Many classic poems have been composed into vivid music by the author, please give an example

Example: Water tune song head Su Shi.

When is the bright moon? Ask the sky for wine. I don't know what year it is in the heavenly palace. I want to go back by the wind, but I am afraid that Qionglou Yuyu will be cold in the high places. Dance to figure out how the shadow seems to be in the world.

Turn Zhu Pavilion, low Qihu, shine sleeplessly, there should be no hatred. What is the long time to say goodbye. People have joys and sorrows, and the moon is cloudy and sunny. This matter is difficult to complete, but I hope that people will last a long time, and they will be together for thousands of miles.

Song: Water tune song head sung by Faye Wong.

When is the bright moon asking the sky?

I don't know what year it is in the heavenly palace.

I want to ride the wind back, and I'm afraid that Qionglou Yuyu will be cold in the heights.

Dance to figure out how the shadow seems to be in the world.

Zhuge low Qihu shines sleeplessly.

There should be no hatred for anything to say goodbye.

People have joys and sorrows, the moon is cloudy and sunny, and this matter is difficult to complete.

I hope that people will be together for a long time.

I want to ride the wind back, and I'm afraid that Qionglou Yuyu will be cold in the heights.

Dance to figure out how the shadow seems to be in the world.

Zhuge low Qihu shines sleeplessly.

There should be no hatred, and there should be no long-term farewell, and farewell should be round.

People have joys and sorrows, the moon is cloudy and sunny, and this matter is difficult to complete.

I hope that people will be together for a long time.

When is Mingyue - Faye Wong sings, changed from Su Shi's "Water Tune Song Head", as well as Yue Fei's words "Man Jianghong", there are also songs, you can search for them yourself.

Poetry: Du Fu.

The country is broken in the mountains and rivers in spring, and the spring grass and trees in the city are deep. Feeling the great Zen waiter, the flowers splashed tears, and the hatred of the bird was terrifying. The beacon fire lasted for three months, and the family letter was worth 10,000 dollars. The whitehead scratching is shorter, and the hairpin is overwhelming.

Word: like a dream.

Song] Li raided the photo.

Last night, the rain was sparse and the wind was sudden, and the heavy sleep did not kill the wine. tried the questionnaire curtain people, but the begonias were still noisy. Did you know? Did you know? It should be green, fat, red and thin!

Song: Tianjingsha Qiusi.

Withered vines and old trees, faint crows, small bridges and flowing water, ancient roads and westerly winds and thin horses. The sun is setting, and the heartbroken man is at the end of the world.

Sanqu, one of the literary genres of the Han nationality. In the Yuan Dynasty, it was called "Yuefu" or "Yuefu". It is a kind of Han ** literature that originated from the new folk sound, and it is a new style of poetry that is appreciated by both the elegant and the vulgar at that time.

There are two basic forms of calling, small reams and sets.

The name of Sanqu was first seen in the literature, which was Zhu Youdun's "Chengzhai Yuefu" in the early Ming Dynasty, but the Sanqu mentioned in the book refers specifically to Xiaoling, and does not include the number of sets. After the middle of the Ming Dynasty, the scope of sanqu gradually expanded, and the number of sets was also included. At the beginning of the 20th century, after the publication of a series of treatises by Wu Mei, Ren Ne and other composers, sanqu was finally established as a complete stylistic concept that encompasses small orders and sets.

The production of sanqu is very similar to the situation of word production, which is produced from the folk slang of the Han people.

It can be said that the rise of sanqu and the decline of words were almost simultaneously. During the Jin and Yuan dynasties, it originated in the north, so Sanqu is also called Beiqu. It includes several main forms, such as small rings, sets of sets, and bands in between.

In terms of structure, loose songs can be divided into: small tune, middle tune, and long tune.

The reason why the loose opera is called "scattered" is relative to the whole set of operas of the Yuan miscellaneous opera. If the writer is purely lyrical and has nothing to do with the plot of Kebai, it is "scattered". It is a genre that can stand on its own.

Its characteristics are threefold:

First, in terms of language, he needs to pay attention to a certain rhythm, and absorbs the characteristics of free and flexible oral language, so he often presents a colloquial and diffuse syllables of a certain part of the genre and a conversational state.

The third is that the rhyme of the loose song is more flexible, it can be rhymed evenly, and the words can also be lined in the sentence. There can be more or less lining words in the north song, and there is a saying that "the lining is not three" in the south song. The lining characters are obviously colloquial and slang, which plays a role in making the meaning of the song clear, lively, and exhaustive.

Liu Xizai of the Qing Dynasty divided the loose songs into three grades in "Art Overview: Song Overview", one is affectionate, one is proud, and the other is graceful.