Who is Tang Xianzu? What is Tang Xianzu s historical status?

1550-1616) Chinese opera writer and writer of the Ming Dynasty. The meaning of the word is still, the number is Hairuo, Qingyuan Daoren, and the evening number is Ruoshi. Linchuan (now Jiangxi) people, living in the Jade Tea Hall.

He is the author of the legendary "The Legend of the Purple Flute", "The Story of the Purple Hairpin", "The Peony Pavilion", "The Legend of Nanke", "The Story of Handan", the poems "The Four Dreams of the Jade Ming Hall", "The Anthology of the Jade Ming Hall", "The Ruler of the Jade Ming Hall", "Fu", "The Red Spring Yicao", "The Grass of the Thorn Mail", and "The New Chronicles of the Beginning of Yu".

Tang Xianzu. Known as China's "Shakespeare."

Tang Xianzu (September 24, 1550 - July 29, 1616), a native of Linchuan, Jiangxi, the meaning of the word is still, which number of the chain is Hairuo, if the call is empty, Qingyuan Daoren, Chinese Ming Dynasty opera and writer. His ancestral home was Yunshan Township, Linchuan County, and he later moved to Tangjiashan (now Fuzhou City).

Born in a scholarly family, he has long been famous, not only in the ancient literature and wild code poetry is quite fine, but also can understand astronomy and geography, medicine and divination books. In the eleventh year of Wanli (1583), he successively served as the doctor of Taichang Temple, the chief secretary of the Zhan Mansion and the chief priest of the Rite Temple in Nanjing.

Tang Xianzu's historical influence.

Due to the influence of Tang Xianzu, some playwrights who deliberately studied Tang Xianzu and pursued literary brilliance appeared in the late Ming Dynasty, such as Ruan Dacheng and Meng Chengshun. The ideological tendency of emancipation of individuality in "The Peony Pavilion" has a more far-reaching influence, starting with "Dream of Red Mansions" in the Qing Dynasty

This effect can also be seen in .

Tang Xianzu published the "Jade Tea Hall Anthology" before his death. Five years after his death, Han Jing compiled and printed the "Jade Tea Hall Collection".

His works were published in both the Ming and Qing dynasties, and the most popular one is the 1964 Tang Xianzu Collection, co-edited by Qian Nanyang and Xu Shuofang, which includes poems and operas.

Tang Xianzu (1550 1616) is still known as Hairuo, alias Qingyuan Daoren, a native of Linchuan, Jiangxi, an outstanding dramatist of the Ming Dynasty, and one of the great writers representing the highest achievements of Chinese opera. He was promoted at the age of 21, but because he refused to attach himself to the powerful, he was not admitted to the Jinshi until he was 34 years old and served as Dr. Taichang in Nanjing. After that, he was demoted to the classic history of Xuwen County, Guangdong because of the disadvantages of the times, and was demoted to the classic history of Xuwen County, Guangdong, and later moved to Suichangzhi County, Zhejiang.

Tang Xianzu's works mainly include the legendary "Peony Pavilion", "The Story of the Purple Hairpin", "The Story of Handan" and "The Story of Nanke", collectively known as the "Four Dreams of Linchuan", among which the "Peony Pavilion" has the highest achievement and the greatest influence. Through the love story of Du Liniang and Liu Mengmei, this work praises the indomitable struggle of young men and women in pursuit of free love, with a strong spirit of resistance and distinctive significance of the times. The twists and turns of the plot, the peculiar conception and the strong romantic flavor of the work had a significant impact on the time and later generations.

The representative work "Peony Pavilion".

Tang Xianzu has many achievements, and the creation of opera is the most. His theatrical works "The Story of the Soul", "The Story of the Purple Hairpin", "The Story of Nanke" and "The Story of Handan" are collectively known as the "Four Dreams of Linchuan", of which "The Story of the Resurrection" (i.e. "The Peony Pavilion") is his representative work.

Tang Xianzu was a famous dramatist in the Ming Dynasty. He has been talented since he was a child, entering a family school, writing poems, and lifting people, but unfortunately his career has been bumpy. However, the official family is unfortunate and the poet is lucky, and a drama "The Peony Pavilion" has created his artistic peak.

The Peony Pavilion is also known as "The Peony Pavilion Returns to the Soul", the process is bizarre and tortuous, which can be described as a strange fate.

"The Story of the Purple Hairpin" shows the power of love, and also exposes the darkness of officialdom and the ugliness of people's hearts at that time.

The Legend of Nan Ke expounds the theme of "life is like a dream", and the gains and losses in the dream return to reality is just ethereal.

Tang Xianzu's masterpiece is "The Peony Pavilion".

Tang Xianzu was a Chinese opera and writer in the Ming Dynasty. His ancestral home was Yunshan Township, Linchuan County, and he later moved to Tangjiashan (now Fuzhou City).

Tang Xianzu has many achievements, and the creation of opera is the most. His theatrical works "The Story of the Soul", "The Story of the Purple Hairpin", "The Story of Nanke" and "The Story of Handan" are collectively known as the "Four Dreams of Linchuan", of which "The Story of the Resurrection" (i.e. "The Peony Pavilion") is his representative work.

These plays are not only loved by the Chinese, but also spread to many countries such as Britain, Japan, Germany, and Russia, and are regarded as treasures of world theater art. His monograph "Yihuang County Opera God Qingyuan Shi Temple Records" is also an important document in the history of Chinese opera on drama performance, which has played a pioneering role in directing.

"The Peony Pavilion" is the representative work of the Ming Dynasty playwright Tang Xianzu, and is known as the "Four Dreams of Linchuan" together with "The Story of the Purple Hairpin", "The Story of Nanke" and "The Story of Handan". The play was originally called "The Resurrection of the Soul" and was created in 1598.

When Tang Xianzu was 34 years old, he was erected and waited for the Jinshi, and later when he was the head of the Ministry of Rites in Nanjing, he wrote an article exposing the ugly crimes of feudal officialdom, which made the emperor very angry at that time, and later Tang Xianzu was demoted to Xuwen County, Guangdong Province to do a canonical history. Tang Xianzu is most famous for his dramas, among which the representative work is "The Peony Pavilion", which mainly tells a love story, and in the process also exposes the shackles of feudal etiquette and religion for the pursuit of love with young men and women. Tang Xianzu's main contribution is also on this, showing very unique artistic characteristics and literary and lyrical techniques.

Although Tang Xianzu has also written some poems, but the highest achievement is still legendary, his drama creation mainly exists 5 kinds, that is, some of the four dreams of Linchuan are related to dreams, and they are all about love, which also reveals some criticism of feudal society.

The Peony Pavilion "The Peony Pavilion" mainly tells the story of Liu Mengmei and Du Liniang about Sun Xu's love, Du Liniang died because of love, and the story of resurrection because of love, the appearance of this story caused a sensation, and once caused every household to recite it. It has also triggered a lot of people's pursuit of this drama. In fact, Tang Xianzu's works reflect profound ideological connotations, and express distinct value orientations in the way of Ji Meng.

The Peony Pavilion.

When Tang Xianzu wrote "Peony", he set a time difference of three years in the article, which is also very mysterious and dreamy, especially in ancient society, which is a very creative opera structure. In the past, traditional dramas were mainly narrated from the time of the story to the end of the story, and the whole story seemed very dull, but "The Peony Pavilion" adopted the narrative technique of retrospective to innovate, so that some of the plots in the story were known to the audience as soon as possible, and the audience also had a sense of substitution.

In the end, Tang Xianzu also had the title of Oriental Shakespeare, and "The Peony Pavilion" is also a peak in the history of Chinese theater.

Where did Tang Xianzu serve as an official in Hudan?

a.Nanking. b.Xuwen County.

c.Suichang County.

d.Beijing. Correct answer trouser quick disturbance case: ABC