How to press the piano pedal and when to press the piano pedal

It's good to step on a small section.,The pedal can be free.。。

Do not drop the pedal and piano keys at the same time. Now the bullet is stepped on.

General home piano (upright):

Three pedals, from left to right:

Soft Pedal (Weak Tone Pedal): Vary the distance of the striking string so that the tone is soft and used sparingly.

Weak sound "pedal": has no practical meaning on **, just to lower the volume, not to disturb others, to play the role of mute.

Sustain pedal (damper pedal): controls the damper, indirectly controls the length of time the strings vibrate, and plays the role of "extending" the time value of notes.

High quality home piano (upright):

Three pedals, from left to right:

Soft Pedal (Weak Tone Pedal): Vary the distance of the striking string so that the tone is soft and used sparingly. Middle pedal (extended tone pedal):

The damper, which controls the note that any player wants to keep, indirectly controls the length of time the string vibrates, and plays the role of "prolonging" the time value of the note. Sustain pedal (damper pedal): Controls all dampers and indirectly controls the length of time the strings vibrate, playing the role of "extending" the time value of notes.

Platform piano.

A typical platform piano has only two pedals, the soft pedal and the sustain pedal. It's just that the way of working varies depending on the style of the instrument. I'm afraid that only on a platform piano is the soft pedal is the real una corda.

Three pedals, from left to right:

Soft Pedal (Weak Tone Pedal): Vary the distance of the striking string so that the tone is soft and used sparingly.

Middle pedal (extended pedal): A damper that controls the note that any player wants to keep, and indirectly controls the length of time the string vibrates, playing the role of "extending" the time value of the note.

Sustain pedal (damper pedal): Controls all dampers and indirectly controls the length of time the strings vibrate, playing the role of "extending" the time value of notes.

The left pedal is rarely used in the piano, except for a few pieces that are used to reduce the volume and change the timbre when needed. The middle pedal is designed to avoid disturbing the neighbors or the people in the next room, so that others can not hear the sound of practicing. In normal music playing, this pedal is usually not used.

How should I press the piano sustain pedal?

Clayderman if you don't know pedals? Expert!

When you want to amplify the sound of the piano, you can step on the right pedal of the piano; If you want to soften the sound, you can step on the left pedal of the piano; If you want to keep a particular note sustained, step on the pedal in the middle of the piano; If you want to lower the volume of the piano, press the pedal.

A piano is mainly composed of pedals, hammers, dampers, action, etc.

Pedal: It is the most important accessory in the piano besides the keyboard. It is mainly divided into sustain pedal (right pedal), muted pedal (middle pedal), and soft pedal (left pedal).

Hammer: The hammer is covered with high-quality felt or flannel, because this layer of "**" is mostly made of wool, so it is also called wool mallet. It is connected to the keys, and when the keys are pressed, the hammers fall off the strings and the vibrations of the strings make the piano sound.

Therefore, it is used to strike the strings that are tightly clasped by the tuning pegs.

Damper: The damper is attached to the strings and is used to stop the strings from vibrating. For example, when the keys on a piano are pressed, the hammers inside the piano will hit the strings made of copper, and the sound will be produced by the vibration of the strings.

The action: The action connects the keys and the hammer, it is the soul and the most important accessory of the whole piano.

Soundboard: The soundboard is located in a large wooden board inside the piano, the high-end piano is made of maple solid wood plank, and the modern low-end popular piano has MDF. It is attached to the tuning peg, which clings to the strings, and when the strings vibrate, the soundboard efficiently couples the sound waves into the air, i.e., the sound is reflected and amplified through the castanets.

The function of the piano pedal and how to use it are as follows:

1. Right pedal.

Function: The right pedal is an extension pedal, once you step on it, the damper in the piano will be opened, and all the notes played will be extended.

How to use: When playing, use the right pedal to not only make the played note continue to sound, but also make the liberated empty strings resonate with it, making the sound louder. The right pedal should not be abused in use, otherwise it will affect the effect of playing.

2. Left pedal.

Function: The role of the left pedal is often used to increase the softness of the sound and remove impurities in the sound quality. It weakens the string tone and has a different timbre.

How to use: On an upright piano, press the left pedal to bring the mallet closer to the attacking strings, and the force of the percussion will be lighter. On a tripod, the mallet is offset to one side, and the mallet can only strike two or one string of each set of strings when striking.

3. a middle pedal.

Function: Sustain effect, which can control the damper and let the played sound continue. But the middle pedal only turns on the damper of the key that has been played. Therefore, the middle pedal only prolongs a few notes as needed, and does not cause the sound to be muddy.

How to use: Pressing the middle pedal will bring down a thick pile above the action and block it between the hammer and the strings, so that the sound that pops up is so small that only you can hear it. The middle pedal on a truly modern piano is a sustained pedal that only lengthens the bass, and pressing the middle pedal effectively lengthens the bass, but not the midrange and treble.

Significance:

The use of pedals is the soul of piano performance, and the use of pedals is an art and a science. The famous American pianist and educator Joseph Benowitz is the author of "Piano Pedal Instruction", translated by pianist Professor Zhu Yafen and published by Shanghai ** Publishing House (August 1992 edition).

In the executive summary, the book states: "Proper pedaling is the hallmark of a pianist of artistic talent and great understanding." The pedal method, for the timbre, for the brightness, for the continuation of certain notes, is an art, but it must be based on historical considerations and a subtle understanding of the composer's intentions."

In the process of learning, it is necessary to solve unknown problems, so as to gradually enter the perfect performance of piano art. The pedal uses both the technology of the feet and the active participation of the auditory. In certain occasions or situations, it is more important for the ears to direct the feet.

Pedaling method:

1. The basic essentials of foot movement: first of all, we should put the middle of the forefoot on the round end of the pedal, the foot is too close to the piano, the toe will be against the piano board, and the foot is too far away from the piano, and the toe will be pedaled. Keep the soles of your feet close to the pedals, keep your heels on the ground, and use your ankles as the axis of movement.

The foot-stepping action should be flexible and free.

2. According to the depth of the pedal, the right pedal can be divided into: full pedal, half pedal (1 2 pedal 4 pedal, 3 4 pedal, or controlled gradual deepening of the pedal, etc.)

And put the right pedal is also available: put it all at once, put a part (1 4, 1 2, 3 4, etc.) or put it slowly and controllably.

The correct and appropriate use of the pedal will play a positive role in the expression of the connotation, making the pedal more energetic, vibrant, more brilliant and more touching. Failure pedals can be distorted, and even have the consequence of adding to the problem.

Frederic Francois Chopin (1810-1849), a true pioneer in the use of pedals, said: "The correct use of the pedal is a lifelong learning. ”

Attaching importance to the learning and application of pedals has become the consensus of pianists, piano teachers and students.

On an upright piano, it is called a muted pedal, which is to lower the thin pile between the hammer and the strings to change the timbre and volume. The middle pedal on an upright piano is not used in normal music playing, and it is mainly used to reduce the volume without affecting others when practicing. There are also some upright pianos that have a middle pedal made entirely on the principle of a grand piano.

The middle pedal is called a hold pedal, a sustained pedal or a hold pedal on a grand piano. When the player plays a note or chord and presses the middle pedal at the same time, the note just played will be maintained, which is also called a weak pedal or a soft pedal. On an upright piano, the distance between the hammer and the strings is shortened when the left pedal is pressed, reducing the volume and changing the timbre. On a grand piano, when the left pedal is pressed, the action moves to one side (both the hammer and the entire keyboard move laterally), turning the original three strings into two strings or one string to vibrate and sound to reduce the volume and change the timbre.

Pressing on the left pedal is generally marked as una corda (originally meaning one string), and letting go is marked as tre conda (original meaning three strings).

If you say it well, you can write a ** about this matter, haha.

1. If there is a pedal mark on the score, you can follow the mark on the score when you are a beginner.

2. If there is no pedal mark, in most cases it can be stepped on one bar at a time, and it can be stepped on at the first note of each bar.

3. The post-tone pedal is also called the syncopated pedal, which is generally used when playing some chords. A set of chords is stepped on. Press the tone first, then pedal to create a sense of rhythm. For example, Article 10 of 599.

4. I think 599 No. 10 is a very suitable etude for practicing syncopated pedals, you can practice this feeling. Note that it is a set of chords that are pressed once, with the foot raised when the hand is pressed down, and the hand raised when the foot is pressed.

5. The pedal does not have to be stepped on to the end, you can try to step on the pedal halfway. You have to feel more about the difference in the sound of the piano when the pedal is stepped on to different degrees. If you can drive, please refer to the ...... for stepping on the clutch

6. After mastering these basic rules, you should use these pedal rules comprehensively and not be too rigid. When you feel that the sound is too mixed, adjust the rhythm of the pedal, and don't step on it endlessly. When you feel that the tone is choppy, you should also see that it is more appropriate to let go of the pedal at **.

Try more half pedals.

7. Generally speaking, most of the elementary etudes do not need to be pedaled. Where there are longer connections, you can try using pedals.

8. The pedal will also become more and more comfortable with the progress of your learning, it is a thing that depends on "feeling".

How should I press the piano sustain pedal?

No. By the time of the second syllable. Quickly drop the pedals. Re-pedal. It's going to be a lot of noise when you step on it all the time.

No. Just keep the pedaling rate even. Because some fast-paced feet simply can't keep up.

It is divided into a syncopation pedal and a prolongation pedal, which should be pressed first at the beginning of each bar, and then quickly released and re-pressed at the end of the bar. Needless to say, which pedal to press.

Put the heavy pedal in the marked place, pay attention to the need to step on it after the finger has flicked down, and step on it before the finger is raised, otherwise the effect will break the ......It becomes hard to hear.

In the notation, let go and then step on it, that is, play the note first, and then quickly change the pedal at the moment of the sound, and change the pedal before the finger is raised. You can't keep stepping on it, or the sound will get mixed up.

There are many different ways to pedal the pedal, according to the place where you have the pedal mark, (the heel is always on the ground) to the next mark, quickly lift and re-press, the movement is consistent and agile, so that the phrase is well connected. It can be a bit difficult if you don't study for a long time. Switching pedals is an important skill.

I hope you can dig deeper. This is the first time I've told someone about this for free.

After stepping on it, release it slowly, completely release it when the bar is finished, and then immediately step on the next bar.

It's not about stepping all the time, it's about when to step on it depending on each note.

Send it after a while, after a second, and then step on it again. Otherwise, the timbre will be confused.

It stands to reason that you are required to step on the sustain pedal to make the sound more full and three-dimensional. So you should be pedaling. But you don't have to step on it all the time, you still have to step on it a little more in the heavy place according to the light sound of the **, and step on it a few times less in the light place, and be softer.

Remember not to keep stepping on it, or the sounds will mix.

And you can only change your toes for treads...It's so fast (actually because I was blind when I first started learning...)Just change the pedals with the harmony...As usual, the semitones must be changed....

You can step on it every time, and the effect is different from stepping on it all the time. Only where there is a sustain pedal sign does it need to be pedaled. It's not the whole head, it's not an organ feeling? Anyone who learns piano knows it, huh?

Hello lz.

No, I can't play the piano very well, but I did. Again, no, if you keep stepping on it, it's going to be very bad depending on the score.

Don't keep stepping on it, release it at the end of each bar and step on it again

If you keep stepping on it, the sound will be chaotic.