Mo Yan won the Literary Award, and what I want to know is how many of you have seen it

It's not surprising at all that I received a text message at dinner that day to celebrate Mo Yan's award, and when I read it out, the whole family asked, "What did he write?" ”…I replied, "Red Sorghum," and everyone said, "Oh, no wonder! ”

I saw him on Tsai Kangyong's book show many years ago, and I saw Kenzaburo Oe praising him – it was 2004, when Kenzaburo Oe said that "Mo Yan is the most deserving of Asian writers to win the Nobel Prize", so I immediately went to see the ...... "Red Sorghum".I don't know why, but I often hear Taiwanese writers mention Mo Yan, but there were fewer in the mainland before, maybe we are not used to this kind of magical realism, right? After hearing Taiwanese writer Luo Yijun talk about "Sandalwood Punishment", I also went to watch it, but unfortunately I didn't finish it... It's not that it's not good-looking, but the early ones are easier to read.

Actually, it's normal that you haven't seen it, and it's not a tragedy, but Kenzaburo Oe was only valued in Japan after winning the award.

You can start trying it now, and if you like it, you can watch it, and it doesn't matter if you don't like it, just understand it.

1. The work that impressed me the most about Mo Yan was Sandalwood Punishment. 2. I don't like your question.

Mo Yan is a good author, but just because he won the Nobel Prize, does "not reading his book" become anything? Literary appreciation is originally a matter of opinion and wisdom, and it should not be "listening to the wind is rain", not to mention that the Nobel Prize can hardly be said to represent the public opinion, and using it to measure the "level of literary appreciation" is an unreasonable blind idea. Our choice of literature should not be determined by how many awards a work has won and who the author is.

Our evaluation of each work should be based on our own experience, not on the perspective of the outside world. This is the reader's free choice, free will, and this is the process by which a literary work is truly proven by time, not a process of winning an award or gaining fame for a certain period of time.

It's not a tragedy if you haven't seen it at all, it's a tragedy to think that "it's a tragedy if you haven't seen it at all."

I haven't read the book, but I've only watched Zhang Yimou's movies based on his **, "Red Sorghum" and "Happy Times".

Summary. Hello, I'm glad to answer for you, Mo Yan's award-winning work is "Frog". "Frog" is a magical and realistic literary work, Mo Yan tells the deeds of China's early family planning period from the first perspective.

Mo Yan won the 2012 Nobel Prize in Literature for his work "Frog". The reason why "Frog" can represent Mo Yan to win the literary prize is because in the evaluation process of the Nobel Prize in Literature, it can be attributed to "the best work of idealism", and more attention is paid to whether the writer can profoundly expose the reality, and the description of reality should be more idealistic. Well, this "Frog" fits just that.

You have a good hole, I am happy to answer for you, Mo Yan's award-winning work is "Frog". "Frog" is a magical and realistic literary work, Mo Yan tells the deeds of China's early family planning period from the first perspective. Mo Yan won the 2012 Nobel Prize in Literature for his work "Frog".

The reason why Mo Yan won the Literary Award on behalf of Mo Yan is that in the evaluation process of the Nobel Prize for Literature, it can be attributed to "the best work of idealism", and more attention is paid to whether the writer can profoundly expose the reality and should be more idealistic in the description of reality. Well, this "Frog" fits just that.

Expansion: As a well-known contemporary literary writer, Mo Yan's works are known for their realism. This Nobel Prize-winning work in literature is no exception, "Frog" tells the story of the family planning policy that Mo Yan experienced the most deeply during the period from the sixties of the twentieth century to the present.

Although the tide of time has proved that China's family planning policy conforms to China's national conditions and has played a tremendous role in promoting China's comprehensive development, and history has proved its success, it has undoubtedly criticized some voices that smear family planning. But on the other hand, in the process of implementing this policy, there were indeed some inappropriate behaviors that did not understand human feelings, and Mo Yan dared to face up to the inappropriate behaviors in this process and create literature. This creation is based on the turbulent rural birth history in China in the past 60 years, and truly reflects the difficult implementation of the national policy of family planning in Gaomi Northeast Township. By telling the life experience of Wan Xin, a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, it vividly describes the arduous and complex historical process of the country's implementation of the national policy of family planning in order to control the rapid population growth, and successfully creates a vivid and touching image of a rural ** doctor; Combined with the complex phenomena in the process of family planning, this paper analyzes the humble, embarrassing, tangled and contradictory spiritual world of the intellectuals represented by the ** narrator tadpole.

A list of Mo Yan's award-winning works.

In 1997, he won the highest "Everybody Literature Award" in China's history with the feature-length "Plump Breasts and Fat Buttocks", and won a bonus of up to 100,000 yuan.

In 2000, "Red Sorghum Family" was selected as one of the top 100 Chinese in the 20th century by Asia Weekly.

In 2001, "Sandalwood Punishment" won the Taiwan United Daily News Reader's Best Book of the Year Literary Award.

In 2003, "Sandalwood Punishment" won the 1st Dingjun Biennial Literature Award.

In 2005, "Forty-One Shots" won the Outstanding Achievement Award at the 2nd Chinese Literary Media Awards. He received the degree of Doctor of Letters, honoris causa, from the Open University of Hong Kong.

In 2006, he published his first chapter** "Fatigue of Life and Death", which won the Fukuoka Asian Culture Prize. He is the second Chinese writer to receive this honor after Ba Jin.

In 2008, "Fatigue of Life and Death" won the first prize of the 2nd Dream of Red Mansions Award.

In August 2011, the feature "Frog" won the 8th Mao Dun Literature Award.

At 7 p.m. on October 11, 2012 (Beijing time), Mo Yan won the 2012 Nobel Prize in Literature for "using magical realism to integrate folk tales, history and modernity".

Mo Yan's Nobel Prize in Literature does not refer to one of his works, but to his magical realist literary achievements.

Mo Yan won the 2012 Nobel Prize in Literature for "Frog". In 2011, he won the Mao Dun Literature Award for "Frog". He won the Nobel Prize in Literature in 2012.

The award was awarded for its fusion of folktales, history and contemporary society through hallucinatory realism.

"Frog" is a long-form masterpiece that Mo Yan has been brewing for more than ten years, has been working for four years, changed his manuscript three times, and has painstakingly created a masterpiece that touches the most sore part of the soul of the Chinese people.

**Composed of four long letters and a play written by playwright Tadpole to Japanese writer Yoshito Sugitani, it tells the life story of an aunt, a rural obstetrician and gynecologist, and mercilessly dissects the humble soul of contemporary intellectuals in vivid and touching detail as it shows the same skin beam of the 60-year turbulent fertility history of rural China.

1. Mo Yan is a famous writer in my country, and he is the first writer in my country to win the Nobel Prize in Literature, but many people mistakenly think that there is only one award-winning work "Red Sorghum", but in fact, this is not the case, and the Nobel Prize in Literature is not just because of one work, but all the masterpieces are selected together. His representative works include "Red Sorghum", "Sandalwood Punishment", "Breast and Fat Buttocks", "Wine Country", "Life and Death Fatigue", "Frog" and so on.

2. Mo Yan, whose real name is Guan Moye, was born on February 17, 1955 in Dalan Ping'an Village, Northeast Township, Gaomi City, Weifang City, Shandong Province, and is a contemporary Chinese writer.