The beauty of the bridge Every paragraph of the meaning...

Central. This text explores the aesthetic effects of bridges in different environments with the standards and vision of painters, and leads us to use "another vision" to see the scenery that we felt good but couldn't say what was good, and improved our level of art appreciation.

Paragraph gist. In the first part (paragraph), the topic of bridges leads to a commentary on the "beauty of bridges".

The second part (paragraph) leads us to appreciate and taste the "beauty of the bridge" from different perspectives.

The third part (paragraph) points out where the "beauty of the bridge" lies: "Any image that plays a key role in the composition and connection of the bridge also has the beauty of the bridge!" ”

Eh, why do you want this, the first one is right, it was written by Wu Guanzhong, and I just took it in the last class. There is a language book on it.,Lesson 12 in the eighth grade.。。 Also, this thing, you can go to it, and directly enter the "beauty of the bridge" There will be the original text, and there are many, many introductions or something.

Through the overall analysis, it is not difficult to see that the writing idea of the whole text is divided into three parts: (1) (1-3) to clarify the meaning of "the beauty of the bridge".

2) (4-6) Illustrate the "beauty of the bridge" with examples, emphasizing the beauty of the bridge given by the environment (3) and (7) summarize the full text.

This essay is an expository essay that begins with a point of view of the beauty of the bridge in the eyes of the painter, followed by some specific examples of how the bridge has different aesthetic effects in different environments.

In three parts:

Paragraphs 1-3 are the first part, naming the author's reasons for loving the bridge.

Paragraphs 4-6 are the second part, which illustrates the positive and negative aspects of the bridge's role in different environments.

Paragraph 7 is the last part, summarizing the full text.

The text gives four examples to illustrate that bridges differ in appearance, material, and location, and can be in contrast and harmony with the surrounding landscape. The first example is to write about the special feeling of the combination of the stone bridge and the dense reeds. The thick and solid flat spread of reeds makes the space appear narrow and crowded, making people feel suffocated; The stone bridges that occasionally appear have simple and distinct outlines, which can make the space suddenly appear sparse and open, making people feel refreshed.

The second example is the beautiful scenery created by the collaboration between Ishibashi and Hosoyanagi. The thin willow branches brushing the heavy and hard stones of the bridge constitute two different types of beauty: masculine and feminine. The third example is to write about the beauty of the long bridge.

Long bridges are generally built on a relatively wide surface of water, breaking the monotony of the background. At the same time, the long bridge that appears on the vast water is the embodiment of human creativity, and in this sense, it also seems to have a life finch beat. The author says that the corridors and pavilions on the wind and rain bridge are "ideal locations for decorating figures in ancient landscape paintings", giving people a sense of peace and ease, in contrast to the feeling of steep mountain peaks and rapids under the bridge.

The third paragraph: "The structure of the bridge itself is beautiful" and "the various forms of the bridge in different environments" leads to the following description of the beauty of various bridges.

The fourth paragraph: with the beauty of the surrounding environment, following the above specifically written:

1) Mao Dun's hometown of Wuzhen "The strong arc of the arch bridge or the simple straight line of the square bridge just forms a sharp contrast with the reed bushes".

2) The stone bridge of the water town in the south of the Yangtze River is harmoniously matched with the scenery by the bridge, "which also makes the painter ecstatic".

3) The beauty of the long bridge like Wolong.

4) The imitation of the Lugou Bridge in the Summer Palace and the Baodai Bridge in Suzhou, "you will feel like reading an epic poem."

5) The wind and rain bridges in the mountainous areas of Guangxi, Yunnan, Guizhou and other provinces, the corridors and pavilions on the bridge deck to shelter from the rain, and the rapids and waterfalls under the bridge.

The fifth paragraph: The "Hongqiao" in the "Qingming Riverside Map" leads to the iron chain bridge and the bamboo rope bridge, which illustrates that "the bridge often plays the role of overlapping and interlacing connecting images" and "the effect of a line with unique vitality".