How to step on the electric steel pedal, how is the electric piano pedal different from real steel?

Now the feel of the electric piano and the acoustic piano are basically similar, unless you are inspirational and want to play the classical **, in that case it is not possible to sell electric steel, and otherwise play popular.

It must be an electric piano, the electric piano can do MIDI**, you can also play jazz and the like, no tuning, the acoustic piano must be tuned twice a day, otherwise the sound will not be accurate.

It is likely that the sustain pedal is broken, and the sustain principle is to let the timpani sponge out of the strings in the case. You pedal first to feel something unusual.

If you're a benchtop piano, open the lid at the top, turn the peg from both sides, and remove the front bezel. You step on the pedal again to try the sound, the timpani sponge, and the condition of the strings is clear at a glance.

If it is a grand piano, it can be observed by opening the lid directly.

The sustain of electric steel is not as good as the sustain of real steel, and it is not too good to have this electric steel.

The piano is the same as the electric steel is:

1. Both piano and electric piano have 88 keys.

2. There is force sensing.

3. The number of pedals is the same.

4. There is no difference in the way of playing. Unless you reach a certain level, beginners are less likely to feel this difference.

5. The timbre of the electric piano is the same as the sampling of the real piano sound, so there is no difference. Judging from the above four similarities, both are keyboard instruments, and there is no difference in performance and learning.

6. The teaching materials are exactly the same, and the teacher needs to choose the appropriate teaching materials for different groups of peopleThe difference between the pedal of the piano and the electric steel is that one is a mechanical transmission device and the other is an electronic component device. See.

1. The right pedal is a sustain pedal, as soon as you step on it, the damper in the piano will be opened, and all the notes played will be extended. As soon as the foot is raised, the damper is pressed against the string again, and the tone extension is stopped.

2. The left pedal is a weak pedal (ulna cord) On a general home upright piano, step on the left pedal and move the hammer forward a little, the distance from the strings will be shortened, and the sound will be weaker accordingly. On a grand piano for performance, once you press the left pedal, the entire keyboard moves slightly to the right. On a grand piano, each hammer should hit three strings, but when the left pedal is pressed, the hammer moves slightly to the left, and the hammer can only hit one string.

This not only makes the sound much weaker, but also produces different timbre variations. So sometimes it is indicated on the score"A string"or"Three strings"That is, to use the left pedal type is to release the left pedal. Since the left pedal can make such changes in dynamics and timbre on the instrument, it is not only used to help the player play weaker, but also to increase the softness of the sound and remove any percussive elements from the sound quality.

The left pedal is often likened to"A mute for melody players"。

3. The middle pedal is most often called a prolonged tone pedal (sostenuto). On an upright piano, it will lower a thick pile above the action and block it between the hammer and the strings, so that the sound that pops up is so small that only you can hear it, and people outside the house can't hear it, so that it doesn't affect others and has no meaning in playing. And the role in the playing grand piano is completely different from the role in the upright piano.

This pedal acts a bit like the continuo bass in a Baroque band. In other words, if the high part of the piano is extremely complex, but the span of the left hand is very large, and the bass must be played (to control the rhythm of the harmony) and the bass must be extended, so that the pianist cannot do both ends (because there is no third hand), then the advantage of the left pedal is extremely obvious! That's where it comes in.

The pianist steps on this pedal and plays the bass, and the bass is sustained (instead of prolonging the sound of the whole piano at that time, as is the case with the right pedal), and then, with the support of this bass, he can play the higher part of the tune with great ease. Therefore, this pedal is a pedal that frees the left hand and purposefully reduces the difficulty of playing.

There is no difference in the role of the pedal, but the general electric steel is a module simulating the sound of the piano, so the pedal is not as "sensitive" as the real piano, the effect is not so obvious, and it is easier to deal with and grasp.

No, it's spring on the pedal, unless you change the spring inside to a softer one, but it's better to get used to it, it's not a big problem after all.

The electrosteel sustain pedal doesn't work, that's a problem with the circuit. If you're bold, take it apart and take a look. However, it is recommended to give the manufacturer a ** and consult.

It may be that the connection cable of the pedal to the headstock is broken, and you have to go to the manufacturer to buy it.

There is no response when you step on it, how to fix it?

The general situation is the same. Left, center, right. Soft pedals. Extend the tone pedal. Sustain pedals. Since the interest is not high, let's buy an electric steel first. Cheap. You have to look at the specific piano for the function. See what you need.

Personally, I have been using KC7S electric steel, 3 pedals, which is very practical and cost-effective.