Why use thin to describe Songshan

First sight of Songshan. Open categories: Poetry, Poetry, Antiquity.

Song Zhang Lei) has been trapped in the dust of the saddle horse for many years, and there are green mountains to open my arms.

The north wind blew and the rain went away at dusk, and the peaks were thin and out of the clouds. ��

Notes】 1) Lai: dependence, relying on. Excuse me:

It makes me happy and uplifted. Reading guide] Entitled "First Sight of Songshan", it is obvious that it is necessary to write about both people and mountains. The author deliberately put the sentence "the number of peaks is thin and out of the clouds", which is written in the front, at the end, and put his feelings for the green mountains and the windy and rainy environment in front as a foreshadowing, and achieved the artistic effect of "coming out after a thousand calls".

That's where the success of the scene comes in. I don't write directly about the surprise when I first saw Songshan, and I don't express my feelings directly, but first write that only Qingshan can open my mind, which not only writes the bitterness of the career from the opposite side, but also writes the meaning of "benevolent people enjoy the mountain" from the front. Finally, when portraying the image of the mountain, the word "thin" was deliberately drawn out, which incorporated his own aesthetic taste of being clear and thin, and then deepened the poet's character and interests, so that there was me in the scene.

This is where the success of the writer lies. The first line of the poem describes the scene of a horse galloping and kicking up a cloud of dust

About author】Zhang Lei (1054-1114), known as "Mr. Wanqiu", was born in Qian County (now Bo County, Anhui) and grew up in Huaiyin (now Jiangsu). Xining Jinshi. He successively served as the chief secretary of Linhuai, Shou'an Wei, and the magistrate of Chengdu in Xianping County.

Recommended by Fan Chunren, summoned for the test, moved to the secretary of the province of orthography, the history of the book Zuolang, the secretary and so on.

In Sumenli, Zhang Lei's works are the most caring for the people, and the style is easy and comfortable, not pretentious. His poems have learned from Bai Juyi and Zhang Ji, so they can be plain and natural, Yang Wanli's "Reading Zhang Wenqian's Poems" so-called "spring flowers, autumn moon, winter ice and snow, do not listen to Chen Xuan, only listen to the sky". Zhang Lei's poem "Again in the Song Capital" cloud:

The white-headed green sideburns are separated from each other, and the sunset is broken. "Wang Zhifang's Poems" thought that "the temperament does not seem to be reduced by Lao Du." In the "Preface to He Fang's Return to the Pleasure House," Zhang Lei advocated that the article should be "full of heart, wanton and spoken, working without thinking, and beautiful without waiting for carving."

His creations are sometimes sloppy. There are four editions of Zhang Lei's poetry collections: 76 volumes of the Collected Works of the Ancestors of Wanqiu, 65 volumes of the Collected Works of Zhang Youshi, 50 volumes of the Keshan Collection (adopted in the Siku Quanshu), and 13 volumes of the Collected Works of Zhang Wenqian.

The collection of Zhang Lei, edited by Li Yi'an and others, was published by Zhonghua Book Company in July 1990.

The result of a vegetarian diet. Thin.

This poem uses anthropomorphism.

The "flowing water" and the "twilight birds" are anthropomorphized, as if they are also full of human feelings: the clear water of the river is bubbling and flowing, and the birds of the evening fly back to the thick and thin of the forest to roost, as if they are returning with the poet.

On the surface, the two sentences are written about the affection of "water" and "bird", but in fact, the writer himself has affection: one is to reflect the poet's leisurely mood at the beginning of his return to the mountain, and the other is to contain the author's sustenance. revealed that the reason for his retirement was disappointment and boredom with realpolitik.

Answer 2: This poem uses the technique of allegorical scenery.

Two sentences and ten characters, four kinds of scenery are written: deserted city, ancient ferry, sunset, and autumn mountain, forming a picture with the characteristics of season, time, and place and bright colors: the desolate city is next to the ancient ferry, and the afterglow of the setting sun is sprinkled all over the bleak autumn mountain.

This is an autumn scene in the wilderness in the evening, a scene full of bleak and desolate colors that the poet saw on the way to retreat, and the rendering of this reflects the twists and turns of the poet's feelings, and sets off the author's more and more bleak state of mind the closer he gets to the retreat.

Question 2: The whole poem is lyrical and layered. With the poet's pen, you can not only appreciate the change of scenery on the way home, but also vaguely touch the subtle changes of the author's feelings: from serene and calm, to bleak and sad, and then to tranquil and tranquil.

It shows that the author has both a leisurely and positive side of resignation and retirement, as well as an indignant and helpless side.

The poet writes at will, without carving, but the writing is real and vivid, subtle and timeless, without any traces of the axe and chisel, but there is a subtlety and subtlety. It shows the characteristics of this poem, which is quiet and fresh.

Question 1: Seven-character quatrain (or seven-character quatrain or quatrain) (2 marks).

Question 2: This poem uses "thin" to describe Songshan Mountain, which not only highlights the lofty and upright peaks, but also reflects the author's spiritual temperament of being tall and independent and sticking to his personality (3 points). It embodies the externalization of the poet's feelings and the unity of things and self, which can be described as a novelty in language. (3 points).

Question analysis: This question tests the ability to appreciate the language of poetry, and specifically examines and analyzes the beauty of the last sentence of the poem, "The number of peaks is thin and out of the clouds" and the spiritual connotation of the word "hail accompanies the oak and thin". "The number of peaks is thin and out of the clouds" is the most wonderful sentence of this poem.

As the sky darkened, the north wind blew away the clouds and stopped the rain, and the outlines of several peaks were again showing signs of confusion. In the thick clouds and heavy rain, it is impossible to see the mountain peaks. Originally, it was due to the clouds and rain that the mountain shadow reappeared.

But the word "out" makes the peaks dynamic, as if they actively break free from the clouds.

"Thin", so that we feel the cleanliness and wonder of Songshan after the rain washes away. The canopy of the sky, which reflects the peaks, is also clear and pure under the reflection of the sunset. Because only in this way can the "thin" form of the peaks be clearly set off, outlining a beautiful picture of the sunset of the peaks after the rain.

This poem uses "thin" to describe Songshan, not only the light source is more novel, but also reflects his spiritual temperament and pursuit in the poet's aesthetic consciousness activities. Some of the high-ranking scholars and scholars in China often leave the impression of being thin for later generations. Therefore, "the number of peaks is thin and out of the clouds", although it is written about Songshan, it is the integration of people and scenery, which reflects the externalization of the poet's feelings.

Therefore, to answer this question completely, candidates are not only required to have deep language skills, but also to have deep cultural accumulation.

"Returning to Songshan Works" Tang Dynasty: Wang WeiQingchuan takes a long and thin belt, and the carriages and horses go to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

Coming back and retreating.

"Sending Yangshan People to Songshan" Tang Dynasty: Li BaiI have an ancient house, Songyang Jade Girl Peak.

Stay for a long month and hang on the Dongxi pine.

Go to the fairy grass, calamus flowers purple mushroom.

New Year's Eve or visit, the blue sky rides the white dragon.

"Sending Pei Eighteen Pictures to the South to Return to Songshan Two Songs" Tang Dynasty: Li Bai

Where can I say goodbye, Chang'an Qingqimen.

Orchid beckons to be a nobody, and Yanke is drunk with gold bottles.

When I got on the horse, I spoke to the king alone.

The wind blows Fanglan, and there are no birds and birds in the sun.

Raising his fingers to fly Hong, this situation is difficult to discuss.

There is no morning and evening at the same time, and Yingshui has a clear source.

Jun Siying's water is green, and he suddenly returns to Songcen.

When I return, don't wash my ears, wash my heart.

Wash your heart to get the truth, wash your ears and buy a name.

Xie Gong ended up together, and he helped the people.

"First Sight of Songshan" Song Dynasty: Zhang LeiOver the years, the saddle horse has been trapped in the dust, and there are green mountains to open my arms.

The north wind blew and the rain went away at dusk, and the peaks were thin and out of the clouds.

"Jiang Yue Huang Chongshan: When I first arrived in Songshan" Jin Dynasty: Yuan asked

Plug the autumn wind drum horn, and the sunset flag at the head of the city. The juvenile pommel horse is suitable. From military music, don't ask who you are from.

Hou Qicai passed through the north of Ji, and the first voice has moved Liaoxi. The return date is still with Liu Yiyi. In the spring boudoir month, the red sleeves do not need to cry.

"Traveling with People in Songshan Twelve Questions, Its Eighth, Tianmen Spring" Fan Zhongyan.

There is a spiritual spring in the gate of heaven, and the dust has not been tasted.

The sun and the moon shine high, and the clouds are also bright.

But if you hold it together, you can drink it well.

You Song Mountain" Xiong Jiao.

Alone Jiao Tong visited the cave, temporarily climbed the spiritual traces and abandoned the dust.

The weeds are all suspicious, and the woodcutters are afraid of immortals.

The green wood is old in the clouds, and the ancient monument is horizontal.

The poor scenery can go by for a long time, and the years of the world have changed.

Returned to Songshan as Wang Wei.

Qingchuan takes a long and thin belt, and the carriages and horses go to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is overdue, and the sunset is full of autumn mountains.

Coming back and retreating.

1. Tang Wang Wei, "Returning to Songshan as a copy", bai

Excerpt from the original text: The deserted city is in the ancient crossing, and the sunset is full of autumn mountains. zhi

Returning and retreating.

Interpretation: The desolate city leans on the ancient ferry, and the afterglow of the setting sun is sprinkled with golden autumn mountains. At the foot of the distant and lofty Song Mountain, he closed his door and refused to spend his old age in the world.

2, Song Zhang Lei's "First Sight of Songshan".

Excerpt from the original text: The north wind blows and the rain goes away at dusk, and the peaks are thin and out of the clouds.

Interpretation: The sun is about to set, the north wind blows away the clouds and rain, the clouds and mist disperse, and the thin peaks of Songshan are revealed.

3, Tang Li Bai "Gift to Songshan Coker Refiner".

Excerpt from the original text: Latent light hidden in Songyue, refining the spirit and perching on the clouds.

Interpretation: The fairyland-like light is hidden in the Songshan Mountain, and the immortals cultivate above the clouds.

4, Tang Chen Yu "Sending Friends to Songshan".

Excerpt from the original text: The return road of Songshan surrounds the Temple of Heaven, and the sound of snow shadows and pines is full of cold.

The road back to Songshan seemed to circle the Temple of Heaven, and the shadows of snowflakes and the sound of the wind blowing the pine trees made the valley chill.

5, Tang Mengjiao's "Luoqiao Evening Look".

Excerpt from the original text: Yuliu Xiao sparse pavilion is idle, and the moon is bright and sees the snow in Songshan Mountain.

Interpretation: The elm willows with bald leaves cover the quiet pavilions, and there is silence and no voice. In the quiet moonlight, I saw the snow on Songshan Mountain at a glance.

1, "Return to Songshan for Recovery" Tang Dynasty: Wang Wei.

Qingchuan takes a long and thin system, and the carriages and horses go to leisure.

If the flowing water is intentional, the twilight birds will return to each other.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

Coming back and retreating.

2, "Sending Yangshan People to Songshan" Tang Dynasty: Li Bai.

I have an ancient house, Songyang Jade Girl Peak.

Stay for a long month and hang on the Dongxi pine.

Go to the fairy grass, calamus flowers purple mushroom.

New Year's Eve or visit, the blue sky rides the white dragon.

3, "Send Pei Eighteen Tu Nan to Songshan Two Songs" Tang Dynasty: Where can Li Bai say goodbye, Chang'an Qingqimen.

Orchid beckons to be a nobody, and Yanke is drunk with gold bottles.

When I got on the horse, I spoke to the king alone.

The wind blows Fanglan, and there are no birds and birds in the sun.

Raising his fingers to fly Hong, this situation is difficult to discuss.

There is no morning and evening at the same time, and Yingshui has a clear source.

4, "First Sight of Songshan" Song Dynasty: Zhang Lei.

Over the years, the saddle horse has been trapped in the dust, and there are green mountains to open my arms.

The north wind blew and the rain went away at dusk, and the peaks were thin and out of the clouds.

5, "Jiang Yue Huang Chongshan, when I first arrived in Songshan" Jin Dynasty: Yuan Hao asked to plug the autumn wind drum horn, and the sunset flag at the head of the city. The juvenile pommel horse is suitable. From military music, don't ask who you are from.

Hou Qicai passed through the north of Ji, and the first voice has moved Liaoxi. The return date is still with Liu Yiyi. In the spring boudoir month, the red sleeves do not need to cry.

The deserted city is in the ancient crossing, and the sunset is full of autumn mountains.

崇山俊山 [chóng shān jùn lǐng]生字本基本語 Detailed interpretation.

Chong: high; Jun: The mountain is high.

Steep. Tall and steep mountain genus.

Source: Jin Wang Xizhi's "Orchid Pavilion Collection Preface": "There are lofty mountains and mountains here; Lush forests and bamboos. ”

Example sentence 1The soldiers braved the bitter cold and heat and persisted in fighting.

Near antonyms. synonyms: mountains and mountains, mountains and mountains, mountains and mountains.

Antonym Ichima Pingchuan.