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He wrote about the disappointment of the situation at that time, and the melancholy and sadness for the future of the nation.
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wrote a tragic, singable and weeping sadness and melancholy, and the author intended to set off the mood.
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The dissatisfaction and sorrow of the society at that time wrote about the sadness and melancholy of the society at that time.
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The sadness of parting was written, and the endless pain erupted here.
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Zhu Yifan saw the current situation at that time and felt a sense of emotion about the society at that time.
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Write a new realm of the spirit, and understand all hatred and love.
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The last emperor must have his own great wisdom in his heart, and his sadness and melancholy are incomprehensible to others.
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It is already superb, and seeing words is like seeing people, and every stroke has its own feelings.
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The last emperor must have had his wisdom and feelings, how can we mortals understand?
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Mr. Zhu Fuhuan is a well-known paleographer, epigrapher, calligrapher and painter in China, and is well-known at home and abroad. Mr. Zhu Fuhuan has passed away in 1989, but in the history of Chinese calligraphy, Mr. Zhu Fuhuan has made friends with his unparalleled calligraphy and left a glorious page forever.
Speaking of Zhu Fuhuan, we must talk about the word "prodigy", in ancient times, there was Zhongyong under Wang Anshi's pen, and now there is a calligraphy prodigy He Shilong, they all became famous in childhood and had extraordinary talents, but they did not continue their magical artistic life after becoming famous, and returned to the world of ordinary people due to various secular reasons. Mr. Zhu Fuhuan was also one of the famous prodigies back then, and he was already proficient in Haoqiao Cha Wenmo at the age of seven. Pick up a pen and write a couplet to charge 2 oceans for Runge, you must know that the great calligrapher and painter Wu Changshuo at that time was only 4 oceans, you can imagine how sensational Zhu Fuhuan's fame should have been at that time.
Unlike Fang Zhongyong and He Shilong, Mr. Zhu Fuhuan continued to maintain his artistic life, and continued to study calligraphy, seal carving, painting, ancient characters, etc., and constantly improved his artistic standards and broadened his artistic scope. Only in the field of calligraphy, Mr. Zhu's cursive and seal script, seal carving have reached the pinnacle of calligraphy, especially worth mentioning that Mr. Zhu attaches great importance to cursive calligraphy, and he even studied the works of the ancients to find out what was wrong. To this end, Mr. Zhu spent more than ten years painstakingly compiling the "Zhu Fuhuan Revision and Supplemental Grass Recipe Song", which made an extremely important contribution to the standard writing of Chinese calligraphy.
I personally love Mr. Zhu's cursive works, every ** Mr. Zhu's works, there is a sense of amazement, I feel that Mr. Zhu's cursive has both the vast and distant Qingyan Ancient Temple, and the magnificent momentum of the powerful pulls out a thousand jun, and the words are beady, the law is strict, I strongly recommend young people who like cursive art, and the orthodox cursive of Mr. Zhu Fuhuan is definitely a red sprout, a school of style!
Paste more of Mr. Zhu's works with the text for calligraphy lovers, so that those ugly calligraphers can see what is orthodox calligraphy. Happy to the subject!
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Zhu Fuhuan seal, li, Kai, chain Wu Hu Xing, cursive calligraphy is good at it, especially the seal script and the line of cursive script are the most representative orange file nature. Seal script was the focus of Zhu Fu's lifelong research and creation, and his research and creation involved stone drums, Qin edict plates, small seals and bronze inscriptions.
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Mr. Zhu Fuhuan is a well-known paleographer in China, a scholar of gold and stone, and a master of calligraphy and painting, and is well-known at home and abroad. Mr. Zhu Fuhuan has passed away in 1989, but in the history of Chinese calligraphy, Mr. Zhu Fuhuan has left a glorious page forever with his outstanding calligraphy achievements.
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It is very high, his calligraphy art has reached the point of being superb, and every word is written majestic, giving people a very comfortable feeling.
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On his 70th birthday, Pu Yi gave him a longevity poem with the sentence "Good calligraphy and strong wrists are still flying white, and the wine is warm and self-beautiful", which gave him a high evaluation of his calligraphy. It is safe to say that he was one of the most outstanding court calligraphers of his time.
Zhu Yifan's writing is beautiful and vigorous, graceful and peaceful, quiet and elegant, rigorous in law, full of literati temperament and aesthetician tendency. He and Liu Chunlin and others were holding the last position of the pavilion, and outside the palace wall, calligraphy was already the world of stele learning. The history of calligraphy has inexorably gone to the post-imperial examination era, tragedy has been inevitable, and few people know that there is a Zhu Yifan in the history of calligraphy, although calligraphy brought unimaginable glory to him during his lifetime.
In the vision of modern people, the lines of his calligraphy are so delicate and thin, but there is still a faint poetic sense between the lines. Is it sentimental poetry? Or is it melancholy poetry?
Perhaps only he can read it, he is the last poetry, the last elegy of that era.
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