The unique culture of Eastern Hubei folk songs, and what are the style characteristics of Hubei folk

1. Hubei folk songs have the most direct and close connection with the people's social life, and the authors of Hubei folk songs are the people, who are created by them in the long-term labor and life practice, in order to express their own lives, express their feelings, and express their will and wishes.

2. Hubei folk songs are gradually formed and developed through a wide range of improvised and oral singing by the masses, and it is the crystallization of the wisdom of countless people. (The creation process and singing process of Hubei folk songs, and the circulation process are integrated, improvised in the process of singing, and sung and circulated in the process of compilation).

3. The first form of Hubei folk songs has the characteristics of concise and simple, approachable, vivid and flexible.

There are two types of Hubei folk songs:

1. Original ecological folk songs: dragon boat tune, how can I have time to go back to my mother's house, orange tree, little son-in-law, embroidered purse, 嶉 dong嶉, sister-in-law picking tea, I have the heart to see my love brother, you see my mother.

Hope you like it.

2. Create folk songs: Honghu water waves and waves, the love of slender men.

The ** style of the North and the South.

There has always been a difference, and the songs of the south are like Liu Yong.

The euphemistic school of words, gentle and delicate, subtle and beautiful; The songs in the north are more like Li Bai.

The Tang poems written are magnanimous and unrestrained.

From a macro perspective, Chinese folk songs can be divided into three color regions: northern, southern and central, and the colors of each region have obvious differences, which are embodied in the comprehensive effect of some formal elements.

Example 3: Northern Shaanxi Xintianyou "Thirty Miles Shop".

It is a typical tune of Beiyin color, and its formal characteristics are: the corresponding three-up-down four-sentence body (a variant of the two-sentence body), the six-tone scale with fa partiality, the wide palace phonological structure 512, and the melody method mostly uses fifths to jump. The dialect pronunciation of the lyrics "I" is e, and the song is desolate and desolate.

It is also a Xintianyou that reflects the color of Beiyin, "Brother Red Army is Back".

A song, its morphological representation is similar to that of "Thirty Miles Shop": the upper and lower sentences, the seven-tone scale with two partial tones of fa and si, the wide business rhyme of 623, more jumps, and more seventh-degree jumps in the melody. Dialect words include "chicken baby, dog baby", etc.; The words "了, come, bite" and other characters have the pronunciation characteristics of dialect rhyme, such as the word "bite" is pronounced as "nio".", "come" for "le.""。

The song is open and generous. Wait a minute.

Then I picked up some Nanyin folk songs, and their style, charm and form are completely different. For example, the Jiangnan minor key "Wuxi Jing" is a typical Nanyin color. Its formal elements are characterized by:

Pentatonic scale, narrow rhyme and small rhyme 123 are used together. The progression-based melody, the four-sentence structure of continuous development and gradual downward movement, the melodic modification is delicate and gorgeous, and the style of music is soft and charming.

The "Wharf Tune", which is also in the Jiangnan minor key, has slightly the same color beauty and morphological characteristics as the previous song, so I will not repeat it.

When it comes to Jingchu Hubei, which is the intermediary zone between the north and the south, the color of folk songs has another interest. Hubei is located at the junction of China's north and south, and its culture and ** have neutral tones that are neither south nor north, but also south and north, thus forming its unique personality. Thousands of miles of Jianghan Plain.

Qianjiang County's Mai Song "Cui Dong Cui" is a typical alto color song, the whole song uses the Dagong sound rhyme 135 three-tone cavity and its various transposition and order change forms to line the cavity, the style of the song is bright and lively, rigid and soft compatible. Hubei Yichang Mountain Song Shangchashan also has a midrange color, and the melody tone is similar to that of Shangqu, adding a fresh mountain charm.

Eastern Hubei folk songs are Han folk songs in Hubei Province**. It is the oral poetry creation of the people in eastern Hubei and the crystallization of their ideals and wisdom. The content of the local Han folk songs is very rich, and there are real reflections on the social life, customs and customs, production and labor, war and conscription, marriage and love in different periods.

Its form is mainly seven words and five words, and sentences of three words, four words, and even eight words are used in the middle, and the length is uneven and staggered. Most of them adopt the techniques of endowment, comparison and rejuvenation, and their excellent folk songs have lofty artistic conceptions, profound meanings, rich in philosophy, enlightening wisdom, and beautiful language, fresh and natural, full of emotion, interesting and witty, melodious and fluent, and have rich artistic appeal. At present, some types of folk songs have become "intangible cultural heritage" protection projects.