The God of Medicine is heading towards 4 billion! Why are social realistic films so good?

I'm not a god of medicine, I just meet the needs of the audience to watch movies, and it's not surprising that such a box office is not surprising. It is not surprising that the box office performance of the movie "I Am Not the God of Medicine" (hereinafter referred to as "God of Medicine") will break the 2 billion mark today, and it has only been eight days since the movie was released, and it remains to be seen whether "Yao Shen" can break the box office record of "Wolf 2" (100 million), but whether it can replace the runner-up "Operation Red Sea" (100 million) should be no problem From the perspective of market performance, the performance of "God of Medicine" in the first week is very eye-catching. In China, it is unique among summer films, squeezing the surprise "animal world" of "innovative Chinese film industry" to the point where there is no room for survivalA box office "dark horse" emergency brake At first, "Animal World" is considered to be an innovation in Chinese genre films, and its visual effects are no less improved than Hollywood's "Animal World" two weeks after its release, with a box office income of 100 million yuan, and it is difficult to make a big difference through visual inspection.

Compared with the international market, "God of Medicine" grossed 100 million yuan in the first week, about 100 million US dollars, and became the global box office champion last week, and the second place was Marvel Comics' "Ant-Man 2", which means that the world's most powerful film industry, Marvel Film, did not win the world's first box office for the first time at the beginning of this week. Why can a social realist film beat commercial films that seem more commercial and rewrite the history of Chinese cinema?

The market at that time achieved good box office results, which was indeed a great inspiration for the creation of social reality films, but it still could not be compared with the "national films" of "Poison God".。The success of "Chinese Partner" and "Dear" stems not only from the author's accurate grasp of China's social development, but also from Chen Kexin's long-term "calculation" of the market.

At the beginning, this play was a literary film, in terms of the theme, this is a literary film, this is a very social but basically non-entertaining film, I am determined to change from a literary film to a guard", according to ** When interviewing director Wen Muye, "I am not a god of medicine" was originally aimed at the Korean "guard", as can be seen from the poster of "pseudo-comedy". The success of "The God of Medicine" shows that in addition to winning awards, there is also a possibility of commercialization of social realist films, and through wider dissemination, works of art can also generate positive social value.

The main concern of the people is still the facts around them.

Because social realistic films are closer to the lives of the masses and are liked by the public.

Ordinary people still pay the most attention to social realistic films, after all, they are relevant to life.

Because this kind of film tends to be realistic and close to public life.

Naturally, it's good enough, and if it's not good-looking, no one will advertise it.

Because realistic films are closer to the lives of the public, they are accepted by the public.

I think it's because there are very few such themes in China.

I think it's because people are paying more attention to social issues these days.