumulation, which shows its charm!

As art, it does not exist independently, and culture gives it connotation. Calligraphy is not writing, she is full of emotion and has content. Throughout the ages, which calligrapher has not danced and inked, endowed poetry with affection, and sent affection to landscapes.

Learning calligraphy is a beautiful enjoyment. Not only does she bring visual effects, but she also resonates with the heart.

Learning calligraphy can improve the quality of the people; Writing calligraphy well can write the aesthetics of the Chinese nation. A history of calligraphy and a history of culture have been in decline and prosperity together, and have remained unchanged for thousands of years. The prosperity of calligraphy is the prosperity of the country and the prosperity of literature.

From ancient times to the present, the unique role of Chinese calligraphy in the preservation, dissemination and development of Chinese spiritual culture is irreplaceable. As far as Chinese culture and civilization are concerned, the study of Dacheng Academy still depends on the inheritance of the art of calligraphy to a certain extent.

From Wang Xizhi, Ouyang Xun, Zhang Xu, Huaisu to Su Shi and Huang Tingjian, each of these great calligraphers in Chinese history is also an excellent poet, writer, and scholar, with few exceptions. Whether it is the literary style in the "Self-Narrative Post" or the spiritual temperament in the "Orchid Pavilion Preface", in fact, it is not simply a matter of calligraphy skills and skills, but is closely related to the calligrapher's spiritual realm, cultural character, and life feelings. Therefore, the prosperity of calligraphy is linked to the prosperity of culture, calligraphy carries the creation of culture, and culture ensures the continuation of calligraphy, and the two complement each other.

As long as we attach importance to calligraphy, or those Chinese who value self-education and self-cultivation do not abandon calligraphy, there is hope for our civilization. Because the creative activity of calligraphy, even if it is an ordinary practice activity, actually means a kind of education, means a kind of elegant life in the humanistic sense. In the era of globalization, when lifestyles are becoming more and more homogeneous, calligraphy can easily allow us to return to our own national spirit, maintain our own spiritual personality, cultural pride and sense of value superiority, so that we will ensure that we have our own "Noah's Ark" in a materialized and commercialized ocean.

In ancient China, there were no professional calligraphers, only literati, and literati were often well-cultivated, they were widely involved in their lives, seeking up and down, literature, painting, history, philosophy, astronomy, geography, all proficient, and even both civil and military, able to govern the country. Dacheng Academy believes that we can seek help from ancient cultures, from China's great traditions. The spirit of life of the unity of heaven and man, the value ideal of the world for the public, and the gentlemanly demeanor of unremitting self-improvement still have the great effect of beautification and education, and the specific path and road exist in the ancient Chinese characters.

can make the writing look better, and then exercise patience, because patience is not good to practice calligraphy, a certain temperament is improved.