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As the quintessence of the country, the artistic spirit of Peking Opera lies in the artistic expression of showing the various social conditions, cold and warm life, and arousing the emotional resonance of the audience. Peking Opera is the mainstream of China's traditional drama, which reflects the simplicity of the Chinese people, the kindness and friendliness of human nature, as well as optimism, loyalty, and courtesy, and more reflects the traditional virtues of the Chinese people and the etiquette and moral standards of the past and present.
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As an outstanding representative of the excellent traditional culture of the Chinese nation, Peking Opera integrates singing, reading, doing and playing, focusing on the comprehensive use of hands, eyes, body, law and steps, expressing the theatrical aesthetic ideals of traditional Chinese society and retaining the widely recognized Chinese culture.
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The lively gongs and drums, the fiery scenes, the gorgeous costumes, the elegant language, the high-pitched singing, the elegant lyrics, and the dazzling opening on the Peking Opera stage are all so realistic that the audience unconsciously devotes themselves to it, laughs and applauds it.
The performance of Peking Opera performers is a very complex and comprehensive art. It combines the characteristics of dance, poetry, drama and other art forms, and interprets each art form to the fullest. In the beautiful and poetic lyrics, we see the baptism of life after experiencing the vicissitudes of life, infiltrating the tension of personality and life after the unpredictable changes in the world, and reaching the ultimate strength and self-confidence.
The art of Peking Opera can meet the wishes of the audience from three aspects: comprehensiveness, virtuality, and programmaticity.
The Peking Opera stage pays attention to singing, chanting, and fighting. Singing is the technique of singing;
Reading, speaking is reading white;
To do, is the figure and the performance;
Fighting is a martial arts action.
Peking Opera may basically have fulfilled these wishes for us.
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Peking Opera (Chinese Theatre Art).
Peking Opera, also known as Ping Opera and Peking Opera, is the most influential type of opera in China, with Beijing as the center and all over the country.
Since the 55th year of Qianlong in the Qing Dynasty (1790), the four major Hui troupes of Sanqing, Sixi, Chuntai and Hechun, which had been performed in the south, entered Beijing one after another, cooperated with Han tune artists from Hubei, and at the same time accepted some repertoire, tunes and performance methods of Kunqu Opera and Qin dialect, and absorbed some local folk tunes, and finally formed Peking Opera through continuous exchanges and integration.
Peking Opera has a set of standardized artistic expressions in literature, performance, stage art and other aspects. The singing cavity of Peking Opera belongs to the plate variant, with two reeds and Xipi as the main vocal cavities. The accompaniment of Peking Opera is divided into two categories: the Wenchang and the Wuchang, with the Huqin as the main instrument in the Wenchang and the drum board as the main instrument in the Wuchang.
The roles of Peking Opera are divided into Sheng, Dan, Jing, Chou, Miscellaneous, Wu, Liu, etc., and the last three lines are no longer specialized. Each profession has a set of performance procedures, and the skills of singing, chanting, doing and playing have their own characteristics. Peking Opera mainly focuses on historical stories, with more than 1,300 traditional repertoire, and more than 3,400 are often performed.
Peking Opera has spread throughout the country and has a wide influence, and is known as the "National Opera". The Peking Opera performance system named after Mei Lanfang is regarded as a representative of the Oriental drama performance system and is one of the three major performance systems in the world. Peking Opera is an important form of expression of the traditional Chinese culture, and a variety of artistic elements in it are used as symbols of traditional Chinese culture.
In May 2006, Peking Opera was approved to be included in the first batch of national intangible cultural heritage list.
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The repertoire that inherited various vocal cavities was transplanted and adapted. Its content is similar to that of other local operas, most of which have the character of the people and express the people.
The excellent virtues of diligence, wisdom, kindness, bravery, etc., as well as their moral concepts, praise the people's just struggle against feudal oppression and the indomitable spirit, as well as the yearning for a free and happy life. There are also some that preach feudal morality, religious superstition, and low-grade tastes.
repertoire. The Forbidden City, Beijing.
Ningshou Palace Reading is a big stage.
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It mainly expresses the author's love and praise for the art of Peking Opera and the traditional culture of the motherland.
The author of "Momei" is the crown of the Yuan Dynasty. This is an inscription poem. The color of the plum blossom drawn by the ink pen is elegant, and I don't want others to praise it, but I want to leave a fragrance that permeates the world to express the author's contempt for customs, indifference to fame and fortune, and the noble sentiment of chastity and self-control. >>>More
The white face represents treachery, and the red face represents loyalty. The representatives of these types of faces include the white-faced Cao Cao and the red-faced Guan Yu.
Very well written, I will add a little.
In the early days of Peking Opera, it was called Peking Opera, and at that time it was not four trades: Shengdan and Pure Ugly. >>>More
Lantern. It's Wu Boxi.
An essay written by the article, the article recalls some life scenes related to the "lantern" in the early years, revealing nostalgia for hometown and relatives; At the end, combined with the current affairs of the national fortune at that time, he expressed his desire to be a "pawn" of the anti-Japanese resistance, conveying the "positive energy" of that era. >>>More
Brief analysis: "The jade leaks the silver pot and does not urge, and the iron gate and gold lock are open." ""Jade leak silver kettle", the timing of the instrument, in ancient times to the method of leakage of the time, the specific method is to use the copper kettle to hold water, the bottom of the pot to open a small hole, the pot immediately degree arrows, the water in the pot gradually decreases, the degree on the arrow is revealed in turn, you can time according to the degree, drumming to report the change. >>>More