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In Xi'an City, Shaanxi Province, there is one of the largest treasure houses of calligraphy art in China, that is, Xi'an Stele Forest. The stele forest has collected more than 2,300 steles and epitaphs from the Han and Wei dynasties to the Ming and Qing dynasties. The inscriptions come from the hands of famous calligraphers of various dynasties, and it is really a collection of famous monuments.

During the Northern and Southern Dynasties of our country, Wang Xizhi, a great calligrapher of the Eastern Jin Dynasty, learned from others and created a chic and delicate calligraphy. This new style of writing soon spread in the south. In the early years of the Tang Dynasty, due to the advocacy of Taizong of the Tang Dynasty, Wang Xizhi's calligraphy was considered to be authentic in the whole country and had a great influence at that time.

A calligrapher in the early Tang Dynasty, Ouyang Xun was the first to be recommended. His character "strong backbone, strict law", self-contained, known as "European Body". Ouyang studied very hard.

Legend has it that once, he went out and saw a stele written by the calligrapher Suo Jing of the Western Jin Dynasty. At first glance, I am not impressed; Later, he went to see it again and carefully observed and studied. Ouyang Xun's writing power in his later years was even stronger.

The "Huangfu's Birthday Monument" in the Forest of Steles in Xi'an is his work.

Yan Zhenqing in the Tang Dynasty was known as another calligraphy innovator after Wang Xizhi by later generations. When he was young, he was admitted to the imperial examination. In order to learn books, he resigned twice and went to Luoyang to learn from the great calligrapher Zhang Xu.

Zhang Xu saw that he was interested in learning, so he taught him the method of writing books that he refused to tell others easily. Under the guidance of Zhang Xu, he studied hard and formed his own unique style, known as "Yan Ti". The regular script of the Yan style is dignified and majestic, and the line of writing is vigorous and vigorous.

Yan Zhenqing uses the pen evenly and hides the edge, the inside is strong and the outside is warm, and the inflexion of the word is round and powerful. The "Yan Qinli Monument" in the forest of steles is his work.

After Yan Zhenqing, the calligrapher with great influence was Liu Gongquan. He first learned Wang Xizhi, and later looked at the calligraphy of famous masters in the Tang Dynasty, and thought that Yan Zhenqing and Ouyang Xun were the best, so he absorbed the strengths of Yan and Ou and became a whole. His words are strong and well-structured.

The world has a saying of "Yan muscles and willow bones". The "Mysterious Tower Stele" in the forest of steles is his masterpiece.

The calligraphy in the forest of steles is beautiful, and it is a treasure in the treasure house of art in our country. The masterpieces left behind by the masters of the art still shine with dazzling brilliance to this day.

Oh, I changed it for the teacher, it's an expository essay.

The world has a saying of "Yan muscles and willow bones". The "Mysterious Tower Stele" in the forest of steles is his masterpiece. The calligraphy in the forest of steles is beautiful, and it is a treasure in the treasure house of art in our country. The masterpieces left behind by the masters of the art still shine with dazzling brilliance to this day.