How do you compare mainland actors with Hong Kong and Taiwan actors?

In terms of history and court dramas, the mainland must have an advantage, which is also recognized by Hong Kong and Taiwan, the set is on the one hand, on the other hand, the language of words is relatively pay attention to, some sentences in Hong Kong and Taiwan dramas describing the Beijing court There are traces of southern words, for example, in a court drama filmed in Hong Kong, several eunuchs in the Forbidden City eat hot pot, but they say that they play the side stove together, which is a term used in Guangdong in the south. Regarding the performance of small people in the market, in this regard, I feel that there is not much comparison between the north and the south, such as small citizens, small citizens of Shanghai, small citizens of Beijing and small citizens of Guangzhou and Hong Kong, which are not the same meaning, from the way of speaking, tone and so on are different, from this point of view, some mainland actors who play small citizens in Beijing Hutong to play the small citizens of Hong Kong Temple Street must not act, in the same way, Hong Kong people play Beijing characters in palace fighting dramas, deliberately curling their tongues and making their voices, which is also not like acting. This does have its regional characteristics in it, maybe you stand in a certain area and think that people in other regions are not good or exaggerated, but it is possible that social interaction in the area where people are located is like this at this level.

The mainland pays special attention to the sense of life of TV dramas, the so-called down-to-earthness, relatively speaking, Hong Kong and Taiwan do not pay much attention to this, such as some passers-by who have nothing to do with the plot for the sake of the real plot, Hong Kong and Taiwan generally have very few, and the mainland has more. Then there is another point that mainland actors are more flexible in the use of body movements, and there are not many body movements in Hong Kong dramas, except for some individual dramas such as mind reading experts.

In Hong Kong, an actor is a profession, of course, there is also a lot of income caused by fame, but traditional Hong Kong actors, more like going to work, treat acting as a job, relatively may be more hard, and before Hong Kong actors, casting is generally difficult to have people with professional backgrounds, the vast majority of them are selected from ordinary people, these actors can express many things they encounter in life in the process of acting. Compared with many mainland actors, they graduated from formal film schools in the metropolis, and the students who graduated from these colleges are relatively more professional and rigid in acting, with special skills, and it is difficult to make breakthroughs in acting skills, which has also caused it difficult for some very representative young actors to appear in the mainland entertainment industry for so many years.

Actors in the mainland now have a group of acting skills, and they are swept away by the traffic Xiaoshengxiaohua, because investors want to make money, and traffic means that there are many fans, and investors take a fancy to this. It's a pity that Xiaohua and Xiaosheng really have very few good acting skills. Most of Xiaosheng Xiaohua's acting seems to have idol baggage, and they can't make subtle expressions on their faces, in short, sadness is to wrinkle their eyebrows, shed a few tears, and to be angry is to stare at their eyes and keep a straight face, and the purpose is that their faces must be beautiful and handsome.

Or maybe they haven't practiced their expressions in the mirror before.

When I was a child, I liked to watch Hong Kong dramas, and some of them were particularly popular, I just felt that no matter how young or old they acted, their acting skills were really good, they would not be very dramatic, they had a strong sense of substitution, and they knew a little bit, it was really not easy for them to go from the trick to the protagonist, I haven't watched many Hong Kong dramas, and the actors come and go are all those people. I'm not going to boast, that's all I can say. As for the mainland, it may be because the market is really big and the benefits are greater, and some "actors" really rely on the acting skills brought up by the dubbing teachers, but the dubbing teachers are really not so popular, otherwise they will be pulled out to act, and the acting skills are much better than those who are much better than those traffic.

Hong Kong's actors are all senior, and many of them come from wireless artist training classes. Looking at Hong Kong actors, you will find that their eyes will not give people the feeling of being empty and blind, and the most obvious point is that facial expressions are quite natural when acting, there are so many muscles in the face, and some subtle expressions can be made in coordination, please don't underestimate these subtle expressions, many times it is through facial expressions and eyes to express the character's current mood.

Actors are a profession for Hong Kong actors, including Taiwan and South Korea, and what they are engaged in their own country is a profession, with no particularity, and more people in the mainland enter this industry not because they like it, and they regard actors as a status, and they feel that if they engage in this industry, they will enter the upper class, and they can be superior everywhere.

Originally, it was no different, but because there were too many brainless fans in the mainland, these actors were praised to the sky, so these actors hallucinated, thinking that they were really high and a little fluttering.

The acting skills are comparable, they all have their own representative works, and the acting skills of the old drama bones are all very good, but I personally feel that the acting skills of Hong Kong actors are more diverse.

Aside from acting, when it comes to international influence, actors in Hong Kong are more advantageous, and it may also be a geographical advantage; The two regions won about the same number of awards at the festival. However, now it is obvious that there are more well-developed actors on the mainland.

Hong Kong Television Broadcasting**** English abbreviation: tvb, Chinese abbreviation: TVB.

It was officially opened on November 19, 1967 by Li Xiaohe, Qi Dezun, Run Run Shaw and others. It is the first television station in Hong Kong to obtain a free TVB license, and it is also the world's largest Chinese-language commercial television station.

Its principal businesses include television broadcasting services, programme production and programme distribution and distribution, digital ** business and book distribution business, and it is one of the world's largest Chinese commercial media.

Many people feel that although there are many stars in the mainland entertainment industry, the quality is uneven. On the other hand, in the Hong Kong entertainment industry, although there are relatively few new generation stars in recent years, everyone's acting skills are impossible to ignore. There are also many actors in the mainland who have excellent acting skills, and their acting skills and works are not inferior to those of Hong Kong actors.

What are the differences between the acting skills of Hong Kong artists and those of the mainland? There is no obvious difference between the two, more of a different style. The reason why it leaves the impression of a gap with the public is that the number of Hong Kong artists is relatively small compared with mainland artists, and every acting skill has not disappointed the public.

There are too many mainland stars, and only those who have good acting skills will leave the impression that there is a gap in the public.

There is a big difference in style between the old drama bones in the mainland and the old drama bones in Hong Kong, such as Stephen Chow's nonsensical comedy, which few actors in the mainland can imitate. On the contrary, it is difficult for Hong Kong actors to create the characters created by mainland actors, such as Chen Daoming's various performances in the Kangxi Dynasty.

From this point of view, there is no gap between the acting skills of Hong Kong artists and those of the mainland, but their styles are different. The reason why the public thinks that there will be a gap is because there are too many mainland artists, and there are only a few who have good acting skills.

Cai Shaofen and Myolie Wu are both pregnant and insist on filming, some artists are also pregnant, but they are also filming but they are ps, it cannot be said that there is no Sun Li in the mainland, Liu Mintao and so on are very professional, I hope that mainland artists can learn from Hong Kong artists and what is dedication.

In Hong Kong, actors are just a profession, so they work diligently and hard, act with their hearts and act low-key.

I think the biggest difference is that Hong Kong artists are a kind of profession, oh, the mainland is traffic, Hong Kong's artists are very low, and the mainland's first-line stars are often sky-high, but in recent years, all Hong Kong stars have come to the mainland to develop, so their appearance fees and salaries are relatively high.

A real actor is what he plays like, making people forget his previous roles, not what he plays is not much different from before, Hong Kong also has a typical, Zhang Weijian, who plays everything is almost the same. The mainland is better than Hong Kong in terms of production, and it is not an actor.

That's because I could only watch Hong Kong dramas before, and the mainland was backward. So many people live under the influence of Hong Kong films. But now, the market says it all.

Most of the old Hong Kong actors' acting skills are better than those of the mainland, our mainland actors are too professional and their performances are too pretty, maybe the mainland's pursuit of art comes from life and is higher than life, so the performance is a bit distorted. The expression of Hong Kong actors is closer to the real scene.

The most fundamental difference between Hong Kong and mainland actors is three points, dedication, salary, and acting skills. However, what is unified is that those with good acting skills and low acting skills will definitely be beaten in reverse. As for dedication, the older generation in the mainland and some middle-aged actors can compare with Hong Kong's, as for Xiao Xianrou, hehe.

Hong Kong artists and mainland artists are both Chinese artists, but there are two different attitudes, Hong Kong TVB TV station, the establishment of artist training classes to train a large number of artists, divided into full-time artists, department appointments, even if it is a first-line artist TV series, 30,000 yuan per episode, second- and third-tier artists are even less, rarely use stand-ins, and no one has an assistant, in comparison, mainland actors in the fifth and sixth lines of the film collection of more than 100,000 episodes, all have to bring assistants, and even more in their early twenties, they have to be helped to walk.

There is no comparison, Hong Kong has Chow Yun-fat, Stephen Chow, Maggie Cheung, Leung Ka-fai, Jackie Chan, Tony Leung, etc. are all superstars whose acting skills can go down in history, even the supporting roles Wu Mengda, Ye Dexian, Zeng Jiang, and Qin Pei are invincible.

Hong Kong actors are more down-to-earth, their acting skills are naturally not pretentious, and they have cultivated many internationally recognized good actors, such as Leung Ka-fai, Maggie Cheung, Leslie Cheung, Tony Leung, Stephen Chow, etc. Most of the mainland actors were born in professional classes, and their performances are stylized, even a few famous old drama bones are also too strong in personal temperament, and they act like themselves in everything, and the angle recognition is very low. Among the mainland actors, there is only one actor with almost no traces of performance, Li Xuejian.

I feel that the biggest difference between the actors in the two places is that the expressions and body movements of Hong Kong TV drama actors are more exaggerated, but they are weaker than mainland TV drama actors in terms of micro-expressions and eye play.

How to say about acting, whether the mainland award is high or the Academy Award is high, it shouldn't be. International awards have been won by actors, but it should be that Hong Kong and Taiwan actors are more cherished and dedicated, and the mainland is now very indifferent to the rules, and what they care about about their profession is the price, not awe.

The whole Hong Kong drama is not only played very well by the protagonist, but every supporting role is not like memorizing lines, and it is like chatting in life, there is no trace of that kind of acting.

It is not so much the gap between the acting skills of Hong Kong artists and mainland actors, but the difference in environment that makes today's Hong Kong entertainment industry unable to compare with the mainland entertainment industry. In terms of the acting skills of the older generation of artists, the mainland is more dedicated than Hong Kong artists. In terms of comparing Hong Kong artists with the mainland, it can't be compared with the mainland, and there seems to be no Hong Kong artist Xiao Xianrou who is more popular now!

Everyone knows Huang Zongze, Xiao Xianrou is not new, and now there are not many works that can be taken out, which is a bit worse than the artists in the mainland entertainment industry.

First, most of the Hong Kong and Taiwan actresses married into wealthy families, such as Lin Qingxia, Qiu Shuzhen, Li Jiaxin, etc. This reminds me of what a mainland master said: I am a wealthy family.

Second, the supporting roles of Hong Kong and Taiwan are one of the factors that attract me, such as Uncle Da, Wu Ma, the Four Villains, Lin Xue, etc., they add a lot to the work.

Hong Kong filmmakers only regard acting as a profession, but the mainland is different, with wings that can fly into the sky.

There are good actors in both Hong Kong and the mainland. Let's not talk about the traffic stars on both sides, if the two sides use the top and old drama bones to compare, the mainland is even better.

After watching TVB dramas for many years, I feel that Hong Kong actors are more professional and dedicated than mainland actors, and their acting skills are naturally higher. In Hong Kong, it is called an actor, and in mainland China, it is called a star, this is the difference.

In the early 90s, there was indeed a big gap between Hong Kong and Taiwan stars and mainland stars in temperament. At that time, as long as you look at it, you will know whether the other party is a Hong Kong and Taiwan actor. Hong Kong and Taiwan actors have several distinctive characteristics:

1. Temperament and foreign spirit.

In the early 90s, Hong Kong and Taiwan actors had a particularly foreign temperament, mainly because they were particularly good at wearing clothes and dressing themselves. Their dressing style can always be in line with international fashion trends, and this alone can throw off mainland actors for several streets.

And they will dress themselves up brightly every time they appear. Hong Kong and Taiwan stars have a very complete packaging team, such as makeup, design, and clothing, and all links are in place, which is a systematic operation.

2. Beautiful appearance.

In the early 90s, there were too many handsome guys and beauties from Hong Kong and Taiwan to count, which really made us feel what a fairy fight was. Men include Andy Lau, Aaron Kwok, Liming, Tony Leung, Ekin Cheng; The women are Wang Zuxian, Guan Zhilin, Lin Qingxia, Maggie Cheung. Zhong Chuhong and other handsome guys and beauties.

In terms of appearance, I have to admit that the mainland actors at that time really couldn't compete with it.

3. Professionalism.

Hong Kong and Taiwan actors in the 90s gave people the feeling of working hard and dedicated, filming as long as there was a scene, as if there was never a time to rest. Some people say that serious people are the most handsome and beautiful, and I think this is also the case for Hong Kong and Taiwan actors who are very dedicated.

But after nearly 20 years of development, the temperament gap between mainland actors and Hong Kong and Taiwan actors is getting smaller and smaller. I think the temperament of mainland actors is better than that of Hong Kong and Taiwan actors.

This is mainly because the domestic economy has taken off rapidly, and the income of actors has become higher, and some actors can earn tens of millions of dollars in a play. When an actor has money, he can spend money to package himself. You can ask costume artists, hair stylists, and makeup artists to shape the image and be in line with international standards.

In the past two years, with the development of the medical plastic surgery industry, the restrictions on appearance on people are getting smaller and smaller. This also makes the appearance and quality of domestic actors very high, and they have surpassed Hong Kong and Taiwan actors.