When Mo Yan won the Nobel Prize in Literature, he confessed that his original motivation for writing

On October 11, 2012, Mo Yan won the Nobel Prize in Literature for "Red Sorghum", "Sandalwood Punishment", "Rich Breasts and Fat Buttocks", "Wine Country" and "Frog". The award was awarded for the integration of folktales, history and contemporary society through hallucinatory realism.

"Frog" is based on the ups and downs of rural fertility history in New China in the past 60 years, tells the life experience of a rural female doctor aunt who has been engaged in obstetrics and gynecology for more than 50 years, and also reflects the difficult process of family planning in China. "Frog" adheres to the author's consistent style of vernacular literature, and settles in a corner of Chinese society with delicate brushstrokes and simple words.

"Breast and Fat Buttocks" is Mo Yan's fullest long story**, written from the War of Resistance against Japanese Aggression to after the reform and opening up, depicting a magnificent history. In the book, the mother and the Swedish Rev. Maloja gave birth to Shangguan Jintong, and the others gave birth to other sisters, who were high-level and civil power throughout China throughout the 20th century, reflecting the changing political climate in China through the pure depiction of the family, and also showing Mo Yan's love, sympathy, and praise for women.

Because his literary works blend folk tales, history, and contemporary society through magical realism.

Mo Yan is the vice chairman of the Chinese Writers Association. Mo Yan won the Nobel Prize in Literature in 2012, the first Chinese writer to win the Nobel Prize in Literature. His representative works include "Red Sorghum Family", "Sandalwood Punishment", "Breast and Fat Buttocks", "Life and Death Fatigue" and so on.

Because his works have unique artistic characteristics and have been recognized by the world literary circle, he won this award.

The Nobel Prize in Literature is the most important and influential literary award in the world. The Nobel Prize in Literature honors those who have created the best works with idealistic tendencies. The organizer is the Swedish Academy of Letters. The prize money is SEK 8 million.

Mo Yan's Nobel Prize-winning essay for literature is "Frog".

Mo Yan (February 17, 1955), whose real name is Guan Moye, is a famous writer, born in Gaomi, Shandong, graduated from Beijing Normal University, and is now the vice chairman of the Chinese Writers Association. His writing style is known for his "bold novelty", and he is good at blending folk tales, history and contemporary with hallucinatory realism, creating a number of unique works with avant-garde colors, such as "Red Sorghum Family", which caused a sensation in the literary world, and won the Mao Dun Literature Award for his work "Frog", and won the Nobel Prize in Literature in 2012, becoming the first Chinese writer to win the award.

Published in 1986, Red Sorghum is a primary text, as if it were a primitive dictionary, containing basic violent vocabulary such as adultery, drunkenness, beheading, and skinning.

They are a kind of testimony to verify the existence of the "primitive vitality of the nation". After that, Mo Yan became a staunch writer of cool words, such as the braised baby in "Wine Country", the skinning of dogs in "Road Building", the skinning of cats in "Herbivorous Family", the disembowelment of dead people in "Elixir", and the flower machine crushing people in "White Cotton", etc., Mo Yan uses unique sensory descriptions to show the physical and psychological feelings brought by violence.

Mo Yan's masterpiece that won the Nobel Prize in Literature is: "Frog".

"Frog" is a long story created by contemporary Chinese writer Mo Yan**. Based on the ups and downs of rural fertility history in New China in the past 60 years, this ** tells the life experience of Wan Xin, a rural female doctor who has been engaged in obstetrics and gynecology for more than 50 years, and also reflects the difficult process of family planning in China. **Adhering to the author's consistent style of vernacular literature, he settled in a corner of Chinese society with delicate brushstrokes and simple words.

Background of creation. "Frog" is a long-form masterpiece that Mo Yan has been brewing for more than ten years, four years of writing, and three changes in his draft, and has devoted himself to creating a masterpiece that touches the most sore part of the soul of the Chinese people, and was first published in 2009.

The theme chosen by "Frog" is rural doctors and family planning, not that Mo Yan deliberately wanted to write about this sensitive subject, Mo Yan was delivered to the world by his aunt, so Mo Yan wrote **, and always wanted to write his aunt to ** one day, and family planning, which has been implemented for more than 30 years, must be involved.

Mo Yan's masterpiece that won the Nobel Prize in Literature is: "Frog".

Mo Yan** "Frog" won the 8th Mao Dun Literature Award. **Composed of four long letters written by playwright Tadpole to Japanese writer Yoshito Sugitani, and a play, it is based on the turbulent rural fertility history of New China in the past 60 years, and tells the life experience of an aunt who has been a rural female doctor who has been working in obstetrics and gynecology for more than 50 years.

Long story**, by Mo Yan, published in 2009. In 2011, he won the 8th Mao Dun Literature Award. On October 11, 2012, Mo Yan won the Nobel Prize in Literature for "Frog".

**Letters, Yuan** narratives and dramas are integrated into one, creating the image of a rural female doctor, describing the history of rural childbirth in the nearly 60 years after the founding of the People's Republic of China.

Mo Yan's masterpiece that won the Nobel Prize in Literature is: "Frog".

Mo Yan won the Mao Dun Literature Award in 2011 for ** "Frog". He won the Nobel Prize in Literature in 2012. The award was awarded for its fusion of folktales, history and contemporary society through hallucinatory realism.

Mo Yan's masterpiece that won the Nobel Prize in Literature is: "Frog".

"Frog" mainly tells the life of the "aunt" of the country doctor. "Auntie's" father was a military doctor of the Eighth Route Army and was very famous in Jiaodong. The "aunt" inherited the mantle and began to implement the new method of midwifery in the villages, which soon replaced the position of the "old women" in the hearts of women, and used the new method to deliver babies one after another.

The babies delivered by the "aunt" are all over the Gaomi Northeast Township, and the unborn babies who can be killed at the hands of the "aunt" are also all over the Gaomi Northeast Township.

His most famous work in the West is Red Sorghum

"Fatigue of Life and Death", he won the Mao Dun Literature Award for "Frog"!

It should be Mo Yan's "Breast and Fat Buttocks"!

What I like to read is frogs, and I haven't read anything else.

It's obviously "Fat Breasts and Fat Buttocks"!! Why didn't anyone say it right

Looking at Gorky's childhood, the more the darkness brought the pain to the author, the more powerful the work written.

Mo Yan won the Nobel Prize for Literature on the grounds that he fused folk tales, history and contemporary society through hallucinatory realism.

Profile. Mo Yan, formerly known as Guan Moye, born on February 17, 1955, is the first Chinese writer to win the Nobel Prize in Literature.

Since the 1980s, Mo Yan has risen to prominence with a series of vernacular works, full of complex emotions of "nostalgia" and "resentment", and has been classified as a writer of "root-seeking literature". In 2000, Mo Yan's "Red Sorghum" was selected as one of the "Top 100 Chinese in the 20th Century" by Asia Weekly. In 2005, "Sandalwood Punishment" was unanimously shortlisted for the primary selection of the Mao Dun Literature Award.

In 2011, Mo Yan won the Mao Dun Literature Award. In 2012, Mo Yan won the Nobel Prize in Literature. On October 30, 2013, Mo Yan served as the honorary president of the university, the first public welfare university in China to cultivate the original creators of online literature.

In December 2014, Mo Yan was conferred honorary doctorates of letters from the University of Chinese Hong Kong and the University of Macau. According to incomplete statistics, Mo Yan's works have been translated into at least 40 languages.

"Breast and Fat Buttocks" has won the highest "Everyone Literature Award" in China's history, "Sandalwood Punishment" has won the Best Book of the Year Literary Award of Taiwan's "United Daily News" Readers, the first Dingjun Biennial Literature Award, "Red Sorghum Series" won the 2nd Feng Mu Literature Award, "Life and Death Fatigue" won the 2nd Dream of Red Mansions Award, and "Frog" won the 8th Mao Dun Literature Award; 2012 Nobel Prize in Literature.

The film "Red Sorghum", adapted from the novella ** "Red Sorghum Family", won the Golden Bear Award at the 1988 Berlin International Film Festival, and "Warm", adapted from the short story ** "White Dog Swing Frame", won the Golden Kirin Award for Best Film at the 16th Tokyo International Film Festival.

Purely in terms of literary level, Mo Yan deserves to win the award and deserves it. His works not only inherit traditional culture, but also borrow from foreign cultures, reflecting both folk characteristics and distinctive modernity. Mo Yan's "folk creation" has deep regional and folk origins, coupled with the use of a large number of modernist literary techniques, so that his works are unbridled, full of vitality, and amazing imagination.

His strong concern for and profound excavation of China's history and reality are his unique achievements, and they also show that the more national things are, the more global they are.

Mo Yan's ** is deeply influenced by Faulkner and Márquez, and his "Gaomi Northeast Township" is full of symbols and allegories like Faulkner's Yoknapa County and Marquez's Macondo Town. To some extent, this is reflected in the process of reform and opening up, when Chinese writers adopted the creative methods of Western writers. But more importantly, the collision of Chinese and Western literature prompted Mo Yan to "smelt folk tales, history and contemporary current affairs in a magical and realistic way", and prompted him to write a "deep folk experience" in the countryside full of tension and emotion with rich imagination, reaching a very high artistic realm.

Mo Yan's literary talent, creativity, and artistic energy are certainly eye-catching in the Chinese literary world, but they do not stand out from the crowd. Mo Yan and many contemporary writers from the mainland have made Chinese literature more diverse and expansive, as well as more artistically creative and charismatic. As Mo Yan said after hearing the news of the award, there are many outstanding writers in China, and their excellent works can also be recognized by the world.

Ma Yueran, one of the 18 lifelong judges of the Nobel Prize in Literature, also said that in the past 100 years, China has given birth to many outstanding artists and poets, and many people are fully qualified to win the Nobel Prize.

In fact, looking at the selection of the Nobel Prize in the past, in addition to the literary factor, there is also a political factor that cannot be ignored. Since the reform and opening up, with the improvement of China's comprehensive national strength, it has been paid more and more attention by Western society, and has driven Western society to attach importance to Chinese culture and art. Mo Yan's works have been translated into more than 20 foreign languages and more than 100 editions, and have been distributed in many countries and regions, which reflects the importance that the international community attaches to Chinese literature that has developed together with China's reform and opening up for more than 30 years.

Interestingly, after winning the award, so many people asked him what book he had written.

It's so much fun!

It seems that after winning the Nobel Prize, he became famous.