What are the three beauties of Lin Huiyin s poetry?

Lin Huiyin's poems are three beauties - "color", "**sex", and "architectural meaning".

"Color": the first color is seizing, and the color is created.

**Sex": refining words and words, clear sound and rhyme.

Architectural meaning": the feelings of ancient buildings, the rectification is uneven.

Crescent poetry. Lin Huiyin (June 10, 1904, April 1, 1955), Han nationality, ancestral home of Minhou, Fujian, born in Hangzhou, Zhejiang, architect Ran Yin, poet and writer. The original name was Huiyin, and its name came from "The Book of Songs, Daya, Siqi":

The eldest heir Huiyin, then Baisi male". Later, because he was often mistaken for a male writer "Lin Weiyin" at that time, he was renamed "Huiyin". The first wife of architect Liang Sicheng.

Lin Huiyin is a female poet of the famous poetry school ( ) in China.

a.Hazy faction.

b.Crescent faction.

c.Modernist.

d.Symbolism.

Answer: B. Crescent poetry.

Founded in 1923, the Crescent Society was an important cultural group after the May Fourth Movement. The activities of the Crescent Society began in Beijing in 1923, and its main members included Hu Shi, Liang Shiqiu, Wen Yiduo, Chen Pi Oak Tingyuan, etc., most of whom were British and American students.

The poetry theory and practice of the Crescent School had a profound impact on the development of Chinese new poetry in the future. Not only did he leave a number of well-known masterpieces, but also produced dazzling stars in the poetry arena such as Wen Yiduo, Xu Zhimo, Zhu Xiang, Lin Huiyin, etc., but also gave birth to a new poetry school - modernist poetry school.

Lin Huiyin was a poet of the Crescent Poetry School.

Lin Huiyin (June 10, 1904, April 1, 1955), formerly known as Huiyin, Han nationality, ancestral home of Fujian Minhou (now Fuzhou, Fujian), was born in Hangzhou, Zhejiang. Lin Huiyin, a professor at Tsinghua University, is a well-known Chinese architect and writer, China's first female architect, and "an outstanding woman in the history of modern Chinese culture".

You are the aesthetic characteristics of the April day forest Huiyin in the world:

1. The beauty of painting.

In the flow of beauty, poetry is like a vivid painting in front of our eyes. The opening "I said that you are the April Day of the World" is a declaration of love, and the inspirational and dreamy and warm image of "April Day" first gives the reader a rich reverie and visual appeal.

Followed by the natural combination of typical images such as "clouds and smoke", "stars", "drizzle", "hundred flowers" and "full moon", such five poetic pictures also come into our eyes, which are "Spring Wind Dance", "Wind and Smoke Star Language", "Moonlit Night Flower Blossoming Picture", "New Green Picture After Snow" and "Flowers Blooming Swallow Language Picture".

The poet's emotions are further revealed naturally with the painting scroll, and the complete integration of the present feelings and the scenery forms the aesthetic style of the poem with the painting.

2. Architectural beauty.

The poem is divided into 5 sections, each with 3 sentences, and the number of words and sentence structure of the whole poem are uniform and harmonious, which is a typical traditional metrical poem from the poetic form, with the beauty of similar to the shape of a building, that is, the visual "evenness of sentences" in the poem.

Lin Huiyin is good at drawing on the skills of architectural art, using the combination of symbols of the model to excavate the proclamation to form a visually appealing external geometric form, and then arouse the reader's imagination and aesthetic psychology, this unique architectural aesthetic is reflected in Lin Huiyin's poetry creation, which is the use of a large number of architectural images, to achieve the perfect integration of poetry and architecture.

"Murmuring between the beams" selects the image of the house beam, realizes the harmonious combination of language and architectural imagery, and forms the beauty of poetry and architecture.

3. Beauty.

There is also a lot of variation in the neat poetic form, and this change is caused by the change of rhyme and sentence structure of the poem, which brings about the diversity of the inner form of the poem. For example, the first stanza of the poem rhymes, which causes the whole poem to be staggered, catchy, and have an inner flow power.

But this kind of rhyme is naturally formed with the ups and downs of the poet's feelings and the change of content. In this way, the rhythm of the language is also in harmony with the content of the poet's thoughts, feelings, and works, and the beauty naturally radiates. Liang Congjie said when talking about the rhythm of Lin Huiyin's poems:

Her poetry is not satisfied with a single form of expression, but strives for innovation and change. ”

For example, the third verse of the poem. The sentence structure has changed, from "you are" to "you are", which avoids the singleness and rigidity of expression, is full of jumping and **, and is full of the rhythm of life in April. In this way, the inner emotions of the flow of poetry are also vividly displayed on the page.

The poet's inner emotions are skillfully integrated into the poems with rich texture, making the whole poem full of beauty.