What do you think of the time? How do you know what fractions of a beat it is?

Look at the beginning of the staff. Marked 4 4 is 4 quarters of a beat, and 3 4 is 3 quarters of a beat.

In staff, you only need to look at the notes in a measure to see what beat is.

Take 3 4 beats as an analogy, that is, 4 notes as a beat, three beats per measure;

Similarly, take 3 8 beats as an analogy, which is to take 8th notes as a beat, with three beats per measure.

To solve this problem, we must first understand the concept of 12 8, which is based on 8th notes as a beat, 12 beats per measure, and in the first measure, the melodic tone with the stem upwards has 2 8th minute rests and 10 8th notes, which add up to exactly 12 8th notes or rests, that is, 12 beats. The following long note, you have to learn to convert, this note 2nd note, if you take 4th note as a beat, it is 3 beats, now take 8th note as a beat, it is 6 beats, that is, it contains 6 8th notes, so the 2 note points and 2nd notes are added together, which is also 12 beats. Explain it this way, and you should understand.

The dotted quarter notes are in one beat, and there are four beats in a bar.

Take a beat as an example, i.e., a quarter note is a beat, a whole note is sung in four beats, a quarter note is sung in two beats, a quarter note is sung in one beat, an eighth note is sung in a half beat, and a sixteenth note is sung in a quarter beat.

1. Note time values are used in music notation to express the relative duration between notes.

2. The basic correlation of sound values: the ratio of each larger note value to its nearest smaller note value is the ratio of 2 to 1. Such as:

One perfect note equals two half notes; equal to four quarter notes, eight eighth notes; Sixteen sixteenth notes, thirty-two thirty-second notes. This is just the proportion of the note's value at the time.

In the case of quarter notes in one beat, four beats are sung for whole notes, two beats for half notes, one beat for quarter notes, 1 2 beats for eighth notes, and 1 4 beats for sixteenth notes. There is a precondition for how many beats each note occupies (the time value in **).

Whole notes are sung in four beats, half notes are sung in two beats, quarter notes are sung in one beat, eighth notes are sung in half beats, sixteenth notes are sung in quarters, and thirty-two notes are sung in eighths.

You don't have to sing a few beats, see what time signature it is, 44 beats or 83, 86 beats.

This question also needs to be asked、、、 what is the real culture,,

Sixteenth notes are quarter-beats. The hour value of four sixteenth notes is equal to the time value of one quarter note.

This one is very simple, if the whole note is 4 beats, 1 2 notes are 2 beats, 1 4 notes are 1 beats, 1 8 notes are half beats, and so on.

Dotted whole notes are sung in six beats, and the other note beats are as follows.

A stave used to indicate the original duration of a note that needs to be played by half. For example, a dotted quarter note in 2 4 beats indicates that the actual duration of the note should be one beat plus half a beat, and a dotted quarter note in 4 4 beats indicates that the actual duration should be two beats plus one beat, i.e. three beats.

A dotted note is the addition of a dot after a note. The time values of the various dotted notes are shown in the figure below

It depends on the fraction of the note and then calculated. For example, if a quarter note is a beat, half is a half beat (eighth note), and its quarter is equivalent to a sixteenth note.

It depends on the understanding that this is the time of the day. That's how we learned.

Whether in the staff or the notation, the division of the time value of the note is a mathematical concept of fractions and multiples

A whole note (in 4 beats) is an integer. A half note is one half of a whole note, a quarter note is one half of a half note, an eighth note is one half of a quarter note, a sixteenth note is one half of an eighth note, a thirty-second note is one half of a sixteenth note, and so on. And so on.

In fact, the "name" of each note has accurately represented its fractional relationship with the whole note: the quarter note is called "quarter" because it is a quarter of a whole note, an eighth note is one-eighth of a whole note, and a sixteenth note is one-sixteenth of a whole note. Then you will understand better.

"Three comes.

In notation, the three notes that make up a triplet are represented by arcs and the number 3. To put it simply, it is necessary to divide the sound value that was originally divided into two parts into three parts, which is called triplet. It's like mooncakes that used to be divided between two people, but now they have to be divided equally among three people.

A triplet of three quarter notes is a time in which three quarter notes are placed in two quarter notes (or one half note) and played evenly (that is, three notes are played evenly over two beats).

A triplet of three eighth notes is a time in which three eighth notes are placed in two eighth notes (or one quarter note) and played evenly (that is, three notes are played evenly in one beat).

Quarter in a rhythm of four quarters, one whole note is four beats, and one quarter note is one beat

A quarter is worth one beat at a quarter note and four beats at a whole note.

A fraction of a note is a fraction of a whole note.

1. Types of clefs:

G notation, he set the second line of the staff as the G sound of a group of small characters;

The F staff, which defines the fourth line of the staff as the F note of the small character group.

C first line staff, C second line staff, C second line staff, C second line staff on the second line, C third line staff (alto clef), C quadruple staff (tenor staff), C quintus staff.