Koike s writing background, what is the background of the translation and creation of Koike?

Writing background: One year, Yang Wanli.

When he came to Changzhou, he felt fresh from the simple folk customs, the smoke of the farmhouse, the flowing water of the small river, and the beautiful fields, and he climbed the ancient city, walked in the suburbs, and boated in the river to appreciate the beauty of nature.

One day when he came to the pond, he saw a clear spring diverting into the pond with a thin stream of water, willows.

Blowing the water, reflecting the blue waves, the little lotus has just drilled out of the water, a few dragonflies or standing or flying, although there is no pink lotus embellishment, but also fresh and lovely. Yang Wanli's poems are high, and they become a small poem. Later, Yang Wanli sighed:

In the past, I blindly imitated poetry, and my thinking was not smooth and there was no aura, but now I go with the flow and try my best poetry.

The background of Yang Wanli's writing of "Little Pond":

One year, Yang Wanli went to Changzhou to work, where the simple folk customs, the smoke of the farmhouse, the flowing water of the small river, and the beautiful fields all made him feel fresh, and he climbed the ancient city, walked in the suburbs, boated in the river, and enjoyed the beauty of nature whenever he was free. One day he came to the pond, only to see a clear spring split into a thin stream of water into the pond, the willows brushed the water, the shadow of the blue waves, the small lotus just drilled out of the water, a few dragonflies or standing or flying, although there is no pink lotus embellishment, but also fresh and lovely. Yang Wanli's poems are high, and they become a small poem.

Later, Yang Wanli sighed: In the past, he blindly imitated poetry when he wrote poems, and his thinking was not smooth and there was no aura, but now he goes with the flow and does his best to write poetry.

Xiao Chi Song Yang Wanli.

The spring is silent and the water is soft.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Background of the writing of Koike:

After the author was 50 years old, he suddenly realized that he abandoned all the families, and formed a unique "Chengzhai style" from his predecessors to his predecessors. The poems are mostly about natural scenes, good at capturing fleeting details, taking advantage of the excitement, new ideas, popular and clear language, humorous and witty, and fresh tone.

Koike. Dynasty: Song Dynasty.

Original text: The spring is silent and cherishes the trickle, and the shade of the tree shines on the water and loves the sunshine.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Appreciation: This poem is small and exquisite, like a colorful ink painting of flowers, plants, insects and birds. In the picture, the pond, the spring, the stream, the lotus and the dragonfly are all small, but they are exquisitely clear and full of vitality.

In the first sentence, the source of the small pond is written in close to the title, a trickle of spring water. The spring water flowed from the mouth of the cave without a sound, and of course it was small and small. The spring water that flows out forms a trickle, and it is even smaller and smaller.

This was originally very ordinary, but the author added the word "pity" out of thin air, saying that it seemed that the spring cherished this trickle very much, and was stingy and reluctant to flow a little more. So the poem immediately flew and became affectionate, interesting, and full of humanity.

In the second sentence, the shade of the trees is written in the clear and soft scenery, covering the surface of the water. This is also a very common thing, but the poet adds the word "love", which seems to cover the small pool with her shade, so that the water does not evaporate and dry up, so that the ruthlessness becomes affection. Moreover, the poem takes the shadow, focusing on the soft branches on the water surface, which is very ethereal.

In three or four sentences, the focus is narrowed down, and a small lotus in the pond and the dragonfly on the lotus are written. Xiaohe had just exposed her budding tender tip to the water, revealing her vitality, but on this pointed tender horn, there was already a small dragonfly standing on it, and it seemed to be the first to take the lead in enjoying the spring light. Little lotus and dragonfly, one "only dewed", the other "early", look at everything around them with a novel eye, and capture the fleeting scene.

The poet touches the interest of things, uses agile and dexterous techniques to depict specific scenes full of interest, and writes about the very ordinary small things in nature that are close to each other, harmonious, lively, lively, witty, and popular. And this poem is written like a painting, the picture is rich in layers: the sun, trees, small lotus, small pond, bright colors, bright sunlight, dark green shade, emerald green lotus, fresh dragonflies, clear spring water.

The picture is full of movement: flying dragonflies, shadowy ponds, full of poetry.

Koike Translation:

The water of the spring flowed out of the spring quietly, so small, as if the spring cherished it and was reluctant to let it flow away; The green trees on the shore cast shadows on the water, and it seemed that they loved the clear and soft blue waves of the pool. The newly grown lotus leaf was still rolling, and a sharp corner had just emerged on the surface of the water, and a dragonfly had already stood lightly on it, unwilling to fly away.

Koike original text:

Dynasty: Song. The spring is silent and the water is soft.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

This poem is a refreshing sketch. Everything is so fine, so soft, so affectionate. It is a poem, picturesque, showing the bright early summer scenery, natural and simple, but also really touching.

Extended Coarse Hidden Data Ridge Hall:

The first two sentences lead the reader into a small, delicate, soft and pleasant realm, where a thin stream slowly flows out of the spring without a sound; The green trees by the wild bench pond are clearly visible under the illumination of the slanting sun, throwing the shade of the trees into the water.

The word "pity" turns ruthlessness into affection, as if the spring is because of the love trickle, so that it flows slowly and silently; The word "love" gives life to the green tree, and it seems that it likes this sunny and soft scenery, so it uses the water as a mirror to show its graceful demeanor.

Before the height of summer, the lotus leaf had just emerged from the water with a sharp horn, and a small dragonfly stood on top of it. One "only dew", the other "early standing", before and after, realistically depicting the scene of dragonflies and lotus leaves leaning on each other.

Yang Wanli writes poems and advocates learning from nature, he has a strong interest in natural scenes, often uses fresh and lively tones, easy to understand language, depicts ordinary scenes seen in daily life, and is especially good at capturing the characteristics of scenery and fleeting changes, forming a picture full of interest, so the poems are full of rich life atmosphere.

Chishang (Tang) Bai Juyi.

The little baby propped up the dinghy and secretly picked the white lotus. I don't understand the hidden traces, and the duckweed opens together.

Explanation: A child supported a small boat and secretly picked white lotus. He somehow hid his tracks, leaving traces of a boat on the duckweed on the water.

Appreciation: The big lotus pods in the pond are fresh and fragrant, how tempting! A child secretly propped up the boat to pick it up and rowed it back.

He didn't know how to hide his traces of stealing lotus pods, thinking that no one knew; But as the boat sailed by, the green duckweed that had been paved on the surface of the water split off a waterline, revealing his secret. This poem is like a set of shots that capture the scene of a child stealing white lotus. From the little protagonist of the poem holding the boat into the picture, to his departure leaving only a piece of duckweed that has been rowed, there are scenes and colors, action descriptions, psychological portrayals, meticulous and realistic, full of interest; And the innocent, lively, and cute image of this little protagonist is lifelike and jumps on the paper.

About author:Bai Juyi (772 846), the word Lotte, in his later years, also known as Xiangshan Jushi, Henan Zhengzhou Xinlu Bi Zheng people, is a great realist poet of the Tang Dynasty in China, his poetry has a wide range of themes, diverse forms, easy and popular language, and is known as "poetry demon" and "poetry king". The official is a bachelor of Hanlin and a doctor of Zuo Zanshan.

There are "Bai's Changqing Collection" handed down, and representative poems include "Song of Long Hatred", "Charcoal Seller", "Pipa Xing" and so on. Bai Juyi's ancestral home is Shanxi, Shaanxi, and Song Gao was born in Xinzheng, Zhengzhou, Henan Province, and was buried in Luoyang. The memorial hall of Bai Juyi's former residence is located on the outskirts of Luoyang City.

Baiyuan (Bai Juyi Tomb) is located in the Pipa Peak of Xiangshan in the south of Luoyang City.

Xiao Chi Song Yang Wanli.

The spring is silent and the stream is trickling, and the shade of the trees shines on the water.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Jingxi Du Xunhe.

Jingxi stone is cautious, and it does not hear about overturning people all year round;

But it is a place where there is no danger in the advection, and it is always heard that there is sinking.

Foreign poetry....

I'd rather be a stream.

Pei Duofei. I'd rather be a stream.

A small river in the mountains.

On a rough road.

Passing on the rocks.

As long as my love.

It's a small fish.

In my waves.

Swimming around happily.

I'd rather be a barren forest.

On both sides of the river.

to gusts of wind.

Brave fights.

As long as my love.

It's a little bird.

In my dense.

Make a nest between the branches and chirp.

I'd like to be ruins.

On a steep mountain rock.

This silent destruction.

It doesn't discourage me.

As long as my love.

It is a green ivy.

Along my desolate forehead.

Intimate climbing ascends.

I'd rather be a thatched hut.

At the bottom of a deep valley.

On top of a thatched hut.

Satiety is battered by wind and rain.

As long as I love the Zana.

It is a pretty flame.

In my stove.

Pleasant and slow flashes.

I'd like to be a dark cloud.

It's gray and hungry without breaking the flag.

In the desert sky.

Lazy drifting around.

As long as my love.

It's a coral-like sunset.

Next to my pale face.

Brilliant brilliance.

The original text of the ancient poem "Koike" is as follows:

The spring is silent and the water is soft.

The little lotus showed its sharp corners, and a dragonfly had already stood on its head.

Yang Wanli, the word Tingxiu, the number Chengzhai, male, Han nationality. A native of Jishui, Jizhou (now Jishui County, Jiangxi Province). An outstanding poet of the Southern Song Dynasty, he is known as the "Four Great Poets of Zhongxing" and "Four Great Poets of the Southern Song Dynasty" together with You Yuan, Fan Chengda and Lu You.

Translation of "Koike":

The small spring is silent, like a cherished spring flowing with a trickle.

The shade of the trees reflected in the water loves the soft scenery on this sunny day. The sharp horns of the fresh lotus leaves have just emerged from the water.

Dragonflies have already landed on top of it.

Appreciation of "Koike":

This is a refreshing piece. Everything is so fine, so soft, so affectionate. It is a poem, a picture, showing the bright early summer scenery, natural and simple, and really touching.

This poem describes a spring pure ruler eye, a trickle, a pool of shade, a few small lotus leaves, and a small dragonfly, forming a vivid picture of the scenery of a small pond, showing the intimate and harmonious relationship between all things in nature.

Beginning"The spring is silent and the water is soft. "The two sentences bring the reader into a small, finely polished, soft and pleasant realm, and a thin stream slowly flows out of the spring, without a sound; The green trees by the pond are illuminated by the slanting sun, and the shade of the trees is thrown into the water, and the light and shade are mottled and clearly visible.

Xiao Chi Song Yang Wanli.

The spring is silent and cherishes the trickle, and the shade of the trees shines on the water and loves the sunshine.

Xiao Lotus showed sharp corners, and there were already dragonflies standing on the silver shop to stop the group.

Translations. The spring is silent because it is reluctant to let the water flow, and the shade of the trees reflects the water surface because it loves the gentleness of the sunny day and the wind. The delicate little lotus front or sedan leaf has just emerged from the water, and a mischievous little dragonfly has already stood on it.

"Xiao Chi" is a work by Yang Wanli, a poet of the Song Dynasty.

The first sentence of this poem writes that the small pond is connected with living water, the second sentence writes that there is a touch of green shade on the small pond, the third sentence writes that the small lotus comes out of the water and is accompanied by the small pond, and the last sentence writes that the dragonfly flies to the small lotus as a companion. The whole poem uses rich and novel imagination and anthropomorphic techniques to delicately describe the characteristics and slow changes of the natural scenery around the small spring bump pool, showing the poet's love for nature.

"Xiao Chi" is an ancient Chinese poem, written by the Southern Song Dynasty poet Yang Wanli. Yang Wanli (1127-1206), known as Tingxiu and Chengzhai, was a famous writer and poet of the Southern Song Dynasty, and was known as the "Four Great Zheng Jing Poets of the Southern Song Dynasty" together with Lu You, Fan Zhongyan and Su Shi. His poetry is known for being fresh and lively.