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We can only see through his material life.
His life was quite poor, he didn't have anything at home, even electric lights.
He writes "because he longs to fly".
Coupled with his rough experience, it may be said that he is a person who can't express his inner impulses and would rather die.
It can also be said that his material life was too monotonous, too depressed, and he committed suicide.
In any case, his death may have been a relief, but it was also a regret.
You could even say that he's a little irresponsible, like we wouldn't be so impulsive.
In the end, his death also symbolizes the final completion of the image of a poet.
The sculpture that was shaped is immortalized "farther than the wind in the distance."
Represents personal views only.
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Haizi, formerly known as Zha Haisheng, was born on March 24, 1964 in Gaohe Chawan, Huaining County, Anhui Province, and grew up in the countryside. In 1979, at the age of 15, he was admitted to the Law Department of Peking University, and began to write poetry during his college years. After graduating from Peking University in 1983, he was assigned to work in the Department of Philosophy of China University of Political Science and Law in Beijing.
On March 26, 1989, he committed suicide by lying on the rails in Shanhaiguan. In the poet's short life, he maintained a holy heart. He has not been understood by the world for a long time, but he is a poet in the new literary history of China in the 70s who has made every effort to push the limits of literature and life.
With brilliant talent, miraculous creativity, keen intuition and vast knowledge, he wrote nearly 2 million words of poetry, drama, and drama in an extremely poor and monotonous living environment. His major works include: the long poem "But Water, Water", the long poem "Land", the poem "The Sun" (unfinished), the first choral drama "Messiah", the second choral drama fragment, the long poem "The Great Zaza" (unfinished), the drama "Killing" and about 200 lyrical short poems.
He has co-printed a collection of poems with Nishikawa "The Urn of the Wheat Field". In 1986, he was awarded the Special Prize of the May Fourth Literature Grand Prix of the 1st Art Festival of Peking University, and in 1988, he was awarded the Honorable Mention of the 3rd October Literary Award. Some of his works have been included in nearly 20 poetry anthologies, but most of his works have yet to be published.
He believes that poetry is the thing that gives freedom and silence back to human beings. Note: On April 28, 2001, Haizi and poet Guo Lusheng (index finger) jointly won the Poetry Award of the 3rd People's Literature Award.
Haizi's first poem is "Asian Copper" and the last poem is "Spring, Ten Haizi".
Later, because of the love scene, it was not....Suicide by lying on the rails.
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He had no hope in life and lost faith in life.
I saw through the warmth and coldness of the world, the hot and cold state of the world.
Just ......The point of no return was chosen.
Facing the sea, spring flowers are blooming.
A very warm picture, probably Haizi's inner longing for the world.
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On March 26, 1989, Haizi committed suicide by lying on the rails in Shanhaiguan, Hebei Province. After Hai Zi's death, his friends before his death once said: Hai Zi is a person with a suicide complex, and he also committed suicide with his friends before his death.
Friends also suggested that Haizi may have made death a part of his poems, as can be found in the poems he wrote on the eve of his suicide. In "Spring, Ten Seas", he wrote: This is a child of the night, immersed in winter, obsessed with death, unable to extricate himself.
There are also discourses about death in Dawn. And p >
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Haizi's former friend, the poet Nishikawa, once recalled: "Haizi did not happily find his place in life. This may be due to his bias.
In his room, you won't find a TV, a tape recorder, or even a radio. Haizi writes in poverty, monotony, and loneliness, and he can't dance, swim, or ride a bicycle. From this, we can realize that Haizi dedicates himself to poetry at the expense of earthly daily life.
This song "Facing the Sea, Spring Blossoms" was written in the month of love song before Haizi's death. In the poem, the poet finally begins to imagine a happy life on earth.
Comments: In the first stanza, the poet sketches an imaginary earthly happy life, "feeding horses, chopping wood", and "I have a house" are all simulated. The third stanza shows the poet's vast love, which extends from the "river" and "mountain" to the "stranger".
The imagination of "taking a name" is particularly poetic and human. Haizi is a poet who indulges in the lonely journey of the soul. The ideal of "great poetry" he pursued, his transcendence of truth and eternity, and his care and care for the ultimate existence of life cannot coexist with secular life in a sense.
Therefore, the longing of "happiness in the world" expressed in this poem "Facing the Sea, Spring Blossoms" only exists in the poet's imagination for a while. He left more of the Socks to the world, while the poet himself did not (or did not want to) find a happy life on earth. Thinking of Haizi's untimely death a few months later, it makes people feel a deep melancholy.
Haizi during the period of writing "Facing the Sea, Spring Blossoms" was probably faced with a dilemma in life: choosing earthly happiness may mean giving up the great ideal of poetry; Renunciation of earthly happiness can lead to renunciation of life itself. Haizi eventually chose the latter.
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Very talented people will collapse because they can't go beyond themselves mentally! Hemmingway too. Their spiritual world has reached a height that is beyond the reach of the material world. This is the last song "Spring, Ten Seas".
In the spring, all ten seas were resurrected.
In the midst of a bright view.
Laugh at this savage and sad Haizi.
What is it about you that you have been asleep for so long?
In the spring, ten seas roared lowly.
Dancing and singing around you and me.
Rip your black hair and ride you away, dusty.
The pain of your splitting pervades the earth.
In the spring, the savage and vengeful Haizi.
This one, the last one, is left.
This is the son of the night, immersed in winter, obsessed with death.
Can't extricate himself, he loves the empty and cold countryside.
The grain there was piled high and covered the windows.
Half of them are used in the mouth of a family of six, covering the food and stomach.
Half is used for agriculture, they reproduce themselves.
Gales blew from east to west, from north to south, ignoring night and dawn.
What exactly do you mean by the dawn?
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Talent has nothing to do with his suicide, he is like many people now, he can't bear the cruelty of reality, he is very entangled, and he chooses this way to get rid of it, but, mostly, the poet's heart is fragile, because the delicacy of the heart has achieved their sense of emotion, which is very easy to be sad and easy to think about.
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Geniuses are always lonely, always not understood by others, too lonely.
Qu YuanThe reason why he committed suicide by throwing himself into the river instead of retreating to the mountains and forests was actually because of a fisherman, who was already depressed, and after listening to the fisherman's words, he felt that suicide would be better. Qu was originally a talented man, King Chu Huai. >>>More
Because the emperor began to be suspicious of him, in order to protect his family, he could only choose to commit suicide.
He didn't commit suicide, the main thing was that he was already about to die, and he could predict his future, he heard the tide letter of the Qiantang River, so he knew that he was going to die.
To live well is to love.
Li Xiao. In the early morning of March 26, 21 years ago, a young man was lying on the tracks of Shanhaiguan when a roaring train ran over the body of a Chinese idyllic poet. That day happened to be his 25th birthday. >>>More
The blue-faced sage is not a human being but a god, the god of prison, as for the reason why it only appears once, it should be that Liangshan 108 will only worship the god of prison when Song Jiang is a more disciplined person who enters the prison, and other people estimate that they will not take this matter to heart when they enter the prison, it is difficult to imagine that Li Kui took a double-plate axe to worship the god of prison, Lu Zhishen could not even uproot the statue of the blue-faced sage directly, as for the historical prototype of the blue-faced sage, there are many historical prototypes. <> >>>More